When it comes to electric guitar tone, nothing beats the sound of a vintage valve amp. The RevivalDRIVE Custom recreates a valve amp-style signal path in all-analogue electronics to provide a realistic tonal response, touch-sensitive drive characteristics, and elusive ghosting overtones.The
When it comes to electric guitar tone, nothing beats the sound of a vintage valve amp. The RevivalDRIVE recreates a valve amp-style signal path in all-analogue electronics to provide a realistic tonal response, touch-sensitive drive characteristics, and elusive ghosting overtones.The
The Archer Select is truly the most versatile K style overdrive yet. Featuring the ability to switch between 7 diodes ranging from lowest to highest output using the clipping knob and left footswitch players can create endless combinations of K style tone from boosts to stacked drives and
The Ibanez Tube Screamer, in its many versions and forms can be found on pedal boards in every corner of the globe, on arena stages and in small studios and bedrooms. Its warm overdrive is a sound many players, from advanced to beginner, could never do without. Now, it gets even better with the
A detailed replica of the original 1965 Metal Case Tone Bender pedal created by Gary Hurst in London, England. The BPC MKI Tone Bender features the same transistor specification (1x OC75 and 2x 2G381) as the original version. This configuration has a unique tone and a special character which cannot
Many Fortin amps have achieved legendary status over the years - but only one has had players constantly talking, constantly chasing, constantly looking to recreate its legendary tone.Fortin wanted players to be able to get that tone from their own rig, be able to drop it right in and feel the
The PLASMA Drive is a collaboration between Gamechanger Audio and Erica Synths, an established and recognized modular synthesizer brand from Latvia. Erica Synths are a team of visionaries, engineers and musicians who create modules and instruments that are different in terms of sound, looks and
This pedal was inspired by the classic sounds of the Dumble Overdrive Special from the late 1980s and 1990s. The pedal has four controls for Gain, Dynamic, Tone and Volume and a Boost switch. To offer more headroom, the pedal can be operated with 9 volts as well as with 18 volts. Owners of the
Whether you’re looking to ride the slow, vibey waves of lush modulation or dive headfirst into the pulsing depths of overdrive, Riptide invites you to play with power and attitude that’s unapologetically bold. Riptide features not one, but two distinct voices for each effect, all delivered in
Riverside is the culmination of a thorough analysis of numerous analog and vacuum tube circuits. What was the goal? To deliver a new world of harmonically rich, incredibly versatile, tube-inspired drive sounds. Strymon didn’t want to build just another distortion or overdrive. They knew they must
Third Man Hardware and Gamechanger Audio announce the PLASMA Coil, a special version of the PLASMA Pedal created by Gamechanger Audio and Third Man Records.The PLASMA Coil is used by Jack White on the Raconteurs’ latest album Help Us Stranger, in the subsequent tour and upcoming projects. At its
The Melee unapologetically uses a joystick to meld reverb and distortion into one massive blaze of sound. With the flip of the order switch, run the distortion into the reverb or reverb into distortion; signal chain is your call now. For the explorer, the Melee can run one of three different reverb
Polaris is a dynamic medium-gain overdrive, with incredibly flexible tone-shaping capabilities. Its unique feature set includes an optional 2-pole resonant filter, controllable via expression pedal for filter sweeps and out-of-this-world overdrive tones.Designed to help you explore the outer-limits
The Janus is a true bypass, dual joystick controlled Tremolo / Fuzz pedal that allows you to create a landscape of distorted textures. Both the Tremolo and the Fuzz can be isolated and used alone, but can also be used together in series creating thick textures with a lot of movement. Each joystick
Size: the new housing makes this one of the smallest double pedals on the market considering it's a tube powered pedal.. just 3.5' x 5'!Connections: a smart set of dual connections allows it to be used as a standard pedal with one main input and one main output, or split into two separate pedals
Pedal that has been inspired by the classic sounds of the Dumble amplifiers of the late 1970s. The pedal features four controls for Gain, Volume, Depth and Tone. To offer more headroom, the pedal can be operated with 9 volts as well as with 18 volts. Dumble Silverface amp owners includes Stevie Ray
Kernom's distinctive MOOD knob enables you to explore a limitless array of overdrive clipping variations. Whether you prefer soft or hard clipping, symmetrical or asymmetrical characteristics, inspired by Germanium or Silicon diode behavior, augmented analog circuitry empowers you to embark on a
