The most common colors in which these products are produced include Black, Silver, Blue, Green, White, Red, Grey, Gold, Orange, Violet, Brown, Yellow, Beige, Pink, Red Grey, Grey Red, Dark Blue, Black White, Black Yellow, Black Silver, Silver Black, White Black, Yellow Black, Chrome a Silver Yellow. All colors
The Suhr Eclipse is a versatile, no compromise, dualchannel overdrive/distortion that delivers a wealth of warm, organic amp-like tones in an easy to use, compact form factor. Eclipse’s incredible versatility stems from its powerful and intuitive two channel circuit design. Each channel is
Beetronics Fatbee packs the fattest overdrive tones on the smallest bee yet. The first pedal on our Babee Series is a fully original overdrive circuit designed in collaboration with the legendary pedal designer Howard Davis.A JFET Drive like no other, breaks up sweet and smooth like a tube amp. The
The MXR FOD Drive supplies the overdriven power of two highly coveted amp stacks in a single housing. Pros and tonechasers have been combining amplifiers on stage and in the studio for years, blending their sounds together and opening up new tonal palettes for exploration. Thanks to MXR’s
Distortion is a must for almost all rock musicians. The new One Control Dyna Red Distortion 4k is the culmination of BJFe Dyna Red Distortion's 20-year handmade production. More than 20 years ago, this red pedal was the first Distortion BJFe pedal created by Bjorn Juhl. During these years, he found
Lingonberry OverDrive has the features of the original Strawberry Red OverDrive, but produces stronger distortion that can be controlled (with a potentiometer (LOW) to adjust the low frequency response). Then lower frequencies prevail. In order to make these changes, the BJF reduced the signal
Danelectro® owner Steve Ridinger created the FOXX® pedal line in the 1970’s. Steve priced the FOXX® Tone Machine® at $49. Today originals sell for $600+. Now Steve brings back his original circuit with some important tweaks. He made the octave way more pronounced, the octave is foot
The Fulltone 69 MKII guitar pedal fuzz effect. This effect delivers a sound with Fulltone-typical quality and reliability. The control is used to adjust the Volume, Fuzz, Input and Contour functions. Used with a clean amp, this pedal produces a quite nice distortion. However using it with a already
Guitar pedal effect. Fuzz is essential to the sound of modern music. Ranging from smooth and polite to sputtering and broken-sounding, this effect is the heart of rock and roll. The Trapper combines two discrete fuzz voices into one chassis with global Tone and Contour controls to shape your sound
Guitar pedal effect - boost/overdrive from Andy Timmons signature series. In 2016 JHS releases one of the most popular drive pedals over the last few years the AT Andy Timmons Angry Charlie style overdrive pedal. Now they are cranking it up a notch with the AT+, the same amazing overdrive pedal
Many Fortin amps have achieved legendary status over the years - but only one has had players constantly talking, constantly chasing, constantly looking to recreate its legendary tone.Fortin wanted players to be able to get that tone from their own rig, be able to drop it right in and feel the
The One Control Jubilee Red is a modern high-gain distortion pedal with tonal roots descending from the legendary Silver Jubilee series of British amplifiers that were created in the late 80's. With the Jubilee Red AIAB, guitarists have access to an enhanced midrange control as well as low noise
High Gain-Distortion pedal specially made for aggressive styles. Two channels with independent Gain and Volume controls sharing a 4 control standard American style eq. Perfect matched jfet stages, gives an unbelievable result, touching the color of the American style amps.Quick response and touch
The MXR overdrive will give any rig as much extra bite as you need while preserving your existing tonal dynamics. With MOSFET clipping under the hood, this pedal’s overdrive is a smooth purr that can be pulled back for a nice, clean boost or cranked into full gear for vintage high-gain grind. On
The Invader is a high-gain, all-analog modern distortion pedal with an aggressive, dominant sonic character and rich harmonics, generating a wide range of distorted sounds. The 3-knob control layout offers intuitive control over Gain (distortion amount), Tone, and output Level, with more than
DARK FLAME is a modern metal high gain DISTORTION pedal, featuring 3-Band EQ and 3 types of DISTORTION, it’s ideal for both guitar riffs and solos. Features:1. 3-Band EQ: Treble, Mid and Bass2. Distortion types: you can choose 3 types of crunchy DISTORTION by the toggle switch3. Power:
Celebrating the 30th anniversary of Way Huge, the beloved RL2 Red Llama Overdrive (Way Huge’s first production pedal, introduced in 1992) returns with a vengeance. Sporting a new compact Smalls enclosure, the WM23 conjures all the warm goodness of the original Red Llama Overdrive. It dishes out
If there’s one pedal that captures the history of sonic rebellion and the soul of classic rock, then the Fuzz Face is it. Bold and raunchy when fed power chords, velvety smooth and angelically soaring when presented with lead lines and with an almost too-good-to-be-true volume knob cleanup, which
