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A detailed replica of one of the world's most iconic effectsthe Dallas Rangemaster treble booster. Originally produced in 1965, it has been used by many of the worlds most respected artists including Eric Clapton, Tony Iommi, Rory Gallagher, Brian May, Marc Bolan, Ritchie Blackmore and many more
The Silver Solo is a treble booster/gain boost based on the old Dallas Rangemaster circuit from the 60's. It accentuates dynamics and texture while increasing volume, pushing your tone through the mix when you need that extra cut. You'll get more sustain and a sweet harmonic edge to each note. I
The Abasi Pathos presents an impassioned appeal to the varied sonic needs of the modern guitarist. Designed to retain the feel of an American-style tube amp channel, its versatility is derived from the ‘smooth’ and ‘edge’ voicings that range from an emotive crunch all the way to scorching,
A Mosfet type Distortion Pedal designed for electric guitar. It is made of aluminum, offers independent Gain, Level, Low (Tone) and High (Tone) controls and True Bypass. The device is equipped with a blue LED that indicates its activation. A Mosfet circuit is able to very closely simulate the sound
The Powerball pedal is tonally based on the Lead2 channel of the Engl Powerball II, recreating the gain stages of the amp itself. True bypass and completely analog, the pedal’s specially selected components offer up a particularly high level of sound quality. The electronics assembly is protected
The circuit is based on the Benson Chimera 30 watt guitar amplifier, but substitutes FET transistors for the vacuum tubes. The result is an extremely amp-like and versatile clean boost/overdrive/fuzz pedal that imparts rich harmonics and a very musical EQ to your signal chain…truly a Chimera in a
This is Odyssey: One analogue circuit by Peter Hamstead, countless classic and contemporary tones. With interactive controls for unbelievable versatility, Odyssey can take you on a journey from clean boost with tone shaping, to classic rock, through to heavy metal, and all the way to oversaturated
If you are looking for a single pedal solution with multiple degrees of gain from light overdrive to full out saturated fuzz tones, then you’ll surely love the Ratsbane. The Ratsbane is based on a true benchmark sound amongst guitarists that has been heard on thousands of famous recordings
For everyone out there who nevers turns off their Barbershop, this is for you. The same circuit in a tiny box, no bypass switch, no light. You can select between two tone options via a jumper inside the pedal: MODELE B FEATURES flat and wide, like the original Barbershop, like the middle tone
The sound of rock’n’roll – from light drive to heavy crunch, guitar wouldn’t be the same without it.The Hammertone™ Distortion delivers the legendary distorted tones you need for nearly any style of music. The active 2-band Bass and Treble EQ controls provide modern tone-shaping
The OnoMATOpoeia is basically a sonic super hero. Clean boost by day, dirty overdrive by night, and with some serious superpowers hidden up its sleeve. It’s the secret sauce your pour on your tone when you want that extra Oomph! That extra Kapow! It’s what you kick in when you need your solos
Fuzz was the first type of distortion pedal, and the retro sound of vintage units from the 1960s remains coveted by guitarists to this day. Realized through deep analysis of many legendary pedals and detailed Waza craftsmanship, the all-analog FZ-1W delivers the inspiring tone, feel, and vibe of
The Hammertone™ Fuzz captures the iconic splat, saturation and horn-like sustain used on the formative records of rock’n’roll history. Despite its small size, this purple-tinged, psychedelic stompbox is feature-packed with three classic controls, two silicon diodes and an octave fuzz mode –
The EarthQuaker Devices Hizumitas was designed for the one and only Wata from the legendary experimental band Boris, one of the heaviest bands ever to come out of Japan. Hizumitas is a faithful recreation of Wata's go-to distortion pedal, the Elk BM Sustainar. The Elk is a Japanese variant of the
Liftoff with the EHX Spruce Goose Overdrive, an elevated take on a Bluesbreaker®-style OD with a smooth, rich breakup that retains clarity and dynamics. The Spruce Goose soars with a host of new features including a LIFT switch accessing 3 input gain settings, additional output, and expanded EQ to
Aggressive and dynamic distortion can be elusive – with powerful tone-shaping EQ controls, top-mounted in & out jacks and true bypass switching, the Hammertone™ Metal delivers chunky high gain that sits perfectly in a mix and will integrate seamlessly into your rig. | Battery Operation: No | True
The Shawn Tubbs Tilt Overdrive is the tonal culmination of a lifetime in music. Shawn not only needed a practical tone tool to give him the right sound quickly in any musical context, But he aimed to combine the greatest vintage amp tones & recorded guitar sounds of all time into one ideal sound
Premium Waza Craft pedal with authentic vintage preamp sounds from the BOSS CE-1 Chorus Ensemble and Roland RE-201 Space Echo. The vintage BOSS CE-1 Chorus Ensemble and RE-201 Space Echo are legendary for their inspiring and influential effect sounds. But they’re also loved for their variable
The ~900 is a ferocious fuzz pedal featuring two cascading JFET gain stages. It offers a very wide range of gain, adds delicious harmonics and, if given the opportunity, will slap the ice cream cone right out of your hand. The INPUT section is a ‘mu-amp’ design. The INPUT knob controls the
With its musical response and increased headroom the Boomster mk.2 aims to redefine the quality standards of the buffer and booster genres. Extensive testing and comparison sessions with most of the appropriate chips currently in production, resulted in opting for the hi-fi-grade Burr Brown OPA
The Ripped Speaker is a modern fuzz with old school roots and pays homage to one of the ways that early, distorted guitar and bass sounds were made. At low fuzz settings the pedal emulates the lo-fi distortion sounds of yesteryear, the kinds of sounds created by a razor blade applied to a speaker
It features a sought-after classic distortion.You’ll get the unique tones that resemble both fuzz and distortion by adjusting the DISTORTION, FILTER & VOLUME knobs. An interesting combination of fuzz and distortion. | Controls: Volume;Mosfet;Distortion;Filter;Fat | Battery Operation: Yes | Colour:
Roaring like a British Lion from Wembley to the Sunset Strip, the Jubilee is ready to melt faces. Sure, it can do subtle but that's no fun. Crank it up and rock out. Controls: Loudness: Controls the output level of the pedal.Drive: Adjusts the gain and distortion of the pedal.Treble / Middle /
Whether you’re pushing your cranked amp into full-blown distortion or just adding some warmth, grit and character to your clean sound, the Hammertone™ Overdrive is an essential addition to your rig. This compact drive packs a big punch – the pre-gain mid boost adds the perfect edge for
The Big Muff is iconic, but there’s always room to look at a classic from a fresh perspective. The Fig Fumb is SDFXs take on the circuit, giving you more stability, more gain, and more flexibility to dial in the crushing tone you know you need. There are so many Big Muff versions out there that
The new Carl Martin Panama Overdrive, cool anodized case and that awesome Carl Martin DC/DC converter circuitry which allows the pedal to run with +-12V internally. Check it out yourself, Gain Level and Tone controls along with the new Damping control, head mounted input/outputs and 9V DC input
This pedal incorporates two different gain stages: a clean, full-response stage capable of up to +12db boost, and a tailored clipping stage that overdrives a mix of silicon and Russian germanium components for colorful light to medium drive. A simple but elegant high-cut control helps keep things
The Way Huge Atreides Analog Weirding Module offers a kaleidoscope of organic synth-like tones. Inspired by a vintage 1980 mini synthesizer, this consciousness-awakening device produces a monophonic effect with many layers that can be manipulated as needed through dynamic playing technique and
Inspired by the overdriven tones of some of the world’s most cherished vintage tube amps, the Ranger is a modern, all-analog overdrive pedal featuring a Mode toggle switch that provides two different tonalities; a warm, expressive, amp-like overdrive and a second tonality that’s slightly
The Invader is a high-gain, all-analog modern distortion pedal with an aggressive, dominant sonic character and rich harmonics, generating a wide range of distorted sounds. The 3-knob control layout offers intuitive control over Gain (distortion amount), Tone, and output Level, with more than
Featuring true NOS Russian germanium diodes this modified Archer has now become a feature on a legendary guitarist’s pedalboard replacing the Klon as heard all over the album “Loud Hailer” and on stage.Accompanying the NOS diodes, several key components found in the original Archer have been
Preserving that warm tube tone of V1 they’ve added gain and volume boost function to spice up your solos. The core real-tube overdrive circuit, courtesy of a 12AY7, is exactly the same but as they listened to our customers feedback they updated the tone control with wider range for brighter
Beetronics Fatbee packs the fattest overdrive tones on the smallest bee yet. The first pedal on our Babee Series is a fully original overdrive circuit designed in collaboration with the legendary pedal designer Howard Davis.A JFET Drive like no other, breