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Three beautifully formed, distinctly different chorus pedals in one box. The Spiral Array houses 3 classic chorus sounds, painstakingly recreated from the classic era of Chorus the mid 70’s to the mid 80’s. An analog chorus based on a thick lush 1976 Boss CE1, a spatial digital chorus based off the 1979 Roland Dimension D and the renowned uber rich sounding 1985 Dytronics Tri Stereo Chorus, All in one box.Tri coloured LED’s are more expensive than regular single colour LED’s, but we feel they are worth the investment. Where you have a pedal that has multiple modes on a dark stage a tri colour LED gives you a clear visual reference to which mode your pedal is running in.It is important that when you activate an effect there is no switching noise. So, we take great care in designing a switching system that is totally silent in operation. The only thing you should here is a great sounding product. Type: Chorus Inputs: Mono;Expression Power Supply: Adapter;9V Number of Buttons: 1 Controls: Mode;Mix;Depth;Rate;Tone Colour: White;Violet Made in: China Outputs: Mono USB: No True Bypass: None UK/EU Power supply included: No Battery Operation: No
Product Laney BCC-SPIRAL #89901 has an EAN code 5060109456875.
Color | White Violet |
Category | Boxes, Pedals |
EAN | 5060109456875 |
Three beautifully formed, distinctly different chorus pedals in one box. The Spiral Array houses 3 classic chorus sounds, painstakingly recreated from the classic era of Chorus the mid 70’s to the mid 80’s. An analog chorus based on a thick lush 1976 Boss CE1, a spatial digital chorus based off
The Blackheath is a handcrafted, triple-mode, bass distortion pedal dedicated to giving the bass player all the tonal distortion they are looking for in a single pedal. Featuring 2 different modes of Distortion and an Overdrive, the Blackheath delivers the classic distortion you want, from
Universal overdrive/distortion effect pedal for electric guitars. Designed to give the player a total command and control over a spectrum of different gains and harmonic distortions from Classic fat rock tones to jangly indie lines, and everything in between. The MONOLITH delivers expressive gain
An overdrive/boost effect pedal with a great deal of versatility and headroom. The effect has been specially designed to help push your amp harder and cut through any mix. It is ideal for combination with other distortion pedals. Controlled by potentiometers for Drive, Volume, Bass and Treble. In
The Custard Factory is a studio-quality, triple-mode, Bass compressor pedal; In a user-friendly format. Designed to be transparent, simple to use and deliver a consistent musical sound without impairing any of the fundamental tonal quality of your instrument. The Custard Factory is perfect for
The 85 is a Bass interval pedal offering studio quality pitch tracking and sound. The 85 gives you independent control of an Octave down and an additional switchable ‘Interval’ control, allowing for an extra octave up, 2 octaves down or a perfect 5th above your original note. Focus control
Reverb effect pedal with Spring and Plate modes. It has the sound of classic amp and studio tones combined with modern day sound quality and reliabilit. This offers rich sound and dynamic features. Controlled by potentiometers for Pre-Delay, Volume, Size and Tone. In addition, it is equipped with
The LX15B offers big bass tones right out the box – designed to give you sonic performance bigger than its small size! The LX Bass amplifiers deliver deep bass in a compact and portable format, ideal for practice, teaching and rehearsal. The LX15B is a simple-to-use and compact amplifier combo
The CTRL BOX is our official offering for remote preset selection and remote tap tempo / HOLD engagement for the Delay Llama XTREME! As always, handmade and hand-painted at our worksop in Athens, Greece!To remotely engage presets via the CTRL BOX:Connect a stereo-to-stereo patch cable from the PS
Fuzz effects guitar pedal that was developed from JHS well-received Colour Box pedal, inspired by a piercing guitar tone came through the speakers on the Beatles 'Revolution 1' in 1968. This model is more streamlined for the one basic application of a dirt box. The controls are Master, Pre, Tilt,
Guitar Fuzz pedal effect. Scuzz Box is KHDK's germanium-voiced fuzz pedal. It provides a singing and powerful fuzz with a bit of gnarly at the flip of a switch. The Scuzz Box is crafted using discrete transistor technology with a meticulously tuned circuit for the highest performance. Inspired by
The JHS Pedals Overdrive Preamp is a faithful replication of the first version ('Big Box V1') of DOD's most loved pedal, the Overdrive/Preamp (250). The controls are simple. The Level control adjusts the overall output of the circuit and lets you cut or boost the signal. The Level control of this
The JHS Colour Box V2 has all the same functionality of the popular V1 version with many new and improved additions like expanded EQ controls, a Hi/Lo switch for massive clean headroom, and the ability to pass phantom power to your condenser mics. The Gain section in red has three controls: Master,
Unlike traditional overdrive stomp boxes, the VH4 Pedal is a true preamp which delivers an authentic representation of its namesake – real Diezel tone – not emulated, not modeled, but sincerely reproduced. The entire signal architecture is faithful to the original: Bass, Mid, Treble and
This little box of magic takes your input signal and splits it into two always-on outputs that are buffered so you don’t lose clarity or tone in any way. Plug your guitar in and use one output to send your clean signal somewhere like a tuner, mixer, separate amp, etc... and send the other output
The JHS Pedals 3 Series Fuzz is a versatile fuzz box that cleans up well with your guitar's volume knob. The Fuzz is the perfect balance of vintage and modern with soaring sustain and clear articulation. The controls allow you to create a wide variety of sounds via the Bias knob, which gives the
Steel pedal that is the perfect fit for all BassBoX and SnareBoX acoustic stomp boxes from Meinl Percussion. The single chain drive and adjustable spring tension allow you to dial in your comfort zone when playing. This pedal is also equipped to mount the MEINL L-Shaped beaters, specifically
Guitar pedal - analogue attenuator. Tames a screaming-loud tube amp by running through the effects loop and controlling the amount of signal sent to the power section. Lets you really push the front end of your amp for the natural feel and tone that you can’t get any other way. Retain the
Guitar pedal - A/B footswitch. Simple footswitch design selects between a pair of 6,3 mm jacks on the left side of the unit. Instantly swap between two instruments. Perfect for switching tones on dual-amplifier rigs. Isolate your tuner from the signal chain, while achieving silent onstage tuning
It is the same pedal as the full size Box of War, originally housed in a large folded steel enclosure, modified to be able to fit in a standard 125 size enclosure. That's it! Same parts, same guts, smaller size. | The Box of War is a true recreation of the famous “Civil War” fuzz pedals from the
Released in 1988, The Guv’nor was the first pedal that squeezed Marshall’s ‘big black box’ sound into a ‘little black box’. Fast forward to the present day and now this vintage reissue is here to do it all over again.Since it first hit the market, The Guv’nor set the standard for
Set includes: Cajon OCJ10NTDS-BP, pedal OCJP-L-GB, case for Cajon, case for pedal and tuning key. The set is intended for left-handers. The Cajon itself is made of birch wood, adjustable front plate for more sound options, curved corners for greater comfort, providing clear and clean sound. The
The Box of War is a true recreation of the famous “Civil War” fuzz pedals from the 90’s. They say “true recreation” because they pride ourselves on truly digging into the vintage units they recreate and go to great lengths to duplicate all aspects of the original circuits to the best of
Guitar effect Pitch Shifting pedal. 3 FX modes: Harmony - Pitch-shifting with mix of original signal, Pitch Shift - Creates a precise, polyphonic, pitched signal, Detune - Creates a slightly detuned signal, mixed with original signal for chorus-like effects, Pitch range: - 2 to + 2 octaves. Metal