The Warp Drive saturates your signal with enough sonic power to make the Death Star look like a water pistol. But this heavy distortion pedal is far from a one-trick pony, with a full palette of high-gain distortion that’s out of this world. From full parametric EQ control to a built-in noise
The PDF-1 became a modern classic for a reason, but in SDFX always knew there was room for improvement, and that’s exactly what the PDF-2 delivers. Versatile, intuitive, and unique, there’s nothing quite like it. The original PDF-1 put Stone Deaf on the map, evolving the legendary Maestro MPF-1
True bypass guitar distortion effect with Metal sound. Effect is controlled with Volume, Distortion and Mid controllers. Powered by 9V battery or DC 9 V adapter. Dimensions are 118 x 62 x 56 mm. Weight: 380 g. Product comes in black finish. | Battery Operation: Yes | Made in: China | Type:
The Plexi Tone guitar effect is a pedal made according to the legendary amps from the 1970s, which excels in its natural and dense distortion. Plexi Tone offers a choice of key controls to help guitarists achieve the legendary sound of overdrive or soft crunch. The effect is equipped with Crunch
From bluesy overdrive to bright, cutting distortion, the Drivemaster delivers in every situation. Today the original Drivemaster pedals are sought-after collectors’ items, but they’re too good to hide away. So now it’s back.The Drivemaster simplified the Guv’nor’s circuitry and added a
Delivering new levels of distortion, the original Shredmaster appeared on numerous tracks in the late 90s. After this, demand soared for the Shredmaster’s distinct, thrashy sound but the pedal remained difficult to get hold of.Thanks to this authentic and faithful reissue, that’s no longer a
Released in 1988, The Guv’nor was the first pedal that squeezed Marshall’s ‘big black box’ sound into a ‘little black box’. Fast forward to the present day and now this vintage reissue is here to do it all over again.Since it first hit the market, The Guv’nor set the standard for
A pedal inspired by the amp used by the legendary Eric Clapton. Just like the amp, the pedal delivered warm, organic drive, perfect for playing around with breakup.Now they’ve brought back a replica of the pedal that’s appeared in the collections of revered guitarists’ rigs worldwide. Capable
Boost effect pedal for electric guitar that features an all-original circuit designed by Fender’s experts and suits all guitarists looking for more volume and/or fatter tone. It features an on-board 3-band EQ for detailed tone-shaping, Frequency switch for selecting the middle frequency range and
Super Conductor features 4 distinct boost circuits in a small pedal format. Based on one-knob-wonders of the present and past, these tone accelerators can drive your rig into sonic bliss.Each all-analog circuit features different input/output impedance, internal voltage and behaves differently on
Preserving that warm tube tone of V1 they’ve added gain and volume boost function to spice up your solos. The core real-tube overdrive circuit, courtesy of a 12AY7, is exactly the same but as they listened to our customers feedback they updated the tone control with wider range for brighter
The Crazy Tube Circuits Ziggy v2 is a British flavored dual overdrive / distortion designed with discreet MOSFET gain stages to respond like a tube amp with ultra touch sensitivity so that you can control everything from your guitar’s volume knob and pick attack.A silent relay true-bypass
All analog sonic recreations of 5 legendary fuzz circuits plus a future classic combination !!For this limited run of our Constellation Fuzz we carefully hand-select NOS germanium CV7003 transistors (military spec OC44) made in the UK by Texas Instruments in 1968. Each pedal is built by hand, one
A multi-mode Germanium fuzz / booster inspired by british classic Fuzz boxes of the past.All analog, featuring NOS Germanium transistors for smooth and deep complex tone with amazing clean-up.They hand select 3 New Old Stock Black Glass Germanium transistors for each pedal ensuring ideal
A bit of backstage info… back in 2016 they built a custom amp that was designed to morph between the sounds of a 5E3 Tweed Deluxe and a 6G2 Brownface Princeton. They liked the sound and feel of the amp so much that they decided to capture it in a pedal format.Falcon was designed as a
