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The CTRL BOX is our official offering for remote preset selection and remote tap tempo / HOLD engagement for the Delay Llama XTREME! As always, handmade and hand-painted at our worksop in Athens, Greece!To remotely engage presets via the CTRL BOX:Connect a stereo-to-stereo patch cable from the PS output jack on the CTRL BOX to the PS input jack on your Delay Llama XTREME. Press the numbered footswitch corresponding to the preset you wish to engage.To remotely tap your preferred tempo in via the CTRL BOX:Connect a mono-to-mono patch cable from the TAP output jack on the CTRL BOX to the TAP input jack on the Delay Llama XTREME. A prolonged press will engage the HOLD function. Package Contents: Manual Power Supply: 9V;Adapter Inputs: Jack 6,3 mm Made in: Greece Number of Buttons: 5 Outputs: Jack 6,3 mm Controls: Preset;Tap Type: Switcher Colour: Silver UK/EU Power supply included: No Rackmountable: No Battery Operation: No
Product JAM Pedals CTRL BOX is described by the EAN code 5214001611737.
Color | Silver |
Category | Boxes, Pedals |
EAN | 5214001611737 |
The CTRL BOX is our official offering for remote preset selection and remote tap tempo / HOLD engagement for the Delay Llama XTREME! As always, handmade and hand-painted at our worksop in Athens, Greece!To remotely engage presets via the CTRL BOX:Connect a stereo-to-stereo patch cable from the PS
Fuzz effects guitar pedal that was developed from JHS well-received Colour Box pedal, inspired by a piercing guitar tone came through the speakers on the Beatles 'Revolution 1' in 1968. This model is more streamlined for the one basic application of a dirt box. The controls are Master, Pre, Tilt,
Guitar Fuzz pedal effect. Scuzz Box is KHDK's germanium-voiced fuzz pedal. It provides a singing and powerful fuzz with a bit of gnarly at the flip of a switch. The Scuzz Box is crafted using discrete transistor technology with a meticulously tuned circuit for the highest performance. Inspired by
The JHS Pedals Overdrive Preamp is a faithful replication of the first version ('Big Box V1') of DOD's most loved pedal, the Overdrive/Preamp (250). The controls are simple. The Level control adjusts the overall output of the circuit and lets you cut or boost the signal. The Level control of this
The JHS Colour Box V2 has all the same functionality of the popular V1 version with many new and improved additions like expanded EQ controls, a Hi/Lo switch for massive clean headroom, and the ability to pass phantom power to your condenser mics. The Gain section in red has three controls: Master,
This little box of magic takes your input signal and splits it into two always-on outputs that are buffered so you don’t lose clarity or tone in any way. Plug your guitar in and use one output to send your clean signal somewhere like a tuner, mixer, separate amp, etc... and send the other output
Unlike traditional overdrive stomp boxes, the VH4 Pedal is a true preamp which delivers an authentic representation of its namesake – real Diezel tone – not emulated, not modeled, but sincerely reproduced. The entire signal architecture is faithful to the original: Bass, Mid, Treble and
The JHS Pedals 3 Series Fuzz is a versatile fuzz box that cleans up well with your guitar's volume knob. The Fuzz is the perfect balance of vintage and modern with soaring sustain and clear articulation. The controls allow you to create a wide variety of sounds via the Bias knob, which gives the
JAM pedals’ unabashed distortion monster. Jam Pedals pulled out all the stops to make sure the Rattler will get you all the amazing tones of great early 80s ProCo RAT® distortion boxes and put in the time and R&D to make it more responsive to picking and fretting nuances resulting in an open,
JAM pedals’ unabashed distortion monster. JAM Pedals pulled out all the stops to make sure the Rattler will get you all the amazing tones of great early 80s ProCo RAT® distortion boxes and put in the time and R&D to make it more responsive to your playing resulting in an open, dynamic,
Steel pedal that is the perfect fit for all BassBoX and SnareBoX acoustic stomp boxes from Meinl Percussion. The single chain drive and adjustable spring tension allow you to dial in your comfort zone when playing. This pedal is also equipped to mount the MEINL L-Shaped beaters, specifically
Guitar pedal - analogue attenuator. Tames a screaming-loud tube amp by running through the effects loop and controlling the amount of signal sent to the power section. Lets you really push the front end of your amp for the natural feel and tone that you can’t get any other way. Retain the
Guitar pedal - A/B footswitch. Simple footswitch design selects between a pair of 6,3 mm jacks on the left side of the unit. Instantly swap between two instruments. Perfect for switching tones on dual-amplifier rigs. Isolate your tuner from the signal chain, while achieving silent onstage tuning
It is the same pedal as the full size Box of War, originally housed in a large folded steel enclosure, modified to be able to fit in a standard 125 size enclosure. That's it! Same parts, same guts, smaller size. | The Box of War is a true recreation of the famous “Civil War” fuzz pedals from the
Shortly after the release of the Pink Flow multi-pedal JAM Pedals also started receiving continuous requests to build custom stand-alone seagull units. In seeking to address this demand the JAM pedals way, they are introducing the Seagull as part of standard line, with improved controls and
A JAM pedals favorite for a lot of guitar, bass and keyboard players, the WaterFall is serving as a mainstay on boards of such greats as John Scofield, Nels Cline, Steve Lukather, Anthony Jackson and John Mesdeski for many years now, and has established itself as one of the best analog
Released in 1988, The Guv’nor was the first pedal that squeezed Marshall’s ‘big black box’ sound into a ‘little black box’. Fast forward to the present day and now this vintage reissue is here to do it all over again.Since it first hit the market, The Guv’nor set the standard for
Set includes: Cajon OCJ10NTDS-BP, pedal OCJP-L-GB, case for Cajon, case for pedal and tuning key. The set is intended for left-handers. The Cajon itself is made of birch wood, adjustable front plate for more sound options, curved corners for greater comfort, providing clear and clean sound. The
JAM Pedals set out to create a circuit that combined the singing, dynamic mid-range of germanium fuzz pedals with the gritty, full-bodied and well-rounded Muff-style fuzz distortion. Utilizing silicon transistors in a proprietary architecture to get the best of both worlds, the Eureka! is a
The Pink Flow is proposed combination of JAM pedals designs. | 1. Seagull: the seagull effect heard in “Echoes”! | 2. Dyna-ssoR: A realisation of our inspiration to combine a Ross Compressor® and a vintage DynaComp® using the extremely rare NOS CA3080 chip. | 3. Tubedreamer: a JRC4558D equipped
Three beautifully formed, distinctly different chorus pedals in one box. The Spiral Array houses 3 classic chorus sounds, painstakingly recreated from the classic era of Chorus the mid 70’s to the mid 80’s. An analog chorus based on a thick lush 1976 Boss CE1, a spatial digital chorus based off
The Box of War is a true recreation of the famous “Civil War” fuzz pedals from the 90’s. They say “true recreation” because they pride ourselves on truly digging into the vintage units they recreate and go to great lengths to duplicate all aspects of the original circuits to the best of
A JAM pedals favorite for a lot of guitar, bass and keyboard players, the WaterFall is serving as a mainstay on boards of such greats as John Scofield, Nels Cline, Steve Lukather, Anthony Jackson and John Mesdeski for many years now, and has established itself as one of the best analog BBD
The Warm Audio Warmdrive is a true reproduction of the most sought-after 'amp-in-a-box' pedal of all time, delivering the tones of a truly unattainable overdriven amp. Both guitar heroes and modern virtuosos like SRV, Eric Clapton, Robben Ford, John Mayer, Santana, and Cory Wong are known to have