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The Bleep is the most fun, most out-there pedal in the Rainger FX line! It’s a compilation of various sounds from the range of Dwarf pedals recently discontinued, but in a more usable format. Using the same full-on fuzz circuit from the Dr Freakenstein Fuzz pedal, it has more low-end, the LFO speed is adjustable on-the-fly, and the chip-destablising ‘bleep’ facility is now accessible via a front panel knob.The ‘overtone’ is controlled by knob, LFO, or Igor controller. With Igor plugged in, the Bleep is highly controllable while you’re actually playing – no huge-and-heavy expression pedal needed. The dual-sensitivity pressure pad in effect adjusts the ‘Overtone’ knob, or the LFO speed. The built-in noise gate is always in operation, ensuring the pedal is totally silent when there’s no signal; that means zero background hiss – at whatever volume you’re playing at.This pedal covers a wide palette of sounds, from hard chunks of uncompromising fuzz, to edgy lead tones that are guaranteed to cut through a mix. The sustain can morph into robot alarm sounds, the signal degrading into rhythmical proto-synthy pulses, their pitch actually playable in real time. With the LFO on, the ‘overtone’ is automatically modulated to produce a slowly scything tonal movement – like an extreme phaser, and with the ‘Bleep/Fuzz’ knob and Igor pressed the speed ramps up, moving into psychotic chirping like some fiendish arcade game… Controls: Volume;Overtone;Bleep Made in: United Kingdom USB: No UK/EU Power supply included: No Battery Operation: No MIDI Interface: No True Bypass: Yes Type: Fuzz Power Supply: 9V;Adapter Package Contents: Expression Pad;Manual Inputs: Jack 6,3 mm Colour: Black Outputs: Jack 6,3 mm Number of Buttons: 1
The Bleep is the most fun, most out-there pedal in the Rainger FX line! It’s a compilation of various sounds from the range of Dwarf pedals recently discontinued, but in a more usable format. Using the same full-on fuzz circuit from the Dr Freakenstein Fuzz pedal, it has more low-end, the LFO
This is a digital reverb mini-pedal, simple to use, but giving a whole selection of unique – and very useful – new sounds. It’s based around an FV-1 chip, and comes with an Igor expression pad for real-time control. ‘Size’ adjusts the length of the effect, and ‘Level’ the amount of it
The DFST-1 (Stealth) is a full-on fuzz pedal, the latest in the line of pedals using Rainger FX Dr Freakenstein fuzz circuit – but in brand new ways.This uncompromising stompbox has the same built-in noise gate to keep it ultra silent between notes, but with a ton of volume available. There are
The Minibar is a liquid analyser pedal, a truly revolutionary stompbox that uses the properties of a liquid to decide the sound of your guitar! Rainger FX are inviting you to take part in an experiment in tone-shaping discovery…. This mini-pedal makes no sound at all until you pour liquid into it
It’s an effect that’s heard on many recordings, often subtly – like when a rock rhythm guitar is sidechained with the kick drum, so every time the kick drum hits, the guitar volume dips slightly for that instant – giving a really powerful overall effect… The guitar sounds pumping, or
It’s a dub-flavoured digital delay (based on Echo-X delay pedal), that also produces low, throbbing drones that can also be mixed through the delay circuit. If you play shoegaze, doom/heavy/psychedelic rock, or ambient music it’s a fantastic tool for making a powerful base note to play over
Snare Trap is a drum-machine through which you play guitar or synthesizer/keyboards! It is designed to be used either on the table - by hand - or on the floor - by foot. The drum sounds are bass drum, snare and hi-hat, which can be separately triggered externally by CV - so it's very useful for
As the proud owner of an FX 300 effects pedal, you want it to last for as long as possible. The matching padded bag will protect it from getting scratched during the day-to-day touring use. This bag does so much more though: its water-resistant 1680D nylon protects your FX 300 from splashing water
Double pedal booster for 2 effects designed for lifting pedals to the optimum level that can easy to switch between effect pedals located on Pedaltrain pedalboards. This pedal booster has a solid steel frame and can be installed on a pedalboard using velcro or screws, which are