The next generation effect pedal that surpasses and redefines the distortion pedal.This all new effects unit has been developed by Fumio MiedaThe HD-S effects pedal combines three different distortion circuits to create harmonic modulation that goes beyond the traditional concept of distortion.This
Fiery sounding and flexible, the Pugilist Distortion is ready to add some heavyweight gain to your rig. This original design features dual gain engines—with independent tone controls for each—letting you select multiple variations of distortion, ensuring this pedal will play well with any rig
Guitar effect Overdrive pedal. Classic blues overdrive sound. Metal housing. True Bypass. Power: optional 9V DC power supply. Dimensions: 93.5 mm (L) × 42 mm (W) × 52 mm (H), Weight: 160 g | Controls: Level;Tone;Gain | UK/EU Power supply included: No | Inputs: Mono | True Bypass: Yes | Made in: China | Type:
The Moxie is Brian Wampler’s twisted take on a vintage ‘screamer style’ circuit in a compact, pedalboard friendly enclosure. The original Ibanez Tube Screamer is one of the most emulated circuit designs of all time and has been pushing amplifiers since it was first released in the late 1970s
Double pedal booster for 3 effects designed for lifting pedals to the optimum level that can easy to switch between effect pedals located on Pedaltrain pedalboards. This pedal booster has a solid steel frame and can be installed on a pedalboard using velcro or screws, which are accessories. | Made
Pedatrain’s custom Pedal-Booster raises each pedal by full one inch, allowing easy access and is accommodating to virtually any custom configuration. | Colour: Black | Made in: China | Original Colour by Producer: Black | Type: Pedalboard | Variant: PBK
The Tomahawk Deluxe Drive is a great medium gain “second stage” overdrive pedal. This beauty barks and snarls, but it can also lean back and simply shift your tone just a bit. This pedal CAN RUN ON 9 AND 18 VOLTS. This pedal has a purposeful EQ shift that puts it squarely in the “tweed”
The Southland Harmonic Overdrive is built on the Lightspeed Organic Overdrive platform, they have developed what they believe to be the best overdrive on the market. The Lightspeed was built with the specific purpose of being a light to mild overdrive. The Southland is the next logical step for the
A brave new world of tone, the SOMA ‘63 Vintage Preamp is the first pedal in the XFR series of pedals from Greer Amps. The SOMA ’63 is a true vintage preamp, based on the tone and feel of vintage brown era amplifiers from California. This pedal simulates the entire preamp, phase inverter, power
The Royal Velvet Class-A British Drive and Pre nails the feel and tone of two of Nick Greer’s favorite amps. This British drive and pre features the same transformer as the previously released, award winning SOMA63. After a year of working with this super versatile transformer, we have found a
The Lightspeed Organic Overdrive is a very natural sounding overdrive. Why 'organic'? Well, simply put, it's the clearest, most natural feeling, and best overdrive for the player looking for a natural drive tone. Blending with the tone of the guitar and amplifier, this pedal has rich harmonics and
This is angry, aggressive, larger-than-life and not-holding-back version of the old familiar circuit, complete with the good old LM308 chip. They updated a few things, including the quality of the components used in the circuit, and you know that old Filter knob? Well, they turned it into a Tone
Roaring like a British Lion from Wembley to the Sunset Strip, the Jubilee is ready to melt faces. Sure, it can do subtle but that's no fun. Crank it up and rock out. Controls: Loudness: Controls the output level of the pedal.Drive: Adjusts the gain and distortion of the pedal.Treble / Middle /
True bypass guitar distortion effect with High Gain Sound. Effect is controlled with Gain, Treble, Mid and Volume controllers. Features wide possibilities of sound from crunch to heavy metal. Powered by 9V battery or DC 9 V adapter. Dimensions are 118 x 87 x 38 mm. Weight: 460 g. Product comes in
Booster guitar effect pedal with a buffer function. This pedal is commanded by two main pots – Volume for the amount of boost and Tone for a either a bass or treble boost. The buffer function is switched by a central switch and it counters the signal loss in packed pedalboards with this pedal at
