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Universal overdrive/distortion effect pedal for electric guitars. Designed to give the player a total command and control over a spectrum of different gains and harmonic distortions from Classic fat rock tones to jangly indie lines, and everything in between. The MONOLITH delivers expressive gain even at low levels. A three-position switch extends the standard effect setting options to best suit all conditions. The effect is true bypass, it is equipped with a solid metal chassis construction, a silent footswitch and it is powered by a 9V adapter (not included) or battery. Type: Equalizer;Distortion;Overdrive Made in: China True Bypass: Yes Power Supply: Adapter
Product Laney BCC Monolith has an EAN code 5060109456455.
Category | Pedals, Boosters |
EAN | 5060109456455 |
Universal overdrive/distortion effect pedal for electric guitars. Designed to give the player a total command and control over a spectrum of different gains and harmonic distortions from Classic fat rock tones to jangly indie lines, and everything in between. The MONOLITH delivers expressive gain
An overdrive/boost effect pedal with a great deal of versatility and headroom. The effect has been specially designed to help push your amp harder and cut through any mix. It is ideal for combination with other distortion pedals. Controlled by potentiometers for Drive, Volume, Bass and Treble. In
The Blackheath is a handcrafted, triple-mode, bass distortion pedal dedicated to giving the bass player all the tonal distortion they are looking for in a single pedal. Featuring 2 different modes of Distortion and an Overdrive, the Blackheath delivers the classic distortion you want, from
The Custard Factory is a studio-quality, triple-mode, Bass compressor pedal; In a user-friendly format. Designed to be transparent, simple to use and deliver a consistent musical sound without impairing any of the fundamental tonal quality of your instrument. The Custard Factory is perfect for
Three beautifully formed, distinctly different chorus pedals in one box. The Spiral Array houses 3 classic chorus sounds, painstakingly recreated from the classic era of Chorus the mid 70’s to the mid 80’s. An analog chorus based on a thick lush 1976 Boss CE1, a spatial digital chorus based off
The 85 is a Bass interval pedal offering studio quality pitch tracking and sound. The 85 gives you independent control of an Octave down and an additional switchable ‘Interval’ control, allowing for an extra octave up, 2 octaves down or a perfect 5th above your original note. Focus control
Reverb effect pedal with Spring and Plate modes. It has the sound of classic amp and studio tones combined with modern day sound quality and reliabilit. This offers rich sound and dynamic features. Controlled by potentiometers for Pre-Delay, Volume, Size and Tone. In addition, it is equipped with
The guitar sound of the first Black Sabbath Album is actually the result of a number of key components, Tony himself not withstanding, but it is also the sound of the LA100BL plus a Dallas Arbiter Range master pedal that Tony used at the time, allowing him to push the front end of the amp into
Double pedal booster for 2 effects designed for lifting pedals to the optimum level that can easy to switch between effect pedals located on Pedaltrain pedalboards. This pedal booster has a solid steel frame and can be installed on a pedalboard using velcro or screws, which are
Double pedal booster for 3 effects designed for lifting pedals to the optimum level that can easy to switch between effect pedals located on Pedaltrain pedalboards. This pedal booster has a solid steel frame and can be installed on a pedalboard using velcro or screws, which are
Xotic's iconic boost pedal is back.Dynamic and sensitive to the nuances of the player, the RC Booster offers more than 20 dB of transparent clean gain.Active control of amplification, treble, gain and volume.Using premium parts, the RC Booster is considered an 'always on pedal' that naturally
Effect pedal, Booster. What do the tones of renowned guitarist such as Page, EVH and Johnson have in common? They all used the legendary echo machine EP-3 as a pre-amp. We've captured that magic in a new Xotic Effects pedal, the EP Booster. We've used the highest quality parts available with a
Pedatrain’s custom Pedal-Booster raises each pedal by full one inch, allowing easy access and is accommodating to virtually any custom configuration. | Original Colour by Producer: Black | Colour: Black | Variant: PBK | Made in: China | Type: Pedalboard
Pedal effect and preamp for electric bass from Darkglass - booster. Designed to be the perfect complement to our distortion circuits, the flexibility and portability of the Harmonic Booster is also the perfect one-stop solution for gigging musicians in search of a precise and harmonically rich
Booster guitar effect pedal with a buffer function. This pedal is commanded by two main pots – Volume for the amount of boost and Tone for a either a bass or treble boost. The buffer function is switched by a central switch and it counters the signal loss in packed pedalboards with this pedal at
Boost effect pedal for electric guitar that offers a unique concept in booster design, featuring two completely independent boost circuits in a single compact housing. The Clean (Left) channel offers up to +20 dB of clean boost with a completely flat frequency response, while the Vintage (Right)
The Silver Solo is a treble booster/gain boost based on the old Dallas Rangemaster circuit from the 60's. It accentuates dynamics and texture while increasing volume, pushing your tone through the mix when you need that extra cut. You'll get more sustain and a sweet harmonic edge to each note. I
Ibanez is proud to announce a new addition to the MINI pedal lineup. The BTMINI booster features three controls; BASS, TREBLE and LEVEL. Unlike a single knob booster, the BASS and TREBLE EQ enables significant tonal flexibility. For example, while set to the ''Wide Range'' setting (Turing Bass and
A detailed replica of one of the world's most iconic effectsthe Dallas Rangemaster treble booster. Originally produced in 1965, it has been used by many of the worlds most respected artists including Eric Clapton, Tony Iommi, Rory Gallagher, Brian May, Marc Bolan, Ritchie Blackmore and many more
The Fulltone 2B is a tiny, transparent, and amazing boost pedal, born from the “Boost” channel in FD3 pedal. Soon after the FD3 came out they started getting a steady flow of emails asking if they could “please make that into a single channel Boost pedal!” So they crammed the circuit into
The JHS Pedals Bender is a pedal that gives you the touch, feel, and response of the vintage germanium fuzz but with accuracy and consistency of carefully chosen modern silicon transistors. The controls are Volume, Tone, and Attack. Volume sets the overall output level of the effect; turn it up and
The JHS Pedals 3 Series Distortion is a massively versatile distortion pedal with the ability to achieve medium gain crunch, heavy overdrive, distortion, and even fuzz tones. The controls on the Distortion are Volume, Filter (or Tone), and Distort knobs that give you a wide range of usable sounds
THE GREEN WONDER is a versatile high headroom overdrive/booster pedal, that has high output and sounds great with both single coil and humbucking pickups. THE GREEN WONDER works extremely well with different kinds of amplifiers and can be used with both clean and overdrive channels, even with heavy
The Northern Creeper Fuzz from Daredevil Pedals. The circuit is thick and biting, reminiscent of early 70's fuzzes by Shin-ei or Maestro minus the extra controls. Just volume and sustain. More output, even tone response, and more gain. Big, gritty, blown out, and saturated but tight enough to hold