The next generation effect pedal that surpasses and redefines the distortion pedal.This all new effects unit has been developed by Fumio MiedaThe HD-S effects pedal combines three different distortion circuits to create harmonic modulation that goes beyond the traditional concept of distortion.This
Caroline Guitar Company Wave Cannon MKII is a real distortion pedal that is also capable of doing extremely cool mild-to-medium crunch tones. The distortion pedal is really capable of overwhelming your amp and it has a LOT of gain and volume on tap. It is a classic distortion pedal that sounds good
ReezaFRATzitz is your golden ticket to distortion dreamland. Chock-full of roaring amp-like dirt tones, this pedal and its highly versatile controls will put some serious sizzle into your sound. From bluesy growls to grinding and screaming distortion, ReezaFRATzitz is sure to supply you with the
The Silver Solo is a treble booster/gain boost based on the old Dallas Rangemaster circuit from the 60's. It accentuates dynamics and texture while increasing volume, pushing your tone through the mix when you need that extra cut. You'll get more sustain and a sweet harmonic edge to each note. I
The Northern Creeper Fuzz from Daredevil Pedals. The circuit is thick and biting, reminiscent of early 70's fuzzes by Shin-ei or Maestro minus the extra controls. Just volume and sustain. More output, even tone response, and more gain. Big, gritty, blown out, and saturated but tight enough to hold
The Northern Creeper Fuzz from Daredevil Pedals. The circuit is thick and biting, reminiscent of early 70's fuzzes by Shin-ei or Maestro minus the extra controls. Just volume and sustain. More output, even tone response, and more gain. Big, gritty, blown out, and saturated but tight enough to hold
Every player is looking for something to define their tone and set them apart. With an emphasis on originality and the highest quality engineering, they wanted to craft a new and unique sounding drive pedal. The Red Mist MKIV is a focused, crunchy, tight drive that can spice up your tone anywhere
It has an old school metal vibe to it. Thick and dynamic, it's really great for chunky rhythm playing. It will push beyond that '80s sound, into very modern territories. With a down-tuned guitar at full crank with the red mode engaged, you can get into extreme and aggressive metal. By dialling the
The Providence SOV-2 Stampede OD pedal is designed to deliver natural overdrive without obscuring the inherent characteristics and tone of the guitar being used. It features a special bipolar power supply that powers the internal circuitry with boosted voltage, providing a wider dynamic range than
Warm overdrive with plenty of sustain gives guitarists a wide-ranging expressive voice. The tone is a perfect match for guitars with single-coil pickups.An input gain section that is similar to guitar amp circuits allows level compensation for pickups of differing output as well as boost.A FAT
The idea of creating a modular fuzz came about as they were trying to decide which style of fuzz would be the most musical fuzz of all time. The answer quickly became, 'All of them!' All of them are different, and all of them bring something unique sonically.With the FUZZ, you can update your fuzz
If the classic Dirty Little Secret MKIII is your war-tested Marshall plexi sidearm, Catalinbread’s DLS Red is a finely-tuned and well-oiled (figuratively, of course) gain machine that they distilled into a more potent and volatile formula. | Featuring a more refined set of gain stages that cuts
Wild Fire is a distortion pedal. If you hope to get a high gain amplifier distortion sound when you just own a low watt clean amplifier, this tiny box can satisfy you instantly. Because its good adaptability, it can work with most of amplifiers in the market. It provides you two kinds of clipping
The Red Muck mk.2 puts on a few pounds, grows a new set of sharp teeth and is out to seduce even the most demanding Muff connoisseurs!Inspired by the ’71 “triangle” and the later “Red Army / Civil War” Muffs, the Red Muck boasts a wider gamut of saturation and varied degrees of
The Muffin draws inspiration from Gilmour’s legendary muff used in the 80’s. The Muffin faithfully reproduces Gilmour’s unique clipping. With the muffin, it is easy to dial in the right sound. The Muffin is easy-going, even when stacked with OD and effects, thanks to its Low noise
For more than 30 years, the key component of Tom Morello’s raw, hard-hitting sonic voice has been his amp setup. The MXR Power 50 Overdrive captures the sound and functionality of that setup for use with any rig, whether you have a simple combo amp or a high-end custom stack.The circuitry of the
Wren and Cuff takes two hand-matched BC108 silicon transistors selected for specific gains, super-quiet metal film resistors, and add smoothing capacitors to tame spiky highs and eliminate squealing at higher volumes, and that's only the start.Don't like the low output on a traditional FF? Fixed
Eras is a no apologies, high-gain distortion that’s ready to chug, shred, and palm mute with tight response and multiple clipping options. Use the Blend knob at max for a full distortion onslaught or roll back the Blend knob to creatively stack and mix other dirt pedals placed in front of Eras