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Explore the fuzz world and build a unique tonal foundation. Stone Age is a multi-engine fuzz pedal capable of creating from classic and renowned to modern and experimental fuzz tones. Choose between four engines: Single Transistor, Maestro, Face and a modern Muff 'Thermion' modified with improved dynamics and definition. Add on demand clean signal or octaved fuzz to create the fuzz tones you've always had in your head. Effectively cut any excess high or low frequencies to adapt your tones to virtually any amp, with its high Q two band equalizer that you can also bypass, to get the most classic feeling. Maximize the dynamics with the volume and tone of your guitar with the improved input and output buffers. Designed to be versatile and modifiable, while staying true to the most genuine fuzz tone, Stone Age is transistor based, with relay switching and true bypass for those guitarists who love pure fuzz tones and flexibility. UK/EU Power supply included : No Depth (mm) : 57.0 Controls : EQ Bypass Switch Controls : Volume Made in : Spain Weight (g) : 600.0 Controls : Low Cut Inputs : Jack 6,3 mm TS Outputs : Jack 6,3 mm TS True Bypass : Yes Controls : Clean Mix Controls : Gain Package Contents : Manual Controls : High Cut Controls : Selector Battery Operation : No Controls : Octave Mix Number of Buttons : 3 Power Supply : 9V DC ( - ) Height (mm) : 120.0 Type : Fuzz Colour : Black Width (mm) : 155.0
Product Thermion Stone Age has an EAN code 8437017662150.
Color | Black |
Category | Pedals, Boosters |
EAN | 8437017662150 |
Explore the fuzz world and build a unique tonal foundation. Stone Age is a multi-engine fuzz pedal capable of creating from classic and renowned to modern and experimental fuzz tones. Choose between four engines: Single Transistor, Maestro, Face and a modern Muff 'Thermion' modified with improved
Zero is the full stereo and simple to use portable amplification solution, that turns your pedals into a tool for your live shows, rehearsals and recordings. Class D hybrid power technology, with two real 40 watt outputs, reproduces the behavior of a tube amp's transformers and all of their
Achieve the boosted ‘Blizzard of Nails’ British tones that influenced many guitarists and generations with Breakthru. Two channels of mid-rangy overdrive that will upgrade your tone with a new dimension of punch and dynamics from Indie or Blues to Hard Rock tones. Designed with the same
Squeeze the best British blues and rock tones out of any Amp with Heartbreaker. Dynamics, crunch and delicious overdrive in the ultimate preamplifier for classic sound lovers. Heartbreaker is a versatile tool that will turn any amplifier into a roaring rock and blues machine with the best classic
Can you imagine the ultimate tool that transforms any guitar and amplifier into a Rock and Metal machine? Stop imagining. Here’s Gasoline. Gasoline is the tool that will make you set aside all your old distortion effects and preamps. Genuine American High Gain boutique sound with unprecedented
Have you ever missed something during your solos that lets you stand out in the mix, creating complex atmospheres, all packed in a simple and portable solution? Outlaw is your ultimate soloing tool. Get the volume boost and the ambience you need to create the most detailed and mix-cutting soloing
Do you miss gain and punch on your amplifier, or do you want to shape your tone without giving up the most natural overdrive? Here’s Uprising. Uprising is the dual booster that faithfully recreates the behavior of a tube gain stage. Whether you want an effective tool to give personality to your
Double pedal booster for 2 effects designed for lifting pedals to the optimum level that can easy to switch between effect pedals located on Pedaltrain pedalboards. This pedal booster has a solid steel frame and can be installed on a pedalboard using velcro or screws, which are
Double pedal booster for 3 effects designed for lifting pedals to the optimum level that can easy to switch between effect pedals located on Pedaltrain pedalboards. This pedal booster has a solid steel frame and can be installed on a pedalboard using velcro or screws, which are
Xotic's iconic boost pedal is back.Dynamic and sensitive to the nuances of the player, the RC Booster offers more than 20 dB of transparent clean gain.Active control of amplification, treble, gain and volume.Using premium parts, the RC Booster is considered an 'always on pedal' that naturally
Effect pedal, Booster. What do the tones of renowned guitarist such as Page, EVH and Johnson have in common? They all used the legendary echo machine EP-3 as a pre-amp. We've captured that magic in a new Xotic Effects pedal, the EP Booster. We've used the highest quality parts available with a
Pedatrain’s custom Pedal-Booster raises each pedal by full one inch, allowing easy access and is accommodating to virtually any custom configuration. | Made in: China | Variant: PBK | Original Colour by Producer: Black | Type: Pedalboard | Colour: Black
Pedal effect and preamp for electric bass from Darkglass - booster. Designed to be the perfect complement to our distortion circuits, the flexibility and portability of the Harmonic Booster is also the perfect one-stop solution for gigging musicians in search of a precise and harmonically rich
Booster guitar effect pedal with a buffer function. This pedal is commanded by two main pots – Volume for the amount of boost and Tone for a either a bass or treble boost. The buffer function is switched by a central switch and it counters the signal loss in packed pedalboards with this pedal at
Boost effect pedal for electric guitar that offers a unique concept in booster design, featuring two completely independent boost circuits in a single compact housing. The Clean (Left) channel offers up to +20 dB of clean boost with a completely flat frequency response, while the Vintage (Right)
The Silver Solo is a treble booster/gain boost based on the old Dallas Rangemaster circuit from the 60's. It accentuates dynamics and texture while increasing volume, pushing your tone through the mix when you need that extra cut. You'll get more sustain and a sweet harmonic edge to each note. I
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Ibanez is proud to announce a new addition to the MINI pedal lineup. The BTMINI booster features three controls; BASS, TREBLE and LEVEL. Unlike a single knob booster, the BASS and TREBLE EQ enables significant tonal flexibility. For example, while set to the ''Wide Range'' setting (Turing Bass and
A detailed replica of one of the world's most iconic effectsthe Dallas Rangemaster treble booster. Originally produced in 1965, it has been used by many of the worlds most respected artists including Eric Clapton, Tony Iommi, Rory Gallagher, Brian May, Marc Bolan, Ritchie Blackmore and many more
The JHS Pedals Bender is a pedal that gives you the touch, feel, and response of the vintage germanium fuzz but with accuracy and consistency of carefully chosen modern silicon transistors. The controls are Volume, Tone, and Attack. Volume sets the overall output level of the effect; turn it up and
The Fulltone 2B is a tiny, transparent, and amazing boost pedal, born from the “Boost” channel in FD3 pedal. Soon after the FD3 came out they started getting a steady flow of emails asking if they could “please make that into a single channel Boost pedal!” So they crammed the circuit into
The JHS Pedals 3 Series Distortion is a massively versatile distortion pedal with the ability to achieve medium gain crunch, heavy overdrive, distortion, and even fuzz tones. The controls on the Distortion are Volume, Filter (or Tone), and Distort knobs that give you a wide range of usable sounds
The Northern Creeper Fuzz from Daredevil Pedals. The circuit is thick and biting, reminiscent of early 70's fuzzes by Shin-ei or Maestro minus the extra controls. Just volume and sustain. More output, even tone response, and more gain. Big, gritty, blown out, and saturated but tight enough to hold
The Dual Fusion pedal from Wampler Pedals is the first overdrive pedal specifically voiced to the new breed of fusion guitarists – but it’s so versatile it can find a place on ANY board of ANY genre. Fusion in its current form is a fairly new concept, with roots not only in theoretical jazz but