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Raw and Nasty. Vintage sonic gnarliness born from the Mosrtie Fuzzrite. Nail the tones of Detroit garage rock and that other band, the one with the singer in silver pants covered in peanut butter. This is a versitile fuzz, dial in splattery octave tones or thicker searing gain. Both knobs interact with the gain allowing for a wide tonal spectrum. The Real Cool Fuzz has lots of treble bite and gritty edge mixed with a little of that sweet vintage 'sag' to create classic 60's style tones. True bypass, 9v jack, hand wired. Made in: USA True Bypass: Yes Battery Operation: Yes Power Supply: Adapter;9V;Battery Battery Type: 9V Controls: Power;Dirt Inputs: Jack 6,3 mm TS Package Contents: Manual Colour: Orange UK/EU Power supply included: No Number of Buttons: 1 Outputs: Jack 6,3 mm TS Type: Fuzz
Product Daredevil Pedals Real Cool Fuzz has an EAN code 6511374570920.
Color | Orange |
Category | Nails, Pedals, Boosters |
EAN | 6511374570920 |
Raw and Nasty. Vintage sonic gnarliness born from the Mosrtie Fuzzrite. Nail the tones of Detroit garage rock and that other band, the one with the singer in silver pants covered in peanut butter. This is a versitile fuzz, dial in splattery octave tones or thicker searing gain. Both knobs interact
The Northern Creeper Fuzz from Daredevil Pedals. The circuit is thick and biting, reminiscent of early 70's fuzzes by Shin-ei or Maestro minus the extra controls. Just volume and sustain. More output, even tone response, and more gain. Big, gritty, blown out, and saturated but tight enough to hold
The Northern Creeper Fuzz from Daredevil Pedals. The circuit is thick and biting, reminiscent of early 70's fuzzes by Shin-ei or Maestro minus the extra controls. Just volume and sustain. More output, even tone response, and more gain. Big, gritty, blown out, and saturated but tight enough to hold
The heart of this pedal is an FET boost capable of the most aggressive tones and volume. Excessive controls and components have been eliminated, less knobs = more tone! This has nothing to do with 'clean transparent boost' or any cork-sniffing metaphors you may have heard. The HYPE is big and
The Silver Solo is a treble booster/gain boost based on the old Dallas Rangemaster circuit from the 60's. It accentuates dynamics and texture while increasing volume, pushing your tone through the mix when you need that extra cut. You'll get more sustain and a sweet harmonic edge to each note. I
Guitar effect. Features: Developed and designed in collaboration with legendary guitarist Earl Slick. Octave circuit with a Hendrix-like sustain. Original modern fuzz circuit. Both circuits can be used independently of each other. Built-in switchable and adjustable noise gate. Controls: fuzz,
Guitar pedal effect - overdrive. The Drive – Bi is a dual channel, op-amp gain circuit. Designed to cover medium to high level amp style drive that is extremely dynamic and raw. Low channel adds grit, sustain, and overdrive to your amp while still pushing output. Hi gain mode expands low end,
The JHS Pedals 3 Series Fuzz is a versatile fuzz box that cleans up well with your guitar's volume knob. The Fuzz is the perfect balance of vintage and modern with soaring sustain and clear articulation. The controls allow you to create a wide variety of sounds via the Bias knob, which gives the
The Aces Hybrid Amplifier found its origins in RCA data sheets from the 1950s. Simple 2 stage gain circuits utilizing germanium transistors, the only kind available at the time. Daredevil wanted to use the same approach, but give it the Daredevil treatment, creating something unique that nailed a
The Germanium Fuzz is a fuzz pedal. The knobs change the sounds. IMPORTANT: after plugging it into power (9vdc only), it will take 2-3 minutes on average to sound correct. Good time to tune your guitar and grab a beverage. The color of the LED indicator light might change. Don’t turn the internal
