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The JHS Pedals Overdrive Preamp is a faithful replication of the first version ('Big Box V1') of DOD's most loved pedal, the Overdrive/Preamp (250). The controls are simple. The Level control adjusts the overall output of the circuit and lets you cut or boost the signal. The Level control of this version has been modified (corrected) from the original wiring, giving this pedal much more volume on tap. The Gain control adjusts the amount of gain inside the overdrive circuit. Turning up the Gain control creates more clipping as it pushes the op-amp and hard clipping into overdrive. JHS Pedals also added a slider switch, which wasn't included with the original DOD 250. While researching the original pedal, JHS Pedals acquired a second early big-box unit which used a completely different clipping arrangement. The JHS Pedals Overdrive Preamp features more gain/grit overall and more unique low/mids than the later versions of the DOD 250. metal housing 6.3 mm mono in / output jacks power supply via optional 9-18V DC adapter 2.1 x 5.5 mm barrel plug, polarity (-) center battery operation: not supported current draw: 5 mA dimensions (L x W x H): 119 x 94 x 42 mm weight: ca. 450 g Made in: USA Type: Overdrive True Bypass: Yes Depth (mm): 119.0 MIDI Interface: No Colour: Black Controls: Level;Gain Power Supply: Adapter;9V Width (mm): 94.0 Height (mm): 42.0 Inputs: Jack 6,3 mm TS Outputs: Jack 6,3 mm TS Battery Operation: No USB: No Weight (g): 450.0 UK/EU Power supply included: No Package Contents: Manual
Product JHS Pedals Overdrive Preamp is marked with an EAN code 6504152124606.
Color | Black |
Category | Boxes, Pedals, Boosters |
EAN | 6504152124606 |
The JHS Pedals Overdrive Preamp is a faithful replication of the first version ('Big Box V1') of DOD's most loved pedal, the Overdrive/Preamp (250). The controls are simple. The Level control adjusts the overall output of the circuit and lets you cut or boost the signal. The Level control of this
The JHS Pedals 3 Series Overdrive offers a wide range of overdrive sounds within straightforward design aesthetics. You can achieve anything from boost, transparent low gain, to huge amp-like medium overdrive sounds. The simple knob functions give you control over the Volume, Body (or EQ), and
Guitar pedal effect - overdrive. Ever since the 1970s a small, green Japanese overdrive pedal has been a major part of almost every pedalboard. From blues rockers like SRV and John Mayer using it as the main part of their sound to massive metal artists like Kirk Hammett using it to push an already
The JHS Pedals Crimson is an exact replica of the Mike Matthews Red Army Overdrive by Sovtek. This is the very first Russian-made Big Muff ever produced and possibly the rarest of all time. The JHS Pedals Crimson now allows you to own a unique part of fuzz history. The controls are Volume, Tone,
Unlike traditional overdrive stomp boxes, the VH4 Pedal is a true preamp which delivers an authentic representation of its namesake – real Diezel tone – not emulated, not modeled, but sincerely reproduced. The entire signal architecture is faithful to the original: Bass, Mid, Treble and
Guitar pedal effect - boost/overdrive from Andy Timmons signature series. In 2016 JHS releases one of the most popular drive pedals over the last few years the AT Andy Timmons Angry Charlie style overdrive pedal. Now they are cranking it up a notch with the AT+, the same amazing overdrive pedal
The JHS SuperBolt overdrive pedal, at its heart, is a discreet circuit designed to emulate the tone and character of the 1960’s-era Supro® amps. From its touch-sensitivity to the way the pedal sags with tube rectifier color at higher gain settings, the SuperBolt will give any guitar rig a
Fuzz effects guitar pedal that was developed from JHS well-received Colour Box pedal, inspired by a piercing guitar tone came through the speakers on the Beatles 'Revolution 1' in 1968. This model is more streamlined for the one basic application of a dirt box. The controls are Master, Pre, Tilt,
Compact overdrive effect pedal that provides the same amount of power as the original version but in smaller package. It was developed in collaboration with Stu G, a guitarist from Delirious?, and offers four distinct overdrive settings which provide a great range of distorted tone and attack. It
Overdrive effects pedal for electric guitar or bass guitar that is a highly unique and massively tweaked version of the most famous overdrive ever created and is an ideal tool for shaping and creating unique mid heavy tones for almost any need or genre. It has the core tone of the version one and
Third version of the staple JHS overdrive effects pedal called Angry Charlie that keeps everything that has made it a star in place while adding some tweaks for even greater flexibility and usability. It is a force to be reckoned with in the high gain pedal territory and it convincingly and
Versatile overdrive effects pedal that combines two stompboxes in one and offers a versatile but transparent overdrive at medium and light gain levels. The right side consists of the Moonshine V2 which is a highly unique and massively tweaked version of the most famous overdrive ever created. The
Fourth version of the popular Charlie Brown overdrive effects pedal that is voiced to transform any good amp into a living, breathing replica of the original Marshall JTM45 tone that built an era, loaded with warm, rich character that makes a Stratocaster sing and a Les Paul scream. This version
The JHS Pedals 3 Series Fuzz is a versatile fuzz box that cleans up well with your guitar's volume knob. The Fuzz is the perfect balance of vintage and modern with soaring sustain and clear articulation. The controls allow you to create a wide variety of sounds via the Bias knob, which gives the
Fourth version of the JHS's most known and praised overdrive effect pedal - Morning Glory. It features Volume, Drive, Tone and Gain controls. The Volume control acts as a master output level control. One improvement of this version is the doubled amount of available headroom of this control. The
Versatile overdrive/distortion 2-in-1 effects pedal that covers all the bases you need plus more and offers medium-to-high gain tones. The right side consists of the Moonshine V2 which is a highly unique and massively tweaked version of the most famous overdrive ever created. The Moonshine V2 has
All-new overdrive pedal with massive tonal range, jointly developed by BOSS and JHS Pedals. Combines the voices of the BD-2 Blues Driver from BOSS and Angry Charlie from JHS Pedals. Three dual-concentric knobs provide independent drive, tone, and level control for each overdrive type. Mode selector
The JHS Pedals Bender is a pedal that gives you the touch, feel, and response of the vintage germanium fuzz but with accuracy and consistency of carefully chosen modern silicon transistors. The controls are Volume, Tone, and Attack. Volume sets the overall output level of the effect; turn it up and
The JHS Pedals 3 Series Distortion is a massively versatile distortion pedal with the ability to achieve medium gain crunch, heavy overdrive, distortion, and even fuzz tones. The controls on the Distortion are Volume, Filter (or Tone), and Distort knobs that give you a wide range of usable sounds
The JHS Pedals PackRat is the ultimate tribute to the 40+ years of rodent evolution of the Proco RAT and its impact on the guitar's sound. Artists from every genre have used the iconic tones in this unassuming black box to create their sounds, including Nirvana, John Scofield, Pink Floyd,
The JHS Pedals Smiley is a sonically faithful recreation of what makes these early silicon Fuzz Faces great. Several vintage units were considered and analyzed so that JHS Pedals could be sure to perfectly capture the magic The Smiley is clear and defined, straddling the line between distortion
The Cheese Ball is JHS Pedals faithful and extremely accurate recreation of the original circuit, it is a tribute to one of the most fascinating brands and circuits of all time! The Cheese Ball has your standard Volume, Gain, and Tone knobs found on most distortion fuzz boxes, but comes with an
The JHS Pedals Supreme is an exact replica of one of the most sought after vintage effects from Japan: the Shin-Ei Super-Fuzz. The Supreme is based on an extremely rare black and grey model. Although every early version of the original pedal sounds strikingly similar, the 1972 unit has a certain
Guitar pedal effect - boost/overdrive. The BB Preamp offers a wide variety of sounds. It's capable of a +30 dB clean boost with an adjustable ±15dB two band active EQ which adds a wide range of harmonic content to your ideal sound. The BB also utilizes a pre-gain stage which allows the pedal to go