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Fuzz effects guitar pedal that was developed from JHS well-received Colour Box pedal, inspired by a piercing guitar tone came through the speakers on the Beatles 'Revolution 1' in 1968. This model is more streamlined for the one basic application of a dirt box. The controls are Master, Pre, Tilt, and Hi Pass. 'Master' is the classic volume control that controls the overall output. 'Pre' works as a drive or fuzz control like turning up the pre-volume on a preamp to send it in to overdrive. As reaching 75% and above, the fuzz will begin to gate out as user picks the strings harder when playing, it is very responsive to the input signal and touch. The 'Tilt' control acts as an active tone control that is flat when the knob is at 50%. When turned to the left, the Tilt control boosts bass and simultaneously cuts treble. When turned to the right, it boosts treble and cuts bass. This allows for some very unique and usable adjustments to the overall feel of the pedal. The 'Hi-Pass' toggle switch lets user activate from two different frequencies located on the side of the pedal, 200Hz and 750Hz. These settings let only the high band frequencies above them pass, and this allows for some amazing tone shaping possibilities. This pedal excels at Direct-In fuzz tones, but it truly covers more ground than user would first imagine. From subtle tube-like overdrive to classic rock distortion and all the way to spitting fuzz, it is much more than a one-trick pony. Power Supply: 9V;Adapter UK/EU Power supply included: No Type: Ampbox;DI Box;Fuzz;Preamp;Overdrive Made in: USA
Product JHS Pedals Crayon is marked by the EAN code 6504152108248.
Category | Boxes, Pedals, Boosters, Crayons |
EAN | 6504152108248 |
Fuzz effects guitar pedal that was developed from JHS well-received Colour Box pedal, inspired by a piercing guitar tone came through the speakers on the Beatles 'Revolution 1' in 1968. This model is more streamlined for the one basic application of a dirt box. The controls are Master, Pre, Tilt,
Pedal effect for electric guitar from Electro Harmonix - Overdrive. The Crayon is a versatile overdrive with independent Bass and Treble controls and an open frequency range that provides players with a musical alternative to customary mid-focused overdrive pedals. It delivers a range of sounds
The JHS Pedals Overdrive Preamp is a faithful replication of the first version ('Big Box V1') of DOD's most loved pedal, the Overdrive/Preamp (250). The controls are simple. The Level control adjusts the overall output of the circuit and lets you cut or boost the signal. The Level control of this
The JHS Pedals 3 Series Fuzz is a versatile fuzz box that cleans up well with your guitar's volume knob. The Fuzz is the perfect balance of vintage and modern with soaring sustain and clear articulation. The controls allow you to create a wide variety of sounds via the Bias knob, which gives the
Awesome on guitar and bass, the Hot Wax fuses our Hot Tubes and Crayon pedals into one powerful dual-overdrive. Use each individually or stack them with the Crayon driving the Hot Tubes. Master EQ and Blend controls provide the tonal flexibility power players demand. The Hot Wax is the next
The JHS Pedals Bender is a pedal that gives you the touch, feel, and response of the vintage germanium fuzz but with accuracy and consistency of carefully chosen modern silicon transistors. The controls are Volume, Tone, and Attack. Volume sets the overall output level of the effect; turn it up and
The JHS Pedals 3 Series Distortion is a massively versatile distortion pedal with the ability to achieve medium gain crunch, heavy overdrive, distortion, and even fuzz tones. The controls on the Distortion are Volume, Filter (or Tone), and Distort knobs that give you a wide range of usable sounds
The JHS Pedals Smiley is a sonically faithful recreation of what makes these early silicon Fuzz Faces great. Several vintage units were considered and analyzed so that JHS Pedals could be sure to perfectly capture the magic The Smiley is clear and defined, straddling the line between distortion
The JHS Pedals PackRat is the ultimate tribute to the 40+ years of rodent evolution of the Proco RAT and its impact on the guitar's sound. Artists from every genre have used the iconic tones in this unassuming black box to create their sounds, including Nirvana, John Scofield, Pink Floyd,