Germanium fuzz has a long history in the world of musical effects. The nature of germanium, its variability and temperament, make it an interesting parallel to the musical mindset of the creators who utilize it. Sometimes smooth and warm, sometimes harsh and unpredictable, always sensitive and
The Lightspeed Organic Overdrive is a very natural sounding overdrive. Why 'organic'? Well, simply put, it's the clearest, most natural feeling, and best overdrive for the player looking for a natural drive tone. Blending with the tone of the guitar and amplifier, this pedal has rich harmonics and
Guitar pedal effect - overdrive. Ever since the 1970s a small, green Japanese overdrive pedal has been a major part of almost every pedalboard. From blues rockers like SRV and John Mayer using it as the main part of their sound to massive metal artists like Kirk Hammett using it to push an already
All analog sonic recreations of 5 legendary fuzz circuits plus a future classic combination !!For this limited run of our Constellation Fuzz we carefully hand-select NOS germanium CV7003 transistors (military spec OC44) made in the UK by Texas Instruments in 1968. Each pedal is built by hand, one
Rather than relying on traditional LED, transistor or vacuum-tube circuits to produce overdrive, the PLASMA Pedal fundamentally redefines the way that signal clipping can be achieved.Inspired by Nikola Tesla's electrical resonant transformer circuit design (the Tesla Coil), it is the first effects
A detailed replica of the 1966 Professional MKII Tone Bender pedal created by Gary Hurst. Unlike the MKI.5, the MKII had a 3 transistor circuit which, based on production and supply, comprised of either 3x OC75 or 3x OC81D transistors and offered increased sustain. The OC81D loaded MKII can be
Black Clouds features an extensive and thoughtful control set that includes:Pre Boost: Controls the amount of input boost from 0 to 30dB with a slight mid boost to add definition. Use it if you want to raise the gain and compression when using the boost function. This control is not functional if
Using a cascading hybrid of op-amp and BC184 transistor gain stages, Shigeharu provides all the sweet singing sustain and massive flamethrower gain you crave, but with unprecedented clarity, improved punch and definition, and consistent performance wherever it sits in your signal chain – even
A brave new world of tone, the SOMA ‘63 Vintage Preamp is the first pedal in the XFR series of pedals from Greer Amps. The SOMA ’63 is a true vintage preamp, based on the tone and feel of vintage brown era amplifiers from California. This pedal simulates the entire preamp, phase inverter, power
Made in: USA | UK/EU Power supply included: No | Type: Overdrive;Hall
Caroline Guitar Company Wave Cannon MKII is a real distortion pedal that is also capable of doing extremely cool mild-to-medium crunch tones. The distortion pedal is really capable of overwhelming your amp and it has a LOT of gain and volume on tap. It is a classic distortion pedal that sounds good
A detailed replica of one of the world's most iconic effectsthe Dallas Rangemaster treble booster. Originally produced in 1965, it has been used by many of the worlds most respected artists including Eric Clapton, Tony Iommi, Rory Gallagher, Brian May, Marc Bolan, Ritchie Blackmore and many more
The Royal Velvet Class-A British Drive and Pre nails the feel and tone of two of Nick Greer’s favorite amps. This British drive and pre features the same transformer as the previously released, award winning SOMA63. After a year of working with this super versatile transformer, we have found a
This is Odyssey: One analogue circuit by Peter Hamstead, countless classic and contemporary tones. With interactive controls for unbelievable versatility, Odyssey can take you on a journey from clean boost with tone shaping, to classic rock, through to heavy metal, and all the way to oversaturated
The DFST-1 (Stealth) is a full-on fuzz pedal, the latest in the line of pedals using Rainger FX Dr Freakenstein fuzz circuit – but in brand new ways.This uncompromising stompbox has the same built-in noise gate to keep it ultra silent between notes, but with a ton of volume available. There are
The PEACEKEEPER is ThorpyFX concept on a low gain overdrive designed to suit all guitars and all amps whilst delivering the sweetest on the edge to crunch tones you have ever heard. Hyperbole aside, this pedal has some very cunning tricks up its sleeve, by combining a post gain active Treble and
The Halcyon Gold Overdrive is an adaptive overdrive pedal featuring proprietary Adaptive Circuitry. This unique design allows it to adapt its voicing in response to pick attack and volume changes, making it one of the most dynamic and interactive overdrives out there. While it is inspired by a
