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A detailed replica of one of the world's most iconic effectsthe Dallas Rangemaster treble booster. Originally produced in 1965, it has been used by many of the worlds most respected artists including Eric Clapton, Tony Iommi, Rory Gallagher, Brian May, Marc Bolan, Ritchie Blackmore and many more. The Dallas Rangemaster was initially designed to increase the signal strength of the guitar going into the amplifier, and to increase tones at the highend of the spectrum. The need for a treble booster arose in the mid1960s as British tube amplifiers tended to produce a slightly dark, muddy sound when overdriven, particularly when used with humbucking pickups. Although classed as a treble booster, the vintage components in the Rangemaster circuitry could add characteristic distortion and overtones to give a more distorted but focused tone with many classic British amplifiers. Battery Type: 9V UK/EU Power supply included: No Inputs: Jack 6,3 mm TS Width (mm): 132.0 Made in: Great Britain Type: Booster Controls: Boost Depth (mm): 71.0 Height (mm): 105.0 Power Supply: Battery Weight (g): 653.0 Colour: Grey Battery Operation: Yes
Product British Pedal Company Vintage Series Dallas Rangemaster is marked with an EAN code 5065011846066.
Color | Grey |
Category | Pedals, Boosters |
EAN | 5065011846066 |
A detailed replica of one of the world's most iconic effectsthe Dallas Rangemaster treble booster. Originally produced in 1965, it has been used by many of the worlds most respected artists including Eric Clapton, Tony Iommi, Rory Gallagher, Brian May, Marc Bolan, Ritchie Blackmore and many more
A compact, modern replica of one of the world's most iconic effectsthe Dallas Rangemaster treble booster. Originally produced in 1965, it has been used by many of the worlds most respected artists including Eric Clapton, Tony Iommi, Rory Gallagher, Brian May, Marc Bolan, Ritchie Blackmore and many
A detailed replica of the original 1965 Metal Case Tone Bender pedal created by Gary Hurst in London, England. The BPC MKI Tone Bender features the same transistor specification (1x OC75 and 2x 2G381) as the original version. This configuration has a unique tone and a special character which cannot
A detailed replica of the 1966 Professional MKII Tone Bender pedal created by Gary Hurst. Unlike the MKI.5, the MKII had a 3 transistor circuit which, based on production and supply, comprised of either 3x OC75 or 3x OC81D transistors and offered increased sustain. The OC81D loaded MKII can be
A compact, modern replica of the original Zonk Machine MKI pedal that was developed by Wilsic Sound for John Hornby Skewes and produced in Leeds, England from 1965 to 1966. The design and circuit topology of the Zonk Machine looks very similar to the original MKI Tone Bender (designed by Gary
A compact, modern replica of the 1966 Professional MKII Tone Bender pedal created by Gary Hurst. The BPC MKII Tone Bender features an authentic 3 transistor circuit with 3x OC81D transistors that provides a thicker and slightly less aggressive sound than the MKI version. The OC81D loaded original
The Silver Solo is a treble booster/gain boost based on the old Dallas Rangemaster circuit from the 60's. It accentuates dynamics and texture while increasing volume, pushing your tone through the mix when you need that extra cut. You'll get more sustain and a sweet harmonic edge to each note. I
This pedal was inspired by the classic sounds of the Dumble Overdrive Special from the late 1980s and 1990s. The pedal has four controls for Gain, Dynamic, Tone and Volume and a Boost switch. To offer more headroom, the pedal can be operated with 9 volts as well as with 18 volts. Owners of the
Pedal that has been inspired by the classic sounds of the Dumble amplifiers of the late 1970s. The pedal features four controls for Gain, Volume, Depth and Tone. To offer more headroom, the pedal can be operated with 9 volts as well as with 18 volts. Dumble Silverface amp owners includes Stevie Ray
A brave new world of tone, the SOMA ‘63 Vintage Preamp is the first pedal in the XFR series of pedals from Greer Amps. The SOMA ’63 is a true vintage preamp, based on the tone and feel of vintage brown era amplifiers from California. This pedal simulates the entire preamp, phase inverter, power
The JHS Pedals Bender is a pedal that gives you the touch, feel, and response of the vintage germanium fuzz but with accuracy and consistency of carefully chosen modern silicon transistors. The controls are Volume, Tone, and Attack. Volume sets the overall output level of the effect; turn it up and
The JHS Pedals 3 Series Distortion is a massively versatile distortion pedal with the ability to achieve medium gain crunch, heavy overdrive, distortion, and even fuzz tones. The controls on the Distortion are Volume, Filter (or Tone), and Distort knobs that give you a wide range of usable sounds
Blues Overdrive Pedal tonally sits somewhere between a boost / treble booster and a fuzz. The 2 controls are unlabelled, but the left is the output control and the right is the grit control. It also has a bias switch to select between 'vintage' or 'vintage modern' voicings.The Blues also contains a
Roaring like a British Lion from Wembley to the Sunset Strip, the Jubilee is ready to melt faces. Sure, it can do subtle but that's no fun. Crank it up and rock out. Controls: Loudness: Controls the output level of the pedal.Drive: Adjusts the gain and distortion of the pedal.Treble / Middle /
Overdrive/boosting effect pedal from Nine series that was designed specifically for tube amplifiers and produces a warm, pleasant and very natural vintage tone, offering everything from clean or slightly distorted sound to rich and velvet sound which does not distort the original instrument’s
The JHS Pedals Supreme is an exact replica of one of the most sought after vintage effects from Japan: the Shin-Ei Super-Fuzz. The Supreme is based on an extremely rare black and grey model. Although every early version of the original pedal sounds strikingly similar, the 1972 unit has a certain
Classic British Rock tone as soon as you engage the Copper, the V1 pedal is stompbox that takes all the elements of the VC35 Copper and squeezes it into a pedal.The V1 series is a collaboration between Victory and award winning pedal builder Adrian Thorpe MBE. Designed and built in Britain, the
Compact distortion analogue effect pedal for electric guitar that delivers High British Classic amp, luscious all around tone and a high gain distortion sound with powerful mid frequency. It reproduces soft or hard dynamics with Gain, Volume and Tone control to tailor the sound as desired. Pedal
The JHS Pedals 3 Series Overdrive offers a wide range of overdrive sounds within straightforward design aesthetics. You can achieve anything from boost, transparent low gain, to huge amp-like medium overdrive sounds. The simple knob functions give you control over the Volume, Body (or EQ), and
The Hawaiian Pizza fuzz pedal is the latest bizarre contraption from the minds of the Caroline Guitar Company. Combining classic overdrive with molten fuzz (sweet & savoury), the Hawaiian Pizza is undoubtedly a head-turner. Emulates classic tube-style overdrive, perfect for pushing the front of
Caroline Guitar Company Wave Cannon MKII is a real distortion pedal that is also capable of doing extremely cool mild-to-medium crunch tones. The distortion pedal is really capable of overwhelming your amp and it has a LOT of gain and volume on tap. It is a classic distortion pedal that sounds good
The JHS Pedals 3 Series Fuzz is a versatile fuzz box that cleans up well with your guitar's volume knob. The Fuzz is the perfect balance of vintage and modern with soaring sustain and clear articulation. The controls allow you to create a wide variety of sounds via the Bias knob, which gives the
The JHS Pedals 3 Series Screamer is the beloved JHS TS 'Strong Mod', but in a brand-new stand-alone pedal. This pedal represents years of JHS Pedals playing around with the legendary TS-circuit and wanting to offer those changes in an affordable package. The Screamer offers more clean headroom, a
Guitar pedal effect - boost/overdrive from Andy Timmons signature series. In 2016 JHS releases one of the most popular drive pedals over the last few years the AT Andy Timmons Angry Charlie style overdrive pedal. Now they are cranking it up a notch with the AT+, the same amazing overdrive pedal