Outputs: Jack 6,3 mm TS | Controls: Ring;Gain;Dist;Frequency;Output | Colour: Blue | Depth (mm): 118.8 | Type: Ring Modulator;Distortion | Battery Type: 9V | Inputs: Jack 6,3 mm TS | Power Supply: 9V DC ( - ) | Battery Operation: Yes | True Bypass: Yes | Weight (g): 280.0 | MIDI Interface: No | Width (mm): 66.8 | Number of
Guitar distortion floor effect pedal. It features three-band parametric equalizer, True Bypass and a specially designed circuit from Black Arts ToneWorks also designed for baritone and bass guitars. It has Distortion, Depth, Level controls and extra control for Low Level, Low Frequency, Mid Level,
A Mosfet type Distortion Pedal designed for electric guitar. It is made of aluminum, offers independent Gain, Level, Low (Tone) and High (Tone) controls and True Bypass. The device is equipped with a blue LED that indicates its activation. A Mosfet circuit is able to very closely simulate the sound
Colour: Yellow | Battery Operation: Yes | Type: Boost;Overdrive;Distortion | Controls: Gain;Level | Power Supply: 9V DC ( - );Adapter or Battery | Battery Type: 9V | Width (mm): 66.8 | Height (mm): 57.15 | USB: No | MIDI Interface: No | Weight (g): 281.0 | Inputs: Jack 6,3 mm TS | UK/EU Power supply included: No | True
Analog guitar fuzz pedal. Combining the Carcosa's wide-ranging after bias control with two toggle positions creates tones that range from porcine fatness to dessicated shards. This versatility makes the Carcosa Fuzz a good companion for dirty or clean amps. True bypass, tons of output, and the
You can keep things simple and use the Looking Glass for tone shaping, glassy boost and light overdrive, or go further down the rabbit hole into the raw, psychedelic sounds of a vintage amp pushed to the brink of failure. Featuring a new hybrid of Class-A discrete FET design, the Looking Glass’
Caroline Guitar Company Wave Cannon MKII is a real distortion pedal that is also capable of doing extremely cool mild-to-medium crunch tones. The distortion pedal is really capable of overwhelming your amp and it has a LOT of gain and volume on tap. It is a classic distortion pedal that sounds good
Using a cascading hybrid of op-amp and BC184 transistor gain stages, Shigeharu provides all the sweet singing sustain and massive flamethrower gain you crave, but with unprecedented clarity, improved punch and definition, and consistent performance wherever it sits in your signal chain – even
The Hawaiian Pizza fuzz pedal is the latest bizarre contraption from the minds of the Caroline Guitar Company. Combining classic overdrive with molten fuzz (sweet & savoury), the Hawaiian Pizza is undoubtedly a head-turner. Emulates classic tube-style overdrive, perfect for pushing the front of
True bypass guitar distortion effect. Effect is controlled with Level, Voice and Drive controllers and a 3 band EQ. Reproduces the classic sound of the '57 Deluxe amplifier. Powered by 9V battery or DC 9 V adapter. Dimensions are 118 x 87 x 38 mm. Weight: 460 g. Product comes in bronze finish. | True
This is an improved pre-amp / overdrive pedal based on the classic TS style circuit. It can provide 30dB boost with smoothness and certain compression sense. It can push the crunch channel of amplifier to get the high-gain sound, meanwhile it will not reduce the headroom. | Colour: Green | Type:
Special edition overdrive effects pedal that was passionately designed by the master engineers at BOSS in Japan and delivers a premium stomp experience that fans of customized pedal tone will love. Crafted with an ear for highly refined sound, it hot rods the famous BOSS overdrive with all-discrete
The heart of this pedal is an FET boost capable of the most aggressive tones and volume. Excessive controls and components have been eliminated, less knobs = more tone! This has nothing to do with 'clean transparent boost' or any cork-sniffing metaphors you may have heard. The HYPE is big and
The Aces Hybrid Amplifier found its origins in RCA data sheets from the 1950s. Simple 2 stage gain circuits utilizing germanium transistors, the only kind available at the time. Daredevil wanted to use the same approach, but give it the Daredevil treatment, creating something unique that nailed a
Expanding on the Excess, Old Blood Noise continues their journey to revive and expand sought-out pedal sounds of the 80s. With delay, chorus, and harmonized fifths available along with distortion in series or parallel configurations, Excess V2 unveils more sounds and even more control. | | Three
The ODR-mini delivers creamy, natural overdrive – Everything from pushed clean amp tones to gain filled stacks! It has the same tones as its legendary brother – the ODR-1. You‘ll love the warm mid-gain tones for rock and blues, and the screaming hard rock sounds from the ODR-1 Mini. Plus the
While all single coil guitarists as well as most humbucker users and even bassists love the clarity and versatility of the full sound of the ODR-1 some heavy humbucker players asked for the chance to reduce the sub-bass end.The new ODR-1(bc) now offers a bass-cut switch under the battery cover to
This is Odyssey: One analogue circuit by Peter Hamstead, countless classic and contemporary tones. With interactive controls for unbelievable versatility, Odyssey can take you on a journey from clean boost with tone shaping, to classic rock, through to heavy metal, and all the way to oversaturated
Comet is a meticulously voiced overdrive pedal that opens up a whole world of tones from a simple control set. Representing pursuit to take analogue drive circuitry to new heights, it can be moulded from boutique sounding overdrive with a vocal midrange, right through to a rich and creamy fuzz
StinkBug is the embodiment of everything you’ve come to expect of a great overdrive and then some. It spits out warm amp-like drive tones and just adds that lovely touch of mid-presence that’ll make you cut through a mix like nobody’s business. But… and this is a good but, it does all of
ReezaFRATzitz is your golden ticket to distortion dreamland. Chock-full of roaring amp-like dirt tones, this pedal and its highly versatile controls will put some serious sizzle into your sound. From bluesy growls to grinding and screaming distortion, ReezaFRATzitz is sure to supply you with the
The OnoMATOpoeia is basically a sonic super hero. Clean boost by day, dirty overdrive by night, and with some serious superpowers hidden up its sleeve. It’s the secret sauce your pour on your tone when you want that extra Oomph! That extra Kapow! It’s what you kick in when you need your solos
The Okto Nøjs takes your signal and turns it into pure subsonic fire. It spits and sputters sizzling, synthy octa-fuzz tones left and right, all while running it through an earthshakingly deep analog octaver for unprecedented levels of bass brutality. | • Analog Octaver and Fuzz in one pedal –
Guitar pedal effect - overdrive. Ever since the 1970s a small, green Japanese overdrive pedal has been a major part of almost every pedalboard. From blues rockers like SRV and John Mayer using it as the main part of their sound to massive metal artists like Kirk Hammett using it to push an already
Guitar pedal effect - overdrive. The Drive – Bi is a dual channel, op-amp gain circuit. Designed to cover medium to high level amp style drive that is extremely dynamic and raw. Low channel adds grit, sustain, and overdrive to your amp while still pushing output. Hi gain mode expands low end,
Guitar effect. Features: Developed and designed in collaboration with legendary guitarist Earl Slick. Octave circuit with a Hendrix-like sustain. Original modern fuzz circuit. Both circuits can be used independently of each other. Built-in switchable and adjustable noise gate. Controls: fuzz,
The Silver Solo is a treble booster/gain boost based on the old Dallas Rangemaster circuit from the 60's. It accentuates dynamics and texture while increasing volume, pushing your tone through the mix when you need that extra cut. You'll get more sustain and a sweet harmonic edge to each note. I
Raw and Nasty. Vintage sonic gnarliness born from the Mosrtie Fuzzrite. Nail the tones of Detroit garage rock and that other band, the one with the singer in silver pants covered in peanut butter. This is a versitile fuzz, dial in splattery octave tones or thicker searing gain. Both knobs interact
The Northern Creeper Fuzz from Daredevil Pedals. The circuit is thick and biting, reminiscent of early 70's fuzzes by Shin-ei or Maestro minus the extra controls. Just volume and sustain. More output, even tone response, and more gain. Big, gritty, blown out, and saturated but tight enough to hold
The Northern Creeper Fuzz from Daredevil Pedals. The circuit is thick and biting, reminiscent of early 70's fuzzes by Shin-ei or Maestro minus the extra controls. Just volume and sustain. More output, even tone response, and more gain. Big, gritty, blown out, and saturated but tight enough to hold
Riverside is the culmination of a thorough analysis of numerous analog and vacuum tube circuits. What was the goal? To deliver a new world of harmonically rich, incredibly versatile, tube-inspired drive sounds. Strymon didn’t want to build just another distortion or overdrive. They knew they must
The WARTHOG started off being designed to be the distortion to beat all others; however it ended up being so much more. Through minute tailoring of the circuit, the WARTHOG delivers the biggest range of tones of any overdrive/distortion pedal on the market. With an ability to go from crystal clean
The BUNKER is a MKII version of the Brown source drive pedal. It is smaller, louder and more tonally flexible. The tonal flexibility is provided through a texture control that allows you to have whichever type of drive sound you want from original Brown Source style drive through to thicker and
The GUNSHOT was designed to be the overdrive to beat all others. Sonically most overdrives can sound thin or lack a certain “something” when compared to a real valve amplifier. It’s an unfair comparison really, but it is possible to solve this problem. This is where the GUNSHOT comes in, at
HEAVY WATER is a creation designed to meet the requests ThorpyFY were receiving to release the Boost side of the DANE as a standalone pedal. So not one to disappoint, they went ahead and did just that….but in typical Thorpy fashion it went one step further. Therefore, HEAVY WATER has two sides in
Polaris is a dynamic medium-gain overdrive, with incredibly flexible tone-shaping capabilities. Its unique feature set includes an optional 2-pole resonant filter, controllable via expression pedal for filter sweeps and out-of-this-world overdrive tones.Designed to help you explore the outer-limits
An update to the renowned Saturn V released in 2012, they’ve added new features which really take this unique circuit to the next level.Within its intuitive control layout, the heart of the Saturn VI lies with the Boost and Drive controls. Using Boost alone gives you 18db of harmonic gain to push
The simple control interface houses new and refined features while offering the highly regarded tone of the original. As a tribute to the Apollo VII, NASA’s first three-person space mission, there are three controls: level, gain and tone. Each has been optimized to offer a wide variety of sounds,
Germanium fuzz has a long history in the world of musical effects. The nature of germanium, its variability and temperament, make it an interesting parallel to the musical mindset of the creators who utilize it. Sometimes smooth and warm, sometimes harsh and unpredictable, always sensitive and
Named after the world’s most fearless creature, the Honey Badger Octave Fuzz truly does not give a fuzz. Thick skinned and unbelievably aggressive, this golden box of doom does not care for pleasantries and goes straight for the tonal jugular.Redbeard Effects took the much loved concept of the
Every player is looking for something to define their tone and set them apart. With an emphasis on originality and the highest quality engineering, they wanted to craft a new and unique sounding drive pedal. The Red Mist MKIV is a focused, crunchy, tight drive that can spice up your tone anywhere
There’s a lot of debate over whether an overdrive circuit sounds better before or after an EQ circuit. Why not have both? By jamming two gloriously independent overdrive circuits either side of an extremely interactive EQ, the Angry Rhubarb was born. An obsessive amount of tweaks, modifications
The Bleep is the most fun, most out-there pedal in the Rainger FX line! It’s a compilation of various sounds from the range of Dwarf pedals recently discontinued, but in a more usable format. Using the same full-on fuzz circuit from the Dr Freakenstein Fuzz pedal, it has more low-end, the LFO
Pop Top Boost from Milkman Sound takes its inspiration from the classic American recording consoles of the 1970s. Milkman Sound designed a discrete Op Amp which fits the standard 2520 footprint and put it into a modern pedal enclosure for use with guitar or any other instrument that uses 1/4”
The Sure Shot Clipping Boost is a different kind of boost. The Sure Shot has one single control on its face. The LOUD control does just that, it makes you loud, but…it does it in a way that is unique amongst boosts. As you increase the LOUD control, the Sure Shot will push your amp into
Jonassus drive is a dual-channel overdrive pedal offering a sweet, warm, and articulate low-gain overdrive (“Low Channel”) plus a thick and ballsy medium-high gain overdrive (“High Channel”).Each channel has its own Volume and Gain control, a shared Tone control, and an independent set of
The ~900 is a ferocious fuzz pedal featuring two cascading JFET gain stages. It offers a very wide range of gain, adds delicious harmonics and, if given the opportunity, will slap the ice cream cone right out of your hand. The INPUT section is a ‘mu-amp’ design. The INPUT knob controls the
For everyone out there who nevers turns off their Barbershop, this is for you. The same circuit in a tiny box, no bypass switch, no light. You can select between two tone options via a jumper inside the pedal: MODELE B FEATURES flat and wide, like the original Barbershop, like the middle tone
The PEACEKEEPER is ThorpyFX concept on a low gain overdrive designed to suit all guitars and all amps whilst delivering the sweetest on the edge to crunch tones you have ever heard. Hyperbole aside, this pedal has some very cunning tricks up its sleeve, by combining a post gain active Treble and
The FIELD MARSHAL is a MKII version of the Big Cheese fuzz. Smaller, louder and more tonally flexible than the original it sits perfectly on a modern pedalboard. The tonal flexibility is provided through a tonestack bypass foot switch that allows you to have two different fuzz sounds from the same
This pedal has the ability to beat any four transistor fuzz you have heard (including the best vintage units). By adjusting the perfectly voiced EQ you can achieve fuzz tones from silky smooth through to doom laden whilst maintain the ability to cut through. Internally the pedal is immaculately
The DFST-1 (Stealth) is a full-on fuzz pedal, the latest in the line of pedals using Rainger FX Dr Freakenstein fuzz circuit – but in brand new ways.This uncompromising stompbox has the same built-in noise gate to keep it ultra silent between notes, but with a ton of volume available. There are
The Minibar is a liquid analyser pedal, a truly revolutionary stompbox that uses the properties of a liquid to decide the sound of your guitar! Rainger FX are inviting you to take part in an experiment in tone-shaping discovery…. This mini-pedal makes no sound at all until you pour liquid into it
This unit destroys your slick jazz lines. The fruit of an oddball circuit, hanging there awkwardly by some parasitic effect. Tweaked, bended and shoe-horned to optimize it’s stench, it’s unpleasance. The time has come to turn all dynamics to shit. Strangely, it feels very natural. As The
Have you ever sat in a barber's chair wishing your tone was as slick as your freshly shaved upper lip? With the Barbershop Overdrive on your pedalboard, you could keep your moustache and sound good doing it.Less is more with this simple, original design. Handmade from JFETs matched to specs, this
Based on the old Supa Tone Benders and Muff style pedals that inspired our Olympia fuzz of a decade ago, and using BC184 transistors, Crom does away with the typical lossy tone stack, instead using a classic 1950’s tweed amp style tone (Mountain) control that interacts with the gain (Sword)
Blues Overdrive Pedal tonally sits somewhere between a boost / treble booster and a fuzz. The 2 controls are unlabelled, but the left is the output control and the right is the grit control. It also has a bias switch to select between 'vintage' or 'vintage modern' voicings.The Blues also contains a
This pedal incorporates two different gain stages: a clean, full-response stage capable of up to +12db boost, and a tailored clipping stage that overdrives a mix of silicon and Russian germanium components for colorful light to medium drive. A simple but elegant high-cut control helps keep things
Size: the new housing makes this one of the smallest double pedals on the market considering it's a tube powered pedal.. just 3.5' x 5'!Connections: a smart set of dual connections allows it to be used as a standard pedal with one main input and one main output, or split into two separate pedals
AIRHAWK CRUISER PILLION air booster is specially tailored to the needs of motorcyclists. | | Inner pillow is made of durable polyurethane | The design is intended for use in the backseat | The internal structure is divided into 8 interconnected air chambers | Use air valve to adjust the hardness of the
The discounted set with accessories is put together in such a way that all the products form a perfect harmony. Buying the set also saves you money, as it is cheaper than the products individually. The main picture showing the set is for illustrative purposes. | Variant: Convenient Muziker Set | Made
The discounted set with accessories is put together in such a way that all the products form a perfect harmony. Buying the set also saves you money, as it is cheaper than the products individually. The main picture showing the set is for illustrative purposes. | Battery Type: 9V | Type: High
The discounted set with accessories is put together in such a way that all the products form a perfect harmony. Buying the set also saves you money, as it is cheaper than the products individually. The main picture showing the set is for illustrative purposes. | Power Supply: 9V;Adapter or
The discounted set with accessories is put together in such a way that all the products form a perfect harmony. Buying the set also saves you money, as it is cheaper than the products individually. The main picture showing the set is for illustrative purposes. | Power Supply: 9V;Adapter or
The discounted set with accessories is put together in such a way that all the products form a perfect harmony. Buying the set also saves you money, as it is cheaper than the products individually. The main picture showing the set is for illustrative purposes. | Power Supply: 9V;Adapter or
The discounted set with accessories is put together in such a way that all the products form a perfect harmony. Buying the set also saves you money, as it is cheaper than the products individually. The main picture showing the set is for illustrative purposes. | Power Supply: Adapter or
The discounted set with accessories is put together in such a way that all the products form a perfect harmony. Buying the set also saves you money, as it is cheaper than the products individually. The main picture showing the set is for illustrative purposes. | Power Supply: 9V;Adapter or
The Hammertone™ Fuzz captures the iconic splat, saturation and horn-like sustain used on the formative records of rock’n’roll history. Despite its small size, this purple-tinged, psychedelic stompbox is feature-packed with three classic controls, two silicon diodes and an octave fuzz mode –
Compact overdrive guitar effect pedal that features the same controls and sound qualities as the famous Fulltone effect pedal, and delivers soft overdrive tones. Apart from standard Volume, Drive and Tone control knobs, pedal also provides a HL/LP switch that in the upper position boosts the high
Classic 'RAT' tone, it not only has a beautiful gain but also fuses crisp sound | UK/EU Power supply included: No | Made in: China
Ultra-compact heavy distortion effect pedal that is suited for guitarists who want to play heavier styles of music – in higher settings this pedal produces a really heavy, high gain distortion. It features a sturdy metal construction and a 3-way switch for changing the character of the sound by
Pedal that has been inspired by the classic sounds of the Dumble amplifiers of the late 1970s. The pedal features four controls for Gain, Volume, Depth and Tone. To offer more headroom, the pedal can be operated with 9 volts as well as with 18 volts. Dumble Silverface amp owners includes Stevie Ray
This pedal was inspired by the classic sounds of the Dumble Overdrive Special from the late 1980s and 1990s. The pedal has four controls for Gain, Dynamic, Tone and Volume and a Boost switch. To offer more headroom, the pedal can be operated with 9 volts as well as with 18 volts. Owners of the
A compact, modern replica of the original Zonk Machine MKI pedal that was developed by Wilsic Sound for John Hornby Skewes and produced in Leeds, England from 1965 to 1966. The design and circuit topology of the Zonk Machine looks very similar to the original MKI Tone Bender (designed by Gary
A detailed replica of the 1966 Professional MKII Tone Bender pedal created by Gary Hurst. Unlike the MKI.5, the MKII had a 3 transistor circuit which, based on production and supply, comprised of either 3x OC75 or 3x OC81D transistors and offered increased sustain. The OC81D loaded MKII can be