An innovator and pivotal influence on effect-laden guitar tones, Kevin Shields awakened iconic sonic walls of fuzz like the world had never heard as he defined the tone of alternative rock in the '80s and '90s. His tool of choice for fuzz laden chaos: an original Fender® Blender effect pedal,
Pop Top Boost from Milkman Sound takes its inspiration from the classic American recording consoles of the 1970s. Milkman Sound designed a discrete Op Amp which fits the standard 2520 footprint and put it into a modern pedal enclosure for use with guitar or any other instrument that uses 1/4”
Jonassus drive is a dual-channel overdrive pedal offering a sweet, warm, and articulate low-gain overdrive (“Low Channel”) plus a thick and ballsy medium-high gain overdrive (“High Channel”).Each channel has its own Volume and Gain control, a shared Tone control, and an independent set of
The FIELD MARSHAL is a MKII version of the Big Cheese fuzz. Smaller, louder and more tonally flexible than the original it sits perfectly on a modern pedalboard. The tonal flexibility is provided through a tonestack bypass foot switch that allows you to have two different fuzz sounds from the same
HEAVY WATER is a creation designed to meet the requests ThorpyFY were receiving to release the Boost side of the DANE as a standalone pedal. So not one to disappoint, they went ahead and did just that….but in typical Thorpy fashion it went one step further. Therefore, HEAVY WATER has two sides in
The BUNKER is a MKII version of the Brown source drive pedal. It is smaller, louder and more tonally flexible. The tonal flexibility is provided through a texture control that allows you to have whichever type of drive sound you want from original Brown Source style drive through to thicker and
The ~900 is a ferocious fuzz pedal featuring two cascading JFET gain stages. It offers a very wide range of gain, adds delicious harmonics and, if given the opportunity, will slap the ice cream cone right out of your hand. The INPUT section is a ‘mu-amp’ design. The INPUT knob controls the
Named after the world’s most fearless creature, the Honey Badger Octave Fuzz truly does not give a fuzz. Thick skinned and unbelievably aggressive, this golden box of doom does not care for pleasantries and goes straight for the tonal jugular.Redbeard Effects took the much loved concept of the
Have you ever sat in a barber's chair wishing your tone was as slick as your freshly shaved upper lip? With the Barbershop Overdrive on your pedalboard, you could keep your moustache and sound good doing it.Less is more with this simple, original design. Handmade from JFETs matched to specs, this
Preserving that warm tube tone of V1 they’ve added gain and volume boost function to spice up your solos. The core real-tube overdrive circuit, courtesy of a 12AY7, is exactly the same but as they listened to our customers feedback they updated the tone control with wider range for brighter
A multi-mode Germanium fuzz / booster inspired by british classic Fuzz boxes of the past.All analog, featuring NOS Germanium transistors for smooth and deep complex tone with amazing clean-up.They hand select 3 New Old Stock Black Glass Germanium transistors for each pedal ensuring ideal
This pedal has the ability to beat any four transistor fuzz you have heard (including the best vintage units). By adjusting the perfectly voiced EQ you can achieve fuzz tones from silky smooth through to doom laden whilst maintain the ability to cut through. Internally the pedal is immaculately
The GUNSHOT was designed to be the overdrive to beat all others. Sonically most overdrives can sound thin or lack a certain “something” when compared to a real valve amplifier. It’s an unfair comparison really, but it is possible to solve this problem. This is where the GUNSHOT comes in, at
The WARTHOG started off being designed to be the distortion to beat all others; however it ended up being so much more. Through minute tailoring of the circuit, the WARTHOG delivers the biggest range of tones of any overdrive/distortion pedal on the market. With an ability to go from crystal clean
Blues Overdrive Pedal tonally sits somewhere between a boost / treble booster and a fuzz. The 2 controls are unlabelled, but the left is the output control and the right is the grit control. It also has a bias switch to select between 'vintage' or 'vintage modern' voicings.The Blues also contains a
The pedal is called Supreme because it simply excels in both tone and functionality. Supreme was born in collaboration with the world famous tone connoisseur Matt Schofield. Matt was looking after the best guitar overdrive tones possible and a specific functionality: two pedals in one, switching