Double pedal booster for 3 effects designed for lifting pedals to the optimum level that can easy to switch between effect pedals located on Pedaltrain pedalboards. This pedal booster has a solid steel frame and can be installed on a pedalboard using velcro or screws, which are accessories. | Colour:
Introducing the all-new PRO FX 9 volt range of effects pedals designed for guitarists and bass players by guitarists and bass players. Designed and Engineered in the UK with Electronics Engineer Dave Green, Dave has been part of the team at Ashdown since around 2006 and has been behind many of new
Xotic's iconic boost pedal is back.Dynamic and sensitive to the nuances of the player, the RC Booster offers more than 20 dB of transparent clean gain.Active control of amplification, treble, gain and volume.Using premium parts, the RC Booster is considered an 'always on pedal' that naturally
Effect pedal, Booster. What do the tones of renowned guitarist such as Page, EVH and Johnson have in common? They all used the legendary echo machine EP-3 as a pre-amp. We've captured that magic in a new Xotic Effects pedal, the EP Booster. We've used the highest quality parts available with a
Pedatrain’s custom Pedal-Booster raises each pedal by full one inch, allowing easy access and is accommodating to virtually any custom configuration. | Colour: Black | Type: Pedalboard | Variant: PBK | Original Colour by Producer: Black | Made in: China
Pedal effect and preamp for electric bass from Darkglass - booster. Designed to be the perfect complement to our distortion circuits, the flexibility and portability of the Harmonic Booster is also the perfect one-stop solution for gigging musicians in search of a precise and harmonically rich
Booster guitar effect pedal with a buffer function. This pedal is commanded by two main pots – Volume for the amount of boost and Tone for a either a bass or treble boost. The buffer function is switched by a central switch and it counters the signal loss in packed pedalboards with this pedal at
Boost effect pedal for electric guitar that offers a unique concept in booster design, featuring two completely independent boost circuits in a single compact housing. The Clean (Left) channel offers up to +20 dB of clean boost with a completely flat frequency response, while the Vintage (Right)
The Silver Solo is a treble booster/gain boost based on the old Dallas Rangemaster circuit from the 60's. It accentuates dynamics and texture while increasing volume, pushing your tone through the mix when you need that extra cut. You'll get more sustain and a sweet harmonic edge to each note. I
Ibanez is proud to announce a new addition to the MINI pedal lineup. The BTMINI booster features three controls; BASS, TREBLE and LEVEL. Unlike a single knob booster, the BASS and TREBLE EQ enables significant tonal flexibility. For example, while set to the ''Wide Range'' setting (Turing Bass and
A detailed replica of one of the world's most iconic effectsthe Dallas Rangemaster treble booster. Originally produced in 1965, it has been used by many of the worlds most respected artists including Eric Clapton, Tony Iommi, Rory Gallagher, Brian May, Marc Bolan, Ritchie Blackmore and many more
The Big Muff is iconic, but there’s always room to look at a classic from a fresh perspective. The Fig Fumb is SDFXs take on the circuit, giving you more stability, more gain, and more flexibility to dial in the crushing tone you know you need. There are so many Big Muff versions out there that
The PDF-1 became a modern classic for a reason, but in SDFX always knew there was room for improvement, and that’s exactly what the PDF-2 delivers. Versatile, intuitive, and unique, there’s nothing quite like it. The original PDF-1 put Stone Deaf on the map, evolving the legendary Maestro MPF-1
The Fulltone 2B is a tiny, transparent, and amazing boost pedal, born from the “Boost” channel in FD3 pedal. Soon after the FD3 came out they started getting a steady flow of emails asking if they could “please make that into a single channel Boost pedal!” So they crammed the circuit into
The JHS Pedals Bender is a pedal that gives you the touch, feel, and response of the vintage germanium fuzz but with accuracy and consistency of carefully chosen modern silicon transistors. The controls are Volume, Tone, and Attack. Volume sets the overall output level of the effect; turn it up and