The JHS Pedals Crimson is an exact replica of the Mike Matthews Red Army Overdrive by Sovtek. This is the very first Russian-made Big Muff ever produced and possibly the rarest of all time. The JHS Pedals Crimson now allows you to own a unique part of fuzz history. The controls are Volume, Tone,
The Cheese Ball is JHS Pedals faithful and extremely accurate recreation of the original circuit, it is a tribute to one of the most fascinating brands and circuits of all time! The Cheese Ball has your standard Volume, Gain, and Tone knobs found on most distortion fuzz boxes, but comes with an
The JHS Pedals Supreme is an exact replica of one of the most sought after vintage effects from Japan: the Shin-Ei Super-Fuzz. The Supreme is based on an extremely rare black and grey model. Although every early version of the original pedal sounds strikingly similar, the 1972 unit has a certain
The JHS Pedals Paul Gilbert PG-14 signature distortion is a new and unique distortion pedal specifically designed to Paul's specifications. At the heart of the circuit is a FET based distortion engine that emulates the touch, feel, and the response of a pushed tube amplifier. This circuitry allows
Guitar pedal effect - boost/overdrive from Andy Timmons signature series. In 2016 JHS releases one of the most popular drive pedals over the last few years the AT Andy Timmons Angry Charlie style overdrive pedal. Now they are cranking it up a notch with the AT+, the same amazing overdrive pedal
Third version of the staple JHS overdrive effects pedal called Angry Charlie that keeps everything that has made it a star in place while adding some tweaks for even greater flexibility and usability. It is a force to be reckoned with in the high gain pedal territory and it convincingly and
The JHS Pedals 3 Series Overdrive offers a wide range of overdrive sounds within straightforward design aesthetics. You can achieve anything from boost, transparent low gain, to huge amp-like medium overdrive sounds. The simple knob functions give you control over the Volume, Body (or EQ), and
The JHS Pedals 3 Series Screamer is the beloved JHS TS 'Strong Mod', but in a brand-new stand-alone pedal. This pedal represents years of JHS Pedals playing around with the legendary TS-circuit and wanting to offer those changes in an affordable package. The Screamer offers more clean headroom, a
Overdrive effects pedal for electric guitar or bass guitar that is a highly unique and massively tweaked version of the most famous overdrive ever created and is an ideal tool for shaping and creating unique mid heavy tones for almost any need or genre. It has the core tone of the version one and
Compact overdrive effect pedal that provides the same amount of power as the original version but in smaller package. It was developed in collaboration with Stu G, a guitarist from Delirious?, and offers four distinct overdrive settings which provide a great range of distorted tone and attack. It
The JHS Colour Box V2 has all the same functionality of the popular V1 version with many new and improved additions like expanded EQ controls, a Hi/Lo switch for massive clean headroom, and the ability to pass phantom power to your condenser mics. The Gain section in red has three controls: Master,
JHS Ross Fuzz is a pedal that never existed in the previous ROSS history, but its circuit was pulled from the Kustom amplifiers also made by Bud Ross during his Kustom Electronics era.John Fogerty used the Kustom amp’s distortion for hit songs like “Run Through the Jungle” and “Fortunate
Guitar pedal effect - overdrive. Ever since the 1970s a small, green Japanese overdrive pedal has been a major part of almost every pedalboard. From blues rockers like SRV and John Mayer using it as the main part of their sound to massive metal artists like Kirk Hammett using it to push an already
Versatile overdrive effects pedal that combines two stompboxes in one and offers a versatile but transparent overdrive at medium and light gain levels. The right side consists of the Moonshine V2 which is a highly unique and massively tweaked version of the most famous overdrive ever created. The
This little box of magic takes your input signal and splits it into two always-on outputs that are buffered so you don’t lose clarity or tone in any way. Plug your guitar in and use one output to send your clean signal somewhere like a tuner, mixer, separate amp, etc... and send the other output