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The Silver Solo is a treble booster/gain boost based on the old Dallas Rangemaster circuit from the 60's. It accentuates dynamics and texture while increasing volume, pushing your tone through the mix when you need that extra cut. You'll get more sustain and a sweet harmonic edge to each note. I use it for solos, but this one also works great for adding cut to your rhythm tone. The 'Range' control adjusts which frequencies are pushed up. Fully CW is the classic bright treble boost, sweeping it CCW gradually includes more low end until reaching a full range boost. Take a vintage Marshall and push the front end for earlier breakup. Add some beef to single coils, get rippin 80's metal tones, or brighten those vintage tweed amps like Billy Gibbons, this pedal does it all. Most notably heard on the first Sabbath album, Clapton's Bluesbreakers, T.Rex, and Queen albums, this is a secret weapon of great tone. The Silver Solo interacts with your guitar best when used first in the pedal chain. True bypass with a 9V DC jack. Inputs: Jack 6,3 mm TS Made in: USA UK/EU Power supply included: No Power Supply: Battery;Adapter;9V Battery Operation: Yes Controls: Range;Level Colour: Red;Grey Outputs: Jack 6,3 mm TS True Bypass: Yes Battery Type: 9V Number of Buttons: 1 Type: Boost Package Contents: Manual
Product Daredevil Pedals Silver Solo #1224856 is marked with an EAN code 6511374569726.
Color | Red Grey |
Category | Pedals, Boosters |
EAN | 6511374569726 |
The Silver Solo is a treble booster/gain boost based on the old Dallas Rangemaster circuit from the 60's. It accentuates dynamics and texture while increasing volume, pushing your tone through the mix when you need that extra cut. You'll get more sustain and a sweet harmonic edge to each note. I
The Northern Creeper Fuzz from Daredevil Pedals. The circuit is thick and biting, reminiscent of early 70's fuzzes by Shin-ei or Maestro minus the extra controls. Just volume and sustain. More output, even tone response, and more gain. Big, gritty, blown out, and saturated but tight enough to hold
The Northern Creeper Fuzz from Daredevil Pedals. The circuit is thick and biting, reminiscent of early 70's fuzzes by Shin-ei or Maestro minus the extra controls. Just volume and sustain. More output, even tone response, and more gain. Big, gritty, blown out, and saturated but tight enough to hold
The heart of this pedal is an FET boost capable of the most aggressive tones and volume. Excessive controls and components have been eliminated, less knobs = more tone! This has nothing to do with 'clean transparent boost' or any cork-sniffing metaphors you may have heard. The HYPE is big and
Guitar effect. Features: Developed and designed in collaboration with legendary guitarist Earl Slick. Octave circuit with a Hendrix-like sustain. Original modern fuzz circuit. Both circuits can be used independently of each other. Built-in switchable and adjustable noise gate. Controls: fuzz,
Guitar pedal effect - overdrive. The Drive – Bi is a dual channel, op-amp gain circuit. Designed to cover medium to high level amp style drive that is extremely dynamic and raw. Low channel adds grit, sustain, and overdrive to your amp while still pushing output. Hi gain mode expands low end,
Raw and Nasty. Vintage sonic gnarliness born from the Mosrtie Fuzzrite. Nail the tones of Detroit garage rock and that other band, the one with the singer in silver pants covered in peanut butter. This is a versitile fuzz, dial in splattery octave tones or thicker searing gain. Both knobs interact
The Aces Hybrid Amplifier found its origins in RCA data sheets from the 1950s. Simple 2 stage gain circuits utilizing germanium transistors, the only kind available at the time. Daredevil wanted to use the same approach, but give it the Daredevil treatment, creating something unique that nailed a
Distortion/fixed Wah guitar effects pedal that is a combination of the Daredevil Fearless Distortion and Atomic Cock and allows user to blend the cocked wah signal á la Mick Ronson into the 2-channel gain stage while in the same time delivering a rich and natural distortion. It provides two