The Tomahawk Deluxe Drive is a great medium gain “second stage” overdrive pedal. This beauty barks and snarls, but it can also lean back and simply shift your tone just a bit. This pedal CAN RUN ON 9 AND 18 VOLTS. This pedal has a purposeful EQ shift that puts it squarely in the “tweed”
Based on the old Supa Tone Benders and Muff style pedals that inspired our Olympia fuzz of a decade ago, and using BC184 transistors, Crom does away with the typical lossy tone stack, instead using a classic 1950’s tweed amp style tone (Mountain) control that interacts with the gain (Sword)
Guitar effect. Features: Developed and designed in collaboration with legendary guitarist Earl Slick. Octave circuit with a Hendrix-like sustain. Original modern fuzz circuit. Both circuits can be used independently of each other. Built-in switchable and adjustable noise gate. Controls: fuzz,
The Hawaiian Pizza fuzz pedal is the latest bizarre contraption from the minds of the Caroline Guitar Company. Combining classic overdrive with molten fuzz (sweet & savoury), the Hawaiian Pizza is undoubtedly a head-turner. Emulates classic tube-style overdrive, perfect for pushing the front of
There’s a lot of debate over whether an overdrive circuit sounds better before or after an EQ circuit. Why not have both? By jamming two gloriously independent overdrive circuits either side of an extremely interactive EQ, the Angry Rhubarb was born. An obsessive amount of tweaks, modifications
This unit destroys your slick jazz lines. The fruit of an oddball circuit, hanging there awkwardly by some parasitic effect. Tweaked, bended and shoe-horned to optimize it’s stench, it’s unpleasance. The time has come to turn all dynamics to shit. Strangely, it feels very natural. As The
A compact, modern replica of one of the world's most iconic effectsthe Dallas Rangemaster treble booster. Originally produced in 1965, it has been used by many of the worlds most respected artists including Eric Clapton, Tony Iommi, Rory Gallagher, Brian May, Marc Bolan, Ritchie Blackmore and many
Comet is a meticulously voiced overdrive pedal that opens up a whole world of tones from a simple control set. Representing pursuit to take analogue drive circuitry to new heights, it can be moulded from boutique sounding overdrive with a vocal midrange, right through to a rich and creamy fuzz
A compact, modern replica of the original Zonk Machine MKI pedal that was developed by Wilsic Sound for John Hornby Skewes and produced in Leeds, England from 1965 to 1966. The design and circuit topology of the Zonk Machine looks very similar to the original MKI Tone Bender (designed by Gary
A compact, modern replica of the 1966 Professional MKII Tone Bender pedal created by Gary Hurst. The BPC MKII Tone Bender features an authentic 3 transistor circuit with 3x OC81D transistors that provides a thicker and slightly less aggressive sound than the MKI version. The OC81D loaded original
Guitar effect feature classic sounds which are notoriously recognised with the Tube Screamer. Antique is not a clone, but it definitely belongs to the screamer-like family of overdrives. It has a well-defined mid-range tone, typically useful to achieve the bluesy sounds of John Mayer or SRV, it is
The Plexi Tone guitar effect is a pedal made according to the legendary amps from the 1970s, which excels in its natural and dense distortion. Plexi Tone offers a choice of key controls to help guitarists achieve the legendary sound of overdrive or soft crunch. The effect is equipped with Crunch
The simple control interface houses new and refined features while offering the highly regarded tone of the original. As a tribute to the Apollo VII, NASA’s first three-person space mission, there are three controls: level, gain and tone. Each has been optimized to offer a wide variety of sounds,
Imagine the ability to combine the best and defining characteristics of different overdrive & boost pedals in order to create hybrid sounds no one has ever played through before. That is exactly what Keeley engineered with the Noble Screamer. It’s a 4-in-1 pedal that gives you two very familiar
The Abasi Pathos presents an impassioned appeal to the varied sonic needs of the modern guitarist. Designed to retain the feel of an American-style tube amp channel, its versatility is derived from the ‘smooth’ and ‘edge’ voicings that range from an emotive crunch all the way to scorching,
The next generation effect pedal that surpasses and redefines the distortion pedal.This all new effects unit has been developed by Fumio MiedaThe HD-S effects pedal combines three different distortion circuits to create harmonic modulation that goes beyond the traditional concept of distortion.This
Next-generation 5E3 Tweed Deluxe inspired Foundation Overdrive with incredible range - from Grant Green to Crazy Horse! Big and powerful, yet refined, the Formula No. 55 melts into your amp, transforming it into a wide ranging tweed monster! The Formula No. 55 is a Foundation Overdrive that
