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The Northern Creeper Fuzz from Daredevil Pedals. The circuit is thick and biting, reminiscent of early 70's fuzzes by Shin-ei or Maestro minus the extra controls. Just volume and sustain. More output, even tone response, and more gain. Big, gritty, blown out, and saturated but tight enough to hold its own in a live setting. The Creeper has a raspy, crunchy edge and loads of sustain with a little bit of low end sag. You can even get a more starved feel using the 'ol dying battery approach. It really opens up and adds a bit of harmonics with a cranked tube amp. Hand wired, and true bypass. Toss one in your boogie van and spread some fuzz. Colour: White;Black;Red Type: Fuzz;Overdrive Made in: USA Package Contents: Manual Number of Buttons: 1 Controls: Pre-Gain;Volume;Bright Inputs: Jack 6,3 mm TS Battery Type: 9V Power Supply: 9V;Battery;Adapter Outputs: Jack 6,3 mm TS Battery Operation: Yes True Bypass: Yes UK/EU Power supply included: No
Product Daredevil Pedals Premium is described by the EAN code 6511374569412.
Color | White Black Red |
Category | Pedals, Boosters |
EAN | 6511374569412 |
The Northern Creeper Fuzz from Daredevil Pedals. The circuit is thick and biting, reminiscent of early 70's fuzzes by Shin-ei or Maestro minus the extra controls. Just volume and sustain. More output, even tone response, and more gain. Big, gritty, blown out, and saturated but tight enough to hold
The Northern Creeper Fuzz from Daredevil Pedals. The circuit is thick and biting, reminiscent of early 70's fuzzes by Shin-ei or Maestro minus the extra controls. Just volume and sustain. More output, even tone response, and more gain. Big, gritty, blown out, and saturated but tight enough to hold
The heart of this pedal is an FET boost capable of the most aggressive tones and volume. Excessive controls and components have been eliminated, less knobs = more tone! This has nothing to do with 'clean transparent boost' or any cork-sniffing metaphors you may have heard. The HYPE is big and
The Silver Solo is a treble booster/gain boost based on the old Dallas Rangemaster circuit from the 60's. It accentuates dynamics and texture while increasing volume, pushing your tone through the mix when you need that extra cut. You'll get more sustain and a sweet harmonic edge to each note. I
Guitar effect. Features: Developed and designed in collaboration with legendary guitarist Earl Slick. Octave circuit with a Hendrix-like sustain. Original modern fuzz circuit. Both circuits can be used independently of each other. Built-in switchable and adjustable noise gate. Controls: fuzz,
Guitar pedal effect - overdrive. The Drive – Bi is a dual channel, op-amp gain circuit. Designed to cover medium to high level amp style drive that is extremely dynamic and raw. Low channel adds grit, sustain, and overdrive to your amp while still pushing output. Hi gain mode expands low end,
Raw and Nasty. Vintage sonic gnarliness born from the Mosrtie Fuzzrite. Nail the tones of Detroit garage rock and that other band, the one with the singer in silver pants covered in peanut butter. This is a versitile fuzz, dial in splattery octave tones or thicker searing gain. Both knobs interact
The Aces Hybrid Amplifier found its origins in RCA data sheets from the 1950s. Simple 2 stage gain circuits utilizing germanium transistors, the only kind available at the time. Daredevil wanted to use the same approach, but give it the Daredevil treatment, creating something unique that nailed a
Distortion/fixed Wah guitar effects pedal that is a combination of the Daredevil Fearless Distortion and Atomic Cock and allows user to blend the cocked wah signal á la Mick Ronson into the 2-channel gain stage while in the same time delivering a rich and natural distortion. It provides two
The Bootleg is a digital delay that utilizes the Princeton 2399 IC processor. This was designed to give classic tones that sound similar to vintage tape machines, increasingly more lo-fi and dirty when driven at intense or longer settings. What sets these apart from the rest of the delay pedals on
Premium Waza Craft pedal with authentic vintage preamp sounds from the BOSS CE-1 Chorus Ensemble and Roland RE-201 Space Echo. The vintage BOSS CE-1 Chorus Ensemble and RE-201 Space Echo are legendary for their inspiring and influential effect sounds. But they’re also loved for their variable
Premium Waza Craft pedal with all-analog audio circuitry Innovative dual-stage gain circuit built with discrete analog components. Standard mode updates the famous MT-2 Metal Zone sound with improved clarity and lower noise. Custom mode delivers full-throttle gain tones with wider range, increased
Double pedal booster for 2 effects designed for lifting pedals to the optimum level that can easy to switch between effect pedals located on Pedaltrain pedalboards. This pedal booster has a solid steel frame and can be installed on a pedalboard using velcro or screws, which are
Double pedal booster for 3 effects designed for lifting pedals to the optimum level that can easy to switch between effect pedals located on Pedaltrain pedalboards. This pedal booster has a solid steel frame and can be installed on a pedalboard using velcro or screws, which are
The JHS Pedals Bender is a pedal that gives you the touch, feel, and response of the vintage germanium fuzz but with accuracy and consistency of carefully chosen modern silicon transistors. The controls are Volume, Tone, and Attack. Volume sets the overall output level of the effect; turn it up and
Pedatrain’s custom Pedal-Booster raises each pedal by full one inch, allowing easy access and is accommodating to virtually any custom configuration. | Made in: China | Variant: PBK | Original Colour by Producer: Black | Type: Pedalboard | Colour: Black
Booster guitar effect pedal with a buffer function. This pedal is commanded by two main pots – Volume for the amount of boost and Tone for a either a bass or treble boost. The buffer function is switched by a central switch and it counters the signal loss in packed pedalboards with this pedal at
The JHS Pedals 3 Series Distortion is a massively versatile distortion pedal with the ability to achieve medium gain crunch, heavy overdrive, distortion, and even fuzz tones. The controls on the Distortion are Volume, Filter (or Tone), and Distort knobs that give you a wide range of usable sounds
JAM pedals’ unabashed distortion monster. Jam Pedals pulled out all the stops to make sure the Rattler will get you all the amazing tones of great early 80s ProCo RAT® distortion boxes and put in the time and R&D to make it more responsive to picking and fretting nuances resulting in an open,
The Dual Fusion pedal from Wampler Pedals is the first overdrive pedal specifically voiced to the new breed of fusion guitarists – but it’s so versatile it can find a place on ANY board of ANY genre. Fusion in its current form is a fairly new concept, with roots not only in theoretical jazz but
Guitar pedal effect - overdrive. Ever since the 1970s a small, green Japanese overdrive pedal has been a major part of almost every pedalboard. From blues rockers like SRV and John Mayer using it as the main part of their sound to massive metal artists like Kirk Hammett using it to push an already
Xotic's iconic boost pedal is back.Dynamic and sensitive to the nuances of the player, the RC Booster offers more than 20 dB of transparent clean gain.Active control of amplification, treble, gain and volume.Using premium parts, the RC Booster is considered an 'always on pedal' that naturally
Effect pedal, Booster. What do the tones of renowned guitarist such as Page, EVH and Johnson have in common? They all used the legendary echo machine EP-3 as a pre-amp. We've captured that magic in a new Xotic Effects pedal, the EP Booster. We've used the highest quality parts available with a
Overdrive effects pedal for electric guitar or bass guitar that is a highly unique and massively tweaked version of the most famous overdrive ever created and is an ideal tool for shaping and creating unique mid heavy tones for almost any need or genre. It has the core tone of the version one and