The Bootleg is a digital delay that utilizes the Princeton 2399 IC processor. This was designed to give classic tones that sound similar to vintage tape machines, increasingly more lo-fi and dirty when driven at intense or longer settings. What sets these apart from the rest of the delay pedals on
Ultra-compact digital distortion effect pedal that delivers an all-sided high-gain distortion with excellent dynamic response and definition, especially suited for solo playing. It provides three working modes: Natural, Tight and Classic. The pedal features an all-metal shell and mono input/output,
Roaring like a British Lion from Wembley to the Sunset Strip, the Jubilee is ready to melt faces. Sure, it can do subtle but that's no fun. Crank it up and rock out. Controls: Loudness: Controls the output level of the pedal.Drive: Adjusts the gain and distortion of the pedal.Treble / Middle /
Double pedal booster for 2 effects designed for lifting pedals to the optimum level that can easy to switch between effect pedals located on Pedaltrain pedalboards. This pedal booster has a solid steel frame and can be installed on a pedalboard using velcro or screws, which are
Double pedal booster for 3 effects designed for lifting pedals to the optimum level that can easy to switch between effect pedals located on Pedaltrain pedalboards. This pedal booster has a solid steel frame and can be installed on a pedalboard using velcro or screws, which are
Pedatrain’s custom Pedal-Booster raises each pedal by full one inch, allowing easy access and is accommodating to virtually any custom configuration. | Made in: China | Variant: PBK | Original Colour by Producer: Black | Type: Pedalboard | Colour: Black
The JHS Pedals Bender is a pedal that gives you the touch, feel, and response of the vintage germanium fuzz but with accuracy and consistency of carefully chosen modern silicon transistors. The controls are Volume, Tone, and Attack. Volume sets the overall output level of the effect; turn it up and
Delivering accurate speed and focused performance, the Eliminator: Solo Red bass drum pedal delivers no-nonsense Eliminator feel for the technically decisive player. Focusing the drive on the accurate feel of the Radical Progressive Action of Eliminator: Redline Red Cam, its shape allows the double
Delivering blinding speed and powerful performance, the Eliminator: Solo Black bass drum pedal delivers no-nonsense Eliminator feel for the high-volume drummer. Focusing the drive on the smooth Linear Action of the Black Cam, its even, slightly weighted feel delivers just the right amount of
Booster guitar effect pedal with a buffer function. This pedal is commanded by two main pots – Volume for the amount of boost and Tone for a either a bass or treble boost. The buffer function is switched by a central switch and it counters the signal loss in packed pedalboards with this pedal at
The Eliminator: Solo Black Double Bass drum pedal gives the speed-focused player all the gliding velocity that made the original Eliminator a necessity. A straight-forward double pedal for the high-volume drummer, Solo Black focuses the feel on the smooth Linear Action of the Black Cam. Its even,
The Eliminator: Solo Red Double Bass drum pedal gives the speed-focused player all the gliding velocity that made the original Eliminator a necessity. A straight-forward double pedal for the turbo-charged drummer, Solo Red focuses the feel on the Radical Progressive Action (Red) cam from Pearl's
The JHS Pedals 3 Series Distortion is a massively versatile distortion pedal with the ability to achieve medium gain crunch, heavy overdrive, distortion, and even fuzz tones. The controls on the Distortion are Volume, Filter (or Tone), and Distort knobs that give you a wide range of usable sounds
JAM pedals’ unabashed distortion monster. Jam Pedals pulled out all the stops to make sure the Rattler will get you all the amazing tones of great early 80s ProCo RAT® distortion boxes and put in the time and R&D to make it more responsive to picking and fretting nuances resulting in an open,
The Dual Fusion pedal from Wampler Pedals is the first overdrive pedal specifically voiced to the new breed of fusion guitarists – but it’s so versatile it can find a place on ANY board of ANY genre. Fusion in its current form is a fairly new concept, with roots not only in theoretical jazz but