The Formula 5F6 reproduces the sound of the tweed Bassman® which, even though was marketed as a bass amp, is perfect for guitar. Depending on its volume you can get a sparkling, harmonically rich tone, or turn it up to get that famous on-edge-of-breakup character that is responsive to your
The MXR Hybrid Fuzz channels classic Fuzz Face Distortion pedals to open up a blazing new frontier of fuzz. Combining the snarling, high-gain aggression of a silicon transistor and the smooth, shaggy warmth of a germanium transistor into a single circuit, the Hybrid Fuzz generates a broad range of
This is angry, aggressive, larger-than-life and not-holding-back version of the old familiar circuit, complete with the good old LM308 chip. They updated a few things, including the quality of the components used in the circuit, and you know that old Filter knob? Well, they turned it into a Tone
The Southland Harmonic Overdrive is built on the Lightspeed Organic Overdrive platform, they have developed what they believe to be the best overdrive on the market. The Lightspeed was built with the specific purpose of being a light to mild overdrive. The Southland is the next logical step for the
All the way back in the 40's, Fender introduced the Champ amplifier, then known as the Champion 800. After a lengthy series of part swaps and circuit revisions, Fender arrived at the 5F1, otherwise known as the Tweed Champ, named so because of its unmistakable wrapping. It featured just one Volume
Expanding on the Excess, Old Blood Noise continues their journey to revive and expand sought-out pedal sounds of the 80s. With delay, chorus, and harmonized fifths available along with distortion in series or parallel configurations, Excess V2 unveils more sounds and even more control. | | Three
This pedal incorporates two different gain stages: a clean, full-response stage capable of up to +12db boost, and a tailored clipping stage that overdrives a mix of silicon and Russian germanium components for colorful light to medium drive. A simple but elegant high-cut control helps keep things
Explore the fuzz world and build a unique tonal foundation. Stone Age is a multi-engine fuzz pedal capable of creating from classic and renowned to modern and experimental fuzz tones. Choose between four engines: Single Transistor, Maestro, Face and a modern Muff 'Thermion' modified with improved
An update to the renowned Saturn V released in 2012, they’ve added new features which really take this unique circuit to the next level.Within its intuitive control layout, the heart of the Saturn VI lies with the Boost and Drive controls. Using Boost alone gives you 18db of harmonic gain to push
MXR and Third Man Hardware have teamed up to create the perfect booster for gigging guitar players. The Double Down Pedal combines two separate MXR Micro Amp circuits into a single box so that you can heat up two separate signal chains with just the right amount of classic Micro Amp bump.The Double
Raw and Nasty. Vintage sonic gnarliness born from the Mosrtie Fuzzrite. Nail the tones of Detroit garage rock and that other band, the one with the singer in silver pants covered in peanut butter. This is a versitile fuzz, dial in splattery octave tones or thicker searing gain. Both knobs interact
The Okto Nøjs takes your signal and turns it into pure subsonic fire. It spits and sputters sizzling, synthy octa-fuzz tones left and right, all while running it through an earthshakingly deep analog octaver for unprecedented levels of bass brutality. | • Analog Octaver and Fuzz in one pedal –
Roaring like a British Lion from Wembley to the Sunset Strip, the Jubilee is ready to melt faces. Sure, it can do subtle but that's no fun. Crank it up and rock out. Controls: Loudness: Controls the output level of the pedal.Drive: Adjusts the gain and distortion of the pedal.Treble / Middle /
guitar effect, Type: Overdrive, True Bypass, Control: Drive, Tone, Level, Boost / Normal switch, Input / Output impedance: 500 / 10kOhm, Noise: -116dB, Power: 9V, Weight: 580g | Made in: Japan
Can you imagine the ultimate tool that transforms any guitar and amplifier into a Rock and Metal machine? Stop imagining. Here’s Gasoline. Gasoline is the tool that will make you set aside all your old distortion effects and preamps. Genuine American High Gain boutique sound with unprecedented
The Bleep is the most fun, most out-there pedal in the Rainger FX line! It’s a compilation of various sounds from the range of Dwarf pedals recently discontinued, but in a more usable format. Using the same full-on fuzz circuit from the Dr Freakenstein Fuzz pedal, it has more low-end, the LFO
The Northern Creeper Fuzz from Daredevil Pedals. The circuit is thick and biting, reminiscent of early 70's fuzzes by Shin-ei or Maestro minus the extra controls. Just volume and sustain. More output, even tone response, and more gain. Big, gritty, blown out, and saturated but tight enough to hold
