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The Warm Audio Warmdrive is a true reproduction of the most sought-after 'amp-in-a-box' pedal of all time, delivering the tones of a truly unattainable overdriven amp. Both guitar heroes and modern virtuosos like SRV, Eric Clapton, Robben Ford, John Mayer, Santana, and Cory Wong are known to have used either the original amplifier or the pedal inspired by it. With an artist roster like that, it’s no wonder that original vintage pedals are talked about amongst the most demanding and discerning chasers of tone. Staying true to the legacy, the Warmdrive delivers all the tones of the original pedal and amplifier that inspired it.Whether you’re driving cleans into breakup, thickening up rhythm tones, or saturating solos, the Warmdrive can transform your amp from a polite and clean pedal platform into a fuzzy monster. While the Warmdrive has plenty of dynamic gain on tap, adding the pedal to your rig does not dramatically alter or diminish your tone. Just like the original, the Warmdrive has the unique Voice/Tone control to go from silky-smooth tones reminiscent of that special overdriven amp at the sweet spot all the way to sustain-rich distortion. It’s like having the best of both worlds, from clean to mean.The voice/tone control combination on the stomp box gives artists extra versatility compared to the typical overdrive pedal, allowing the player to modify the frequency both before (voice control) and after (tone control) the clipping stages. Playing with the knobs can create dynamic sounds that almost seem like two guitar signals going at once. Warmdrive will also push beyond light overdrive, all the way to a saturated cascading gain tone that makes it easy to get lost in a solo jam. Couple these controls with critical volume and gain knobs and the Warmdrive is a venerable addition to any live or studio rig. MIDI Interface : No Weight (g) : 340.0 USB : No Height (mm) : 57.0 Power Supply : Adapter External FX Loop : No Controls : Tone Colour : Silver Depth (mm) : 120.0 Number of Buttons : 4 Outputs : Jack 6,3 mm TS Colour : Black True Bypass : Yes Made in : China Width (mm) : 63.0 Inputs : Jack 6,3 mm TS Power Supply : Battery Battery Type : 9V Controls : Volume Battery Operation : Yes UK/EU Power supply included : No Type : Overdrive Controls : Voice Package Contents : Manual Controls : Gain
Product Warm Audio Warmdrive #1345107 is marked with an EAN code 8500316401536.
Color | Silver Black |
Category | Boxes, Pedals, Boosters |
EAN | 8500316401536 |
The Warm Audio Warmdrive is a true reproduction of the most sought-after 'amp-in-a-box' pedal of all time, delivering the tones of a truly unattainable overdriven amp. Both guitar heroes and modern virtuosos like SRV, Eric Clapton, Robben Ford, John Mayer, Santana, and Cory Wong are known to have
The Warm Audio Centavo is an accurate recreation of one of the most unattainable overdrive pedals in guitar history. Known by its lauded boost and overdriven tones, the craze for this uber-popular pedal continues today, long after its original production from 1994 to 2009. With prices soaring into
The Foxy Tone Box from Warm Audio is a faithful copy of the original 'foxy' fuzz effect. Recreating the most sought-after and most popular fuzz pedal of all time, used in the early 70's by legendary Billy Gibbons and Peter Frampton and now from people like Adrian Belew, Nine Inch Nails and Beck. It
Warm Audio brings a passive DI box with a built-in CineMag Transformer. It converts instruments sound without any signal degradation. Direct Box Passive is constructed with top-tier discrete components housed in rugged aluminum chassis which includes switches, knobs and connectors that are all
Warm Audio brings an active DI box with a built-in CineMag Transformer. It converts instruments sound without signal degradation. Direct Box Active is constructed with top-tier discrete components housed in rugged aluminum chassis that include switches, knobs and connectors that are all designed to
The Mateus Asato Signature Pedal, the ASABI, is a distortion and overdrive pedal that contains a HUGE array of tones and is also the world's first pedal to feature analog distortion plug-ins!To keep things interesting on your pedalboard, they developed the technology to create replaceable
Fuzz effects guitar pedal that was developed from JHS well-received Colour Box pedal, inspired by a piercing guitar tone came through the speakers on the Beatles 'Revolution 1' in 1968. This model is more streamlined for the one basic application of a dirt box. The controls are Master, Pre, Tilt,
Guitar Fuzz pedal effect. Scuzz Box is KHDK's germanium-voiced fuzz pedal. It provides a singing and powerful fuzz with a bit of gnarly at the flip of a switch. The Scuzz Box is crafted using discrete transistor technology with a meticulously tuned circuit for the highest performance. Inspired by