A compact, modern replica of the 1966 Professional MKII Tone Bender pedal created by Gary Hurst. The BPC MKII Tone Bender features an authentic 3 transistor circuit with 3x OC81D transistors that provides a thicker and slightly less aggressive sound than the MKI version. The OC81D loaded original
A compact, modern replica of one of the world's most iconic effectsthe Dallas Rangemaster treble booster. Originally produced in 1965, it has been used by many of the worlds most respected artists including Eric Clapton, Tony Iommi, Rory Gallagher, Brian May, Marc Bolan, Ritchie Blackmore and many
A detailed replica of the original 1965 Metal Case Tone Bender pedal created by Gary Hurst in London, England. The BPC MKI Tone Bender features the same transistor specification (1x OC75 and 2x 2G381) as the original version. This configuration has a unique tone and a special character which cannot
A detailed replica of one of the world's most iconic effectsthe Dallas Rangemaster treble booster. Originally produced in 1965, it has been used by many of the worlds most respected artists including Eric Clapton, Tony Iommi, Rory Gallagher, Brian May, Marc Bolan, Ritchie Blackmore and many more
The Melee unapologetically uses a joystick to meld reverb and distortion into one massive blaze of sound. With the flip of the order switch, run the distortion into the reverb or reverb into distortion; signal chain is your call now. For the explorer, the Melee can run one of three different reverb
Wampler’s Collective Series pedals are packed with features for players of all levels. Designed for affordability without compromising on the qualities that epitomize Wampler, every Collective Series pedal allows you to easily dial in rich, fat tones ideal for beginners and professionals alike
Black Clouds features an extensive and thoughtful control set that includes:Pre Boost: Controls the amount of input boost from 0 to 30dB with a slight mid boost to add definition. Use it if you want to raise the gain and compression when using the boost function. This control is not functional if
Introduced way back in 1991, the iconic MT2 Metal Zone remains the king of highgain distortion stomps for guitarists around the world, with over one million sold and counting. Its thick, saturated sound is perfectly suited for metal styles and is also great for playing heavy rhythms and soaring
Multi-Effect pedal. Dapper Mini is a seriously potent effects strip with all the essentials for guitar. This mini strip has everything you need. TUNER: First in line is a stealth fast and accurate tuner so you can play confidently in tune. DRIVE: The DRIVE module is an overdrive/distortion combo
The Formula 5F6 reproduces the sound of the tweed Bassman® which, even though was marketed as a bass amp, is perfect for guitar. Depending on its volume you can get a sparkling, harmonically rich tone, or turn it up to get that famous on-edge-of-breakup character that is responsive to your
Next-generation 5E3 Tweed Deluxe inspired Foundation Overdrive with incredible range - from Grant Green to Crazy Horse! Big and powerful, yet refined, the Formula No. 55 melts into your amp, transforming it into a wide ranging tweed monster! The Formula No. 55 is a Foundation Overdrive that
All the way back in the 40's, Fender introduced the Champ amplifier, then known as the Champion 800. After a lengthy series of part swaps and circuit revisions, Fender arrived at the 5F1, otherwise known as the Tweed Champ, named so because of its unmistakable wrapping. It featured just one Volume
This special edition of the Band of Gypsys Fuzz pays tribute to the legendary Jimi Hendrix with a custom finish that remixes prolific and celebrated rock artist John Van Hamserveld’s famous 1968 Shrine Auditorium concert poster art.Packed into an MXR mini housing, Band of Gypsys Fuzz is based on
This special edition of the Octavio Fuzz pays tribute to the legendary Jimi Hendrix with a custom finish that remixes prolific and celebrated rock artist John Van Hamserveld’s famous 1968 Shrine Auditorium concert poster art.Packed into an MXR mini housing, Octavio Fuzz updates the circuitry of
This special edition of the Fuzz Face Distortion pays tribute to the legendary Jimi Hendrix with a custom finish that remixes prolific and celebrated rock artist John Van Hamserveld’s famous 1968 Shrine Auditorium concert poster art.Packed into an MXR mini housing, Fuzz Face Distortion captures