The Silver Solo is a treble booster/gain boost based on the old Dallas Rangemaster circuit from the 60's. It accentuates dynamics and texture while increasing volume, pushing your tone through the mix when you need that extra cut. You'll get more sustain and a sweet harmonic edge to each note. I
Overdrive/distortion effect pedal for electric guitar that covers vast tonal real estate and redefines versatility. Its full complement of features and controls make dialling in inspired guitar sound intuitive – whatever the era, from the vintage to modern. Pedal features a JFET overdrive for
Guitar pedal effect - overdrive. The Drive – Bi is a dual channel, op-amp gain circuit. Designed to cover medium to high level amp style drive that is extremely dynamic and raw. Low channel adds grit, sustain, and overdrive to your amp while still pushing output. Hi gain mode expands low end,
Every player is looking for something to define their tone and set them apart. With an emphasis on originality and the highest quality engineering, they wanted to craft a new and unique sounding drive pedal. The Red Mist MKIV is a focused, crunchy, tight drive that can spice up your tone anywhere
With its take on the cult-classic, chainsaw distortion pedal, the EHX Hell Melter takes distortion to its extremes. The Hell Melter features expanded controls and tonal capabilities, allowing the already in-your-face sound of the pedal to broaden by switching to more open clipping options and
Guitar pedal effect - boost/overdrive. The BB Preamp offers a wide variety of sounds. It's capable of a +30 dB clean boost with an adjustable ±15dB two band active EQ which adds a wide range of harmonic content to your ideal sound. The BB also utilizes a pre-gain stage which allows the pedal to go
Xotic's iconic boost pedal is back.Dynamic and sensitive to the nuances of the player, the RC Booster offers more than 20 dB of transparent clean gain.Active control of amplification, treble, gain and volume.Using premium parts, the RC Booster is considered an 'always on pedal' that naturally
The Crazy Tube Circuits Ziggy v2 is a British flavored dual overdrive / distortion designed with discreet MOSFET gain stages to respond like a tube amp with ultra touch sensitivity so that you can control everything from your guitar’s volume knob and pick attack.A silent relay true-bypass
This special edition of the Octavio Fuzz pays tribute to the legendary Jimi Hendrix with a custom finish that remixes prolific and celebrated rock artist John Van Hamserveld’s famous 1968 Shrine Auditorium concert poster art.Packed into an MXR mini housing, Octavio Fuzz updates the circuitry of
The OCD V2 guitar pedal overdrive effect designed by Fulltone. This model provides the ability to switch between true bypass and enhanced bypass modes for complete audio consistency. Class A configured discrete 2N5457 JFET input section increases input impedance to 1 MOhm, which contributes to
The Aces Hybrid Amplifier found its origins in RCA data sheets from the 1950s. Simple 2 stage gain circuits utilizing germanium transistors, the only kind available at the time. Daredevil wanted to use the same approach, but give it the Daredevil treatment, creating something unique that nailed a
The Chatbreaker guitar pedal inprired by ChatGPT embodies pure sonic power with its versatile tone-shaping capabilities. From classic crunch to gritty distortion, and has easy-to-use controls for optimum customization. A must-have for guitar and AI enthusiasts.All new Revv voiced circuit inspired
Squeeze the best British blues and rock tones out of any Amp with Heartbreaker. Dynamics, crunch and delicious overdrive in the ultimate preamplifier for classic sound lovers. Heartbreaker is a versatile tool that will turn any amplifier into a roaring rock and blues machine with the best classic
Do you miss gain and punch on your amplifier, or do you want to shape your tone without giving up the most natural overdrive? Here’s Uprising. Uprising is the dual booster that faithfully recreates the behavior of a tube gain stage. Whether you want an effective tool to give personality to your
Achieve the boosted ‘Blizzard of Nails’ British tones that influenced many guitarists and generations with Breakthru. Two channels of mid-rangy overdrive that will upgrade your tone with a new dimension of punch and dynamics from Indie or Blues to Hard Rock tones. Designed with the same
For everyone out there who nevers turns off their Barbershop, this is for you. The same circuit in a tiny box, no bypass switch, no light. You can select between two tone options via a jumper inside the pedal: MODELE B FEATURES flat and wide, like the original Barbershop, like the middle tone