Guitar effect - compact fuzz pedal from Fuzz Face series, which is a reincarnation of the pedal Band of Gypsys Fuzz Face and offers slightly more aggressive, but still classic 'Hendrix´s' sound of '70s. It features smaller design, controls Volume and Fuzz, LED indicator of on/off status, true
JHS Ross Fuzz is a pedal that never existed in the previous ROSS history, but its circuit was pulled from the Kustom amplifiers also made by Bud Ross during his Kustom Electronics era.John Fogerty used the Kustom amp’s distortion for hit songs like “Run Through the Jungle” and “Fortunate
Distortion/fixed Wah guitar effects pedal that is a combination of the Daredevil Fearless Distortion and Atomic Cock and allows user to blend the cocked wah signal á la Mick Ronson into the 2-channel gain stage while in the same time delivering a rich and natural distortion. It provides two
The Fundamental Fuzz is a 3-mode aggressive fuzz pedal with the tonal integrity to live on a professional's pedalboard but with simplified controls friendly enough for even the newest effect pedal users. It can live anywhere in your chain: hit it with your favorite overdrive or push it into another
The Supersonic Fuzz Gun is a completely unique and different take on a fuzz pedal made with the extreme manipulator in mind. The controls interact with each other in amazing and interesting ways to create a huge array of gated and oscillating fuzz sounds. It can scream, it can blast, it can
The DFST-1 (Stealth) is a full-on fuzz pedal, the latest in the line of pedals using Rainger FX Dr Freakenstein fuzz circuit – but in brand new ways.This uncompromising stompbox has the same built-in noise gate to keep it ultra silent between notes, but with a ton of volume available. There are
The Cry Baby Daredevil Fuzz Wah fuses the sweet and expressive voice of a modded Cry Baby Wah with a gnarly custom fuzz circuit for a full palette of raw and aggressive tones. This pedal’s origin lies in Daredevil proprietor and builder Johnny Wator’s love for classic vintage circuits and the
Guitar Fuzz pedal effect. Scuzz Box is KHDK's germanium-voiced fuzz pedal. It provides a singing and powerful fuzz with a bit of gnarly at the flip of a switch. The Scuzz Box is crafted using discrete transistor technology with a meticulously tuned circuit for the highest performance. Inspired by
The JHS Pedals Smiley is a sonically faithful recreation of what makes these early silicon Fuzz Faces great. Several vintage units were considered and analyzed so that JHS Pedals could be sure to perfectly capture the magic The Smiley is clear and defined, straddling the line between distortion
Maestro created the world’s first fuzz pedal - the Maestro Fuzz-Tone FZ-1 - the legendary sound on the Rolling Stones “(I Can’t Get No) Satisfaction.” Welcome to the FZ-M. This all-analog pedal boasts two-in-one functionality for increased sonic versatility with both an FZ-1 inspired fuzz
Fuzz/distortion effect pedal for guitars that recreates the gamut of famous fuzz tones from the 60’s and 70’s and offers switch for 3 different sound modes: Fuzz 1 (classic fuzz), Fuzz 2 (grunge) and gain Boost. It provides dedicated Gain, Bass, Treble and Level, controls, blue status LED for
Fuzz effect pedal for electric guitar that features an all-original circuit designed by Fender’s experts and is packed with silicon fuzz tones for creating that splatty, satisfying sound which has been the cornerstone of rock tone for decades. It features traditional Level, Fuzz and Tone control
The JHS Mini Foot Fuzz V2 guitar pedal serves up a truly delectable fuzz recipe. From classic rock to contemporary fusion, fuzz has been applied to guitar signals to weave a unique musical texture — either by itself, or to aggravate the input of an already overdriven tube amp. This ultra-compact
Explore the fuzz world and build a unique tonal foundation. Stone Age is a multi-engine fuzz pedal capable of creating from classic and renowned to modern and experimental fuzz tones. Choose between four engines: Single Transistor, Maestro, Face and a modern Muff 'Thermion' modified with improved