The JHS Pedals Overdrive Preamp is a faithful replication of the first version ('Big Box V1') of DOD's most loved pedal, the Overdrive/Preamp (250). The controls are simple. The Level control adjusts the overall output of the circuit and lets you cut or boost the signal. The Level control of this
Unlike traditional overdrive stomp boxes, the VH4 Pedal is a true preamp which delivers an authentic representation of its namesake – real Diezel tone – not emulated, not modeled, but sincerely reproduced. The entire signal architecture is faithful to the original: Bass, Mid, Treble and
The BlackBird Overdrive, a pedal that succeeds in generating blackface/brownface-style drive and works as a flexible tone-sculpting platform.There are lots of amp-in-a-box-style pedals and while some are great, many are less dynamic-nailing one particular type of tone well, but failing flat when
This might be the most insane Death By Audio pedal yet. Showing little to no respect for what instruments normally sound like, or even what many people want them to sound like, we pushed this thing until it sounded totally disgusting. Want a thick, gnarly fuzz sound? Sure, you can do that, and
Universal overdrive/boost effects pedal for electric guitar that provides an incredible audio signal transmission. It can be used as just a clean boost by turning the gain all the way down, or as a powerful and aggressive overdrive that will attenuate the clean signal and rise as you introduce
Released in 1988, The Guv’nor was the first pedal that squeezed Marshall’s ‘big black box’ sound into a ‘little black box’. Fast forward to the present day and now this vintage reissue is here to do it all over again.Since it first hit the market, The Guv’nor set the standard for
The JHS Pedals 3 Series Fuzz is a versatile fuzz box that cleans up well with your guitar's volume knob. The Fuzz is the perfect balance of vintage and modern with soaring sustain and clear articulation. The controls allow you to create a wide variety of sounds via the Bias knob, which gives the
Rather than relying on traditional LED, transistor or vacuum-tube circuits to produce overdrive, the PLASMA Pedal fundamentally redefines the way that signal clipping can be achieved.Inspired by Nikola Tesla's electrical resonant transformer circuit design (the Tesla Coil), it is the first effects
The Fundamental Fuzz is a 3-mode aggressive fuzz pedal with the tonal integrity to live on a professional's pedalboard but with simplified controls friendly enough for even the newest effect pedal users. It can live anywhere in your chain: hit it with your favorite overdrive or push it into another
The Interstellar Overdriver is a true overdrive pedal, designed to blast your amp with your sound. Beautifully transparent and based around a discrete circuit, this is the natural, wonderful sound of turning up too loud (without necessarily having to actually turn up too loud). It's specifically
The Interstellar Overdriver Deluxe is two amazing, all analog, Interstellar Overdriver pedals with extra options! Not only can one channel slam into the other for unearthly overdrive sounds -- there's 5 additional sounds on the 2nd channel for a huge range of overdrive / fuzz tones. A pleasant
The Supersonic Fuzz Gun is a completely unique and different take on a fuzz pedal made with the extreme manipulator in mind. The controls interact with each other in amazing and interesting ways to create a huge array of gated and oscillating fuzz sounds. It can scream, it can blast, it can
The Soundwave Breakdown takes the idea of a screaming fuzz pedal and turns it inside out, utilizing specially matched transistors turned backwards to get its bombastic sound. The exact positions of the knobs yield completely different sounds, ranging from fuzz, buzz, and grind to bleeps, synth
The Kangra Filter Fuzz is a true bypass, two-in-one pedal that provides a thick and spatty octave fuzz, and a psychedelic filter thats great for sweeps, frequency boost or even envelope filter sounds. The filter can run independently, or with the fuzz feeding into it. This is no rhythm player’s
It is the same pedal as the full size Box of War, originally housed in a large folded steel enclosure, modified to be able to fit in a standard 125 size enclosure. That's it! Same parts, same guts, smaller size. | The Box of War is a true recreation of the famous “Civil War” fuzz pedals from the
The Janus is a true bypass, dual joystick controlled Tremolo / Fuzz pedal that allows you to create a landscape of distorted textures. Both the Tremolo and the Fuzz can be isolated and used alone, but can also be used together in series creating thick textures with a lot of movement. Each joystick