Pulled directly from Tilt Overdrive’s Boost circuit, Tilt Boost provides up to 20dB of organic level with an intuitive Tilt EQ control that simultaneously increases treble & decreases bass (or vice versa). This allows you to instantly fine tune your feel & tone, & combined with the strategic
Super Conductor features 4 distinct boost circuits in a small pedal format. Based on one-knob-wonders of the present and past, these tone accelerators can drive your rig into sonic bliss.Each all-analog circuit features different input/output impedance, internal voltage and behaves differently on
The Powerball pedal is tonally based on the Lead2 channel of the Engl Powerball II, recreating the gain stages of the amp itself. True bypass and completely analog, the pedal’s specially selected components offer up a particularly high level of sound quality. The electronics assembly is protected
output 1 normal for transistor amps, Buffered Bypass, output 2 for valve amps, includes AC adapter. | True Bypass: Yes | UK/EU Power supply included: Yes | Made in: China | Power Supply: Adapter | Type: Overdrive, Boost
The Warm Audio Centavo is an accurate recreation of one of the most unattainable overdrive pedals in guitar history. Known by its lauded boost and overdriven tones, the craze for this uber-popular pedal continues today, long after its original production from 1994 to 2009. With prices soaring into
This special edition of the Band of Gypsys Fuzz pays tribute to the legendary Jimi Hendrix with a custom finish that remixes prolific and celebrated rock artist John Van Hamserveld’s famous 1968 Shrine Auditorium concert poster art.Packed into an MXR mini housing, Band of Gypsys Fuzz is based on
The Fuzz Face Mini pedal line features legendary Fuzz Face tones in smaller, more pedalboard-friendly housings with several modern appointments: a bright status LED, an AC power jack and a convenient battery door. As with the original models, Fuzz Face Minis feature true bypass switching. The FFM2
The Super Badass Variac Fuzz is a dream come true for guitar players chasing vintage fuzz tone. This tasty fuzz is aggressive and biting, and with the twist of a knob, you can drag it into that ''dying battery'' territory much prized by tonechasers - no need to manage a collection of half - dead
Designed in conjunction with indie pedal builder Analog Man, this MXR Overdrive is for players who want to add a touch of warmth and grit to their rig while allowing the natural tone and feel of their high-end gear to shine. Based on the Prince of Tone Overdrive, the single-channel version of the
The Minibar is a liquid analyser pedal, a truly revolutionary stompbox that uses the properties of a liquid to decide the sound of your guitar! Rainger FX are inviting you to take part in an experiment in tone-shaping discovery…. This mini-pedal makes no sound at all until you pour liquid into it
The Sure Shot Clipping Boost is a different kind of boost. The Sure Shot has one single control on its face. The LOUD control does just that, it makes you loud, but…it does it in a way that is unique amongst boosts. As you increase the LOUD control, the Sure Shot will push your amp into
A bit of backstage info… back in 2016 they built a custom amp that was designed to morph between the sounds of a 5E3 Tweed Deluxe and a 6G2 Brownface Princeton. They liked the sound and feel of the amp so much that they decided to capture it in a pedal format.Falcon was designed as a
A pedal inspired by the amp used by the legendary Eric Clapton. Just like the amp, the pedal delivered warm, organic drive, perfect for playing around with breakup.Now they’ve brought back a replica of the pedal that’s appeared in the collections of revered guitarists’ rigs worldwide. Capable
This special edition of the Fuzz Face Distortion pays tribute to the legendary Jimi Hendrix with a custom finish that remixes prolific and celebrated rock artist John Van Hamserveld’s famous 1968 Shrine Auditorium concert poster art.Packed into an MXR mini housing, Fuzz Face Distortion captures
Guitar effect simulating the sound of the preamplifier of the legendary Exhoplex EC3, which was loved by such greats as Jimmy Page, Edie Van Halen or Eic Johnson. The preamplifier section now comes separately in a standard effects box. The same circuits and FET transistors as in the old original
Ultra-compact fuzz effect pedal for electric guitar that features legendary Fuzz Face tones in smaller, more pedalboard-friendly housing with several modern appointments – a bright status LED, and AC power jack and a convenient battery door. Pedal has the same circuit as the JHF1 Hendrix Fuzz
Using the same low-noise power supply up-converter circuit as the Stampede OD SOV-2 overdrive pedal, the output of a single 9-volt battery is increased to a level that is capable of delivering sonic depth and a wide dynamic range that would be impossible with a standard 9-volt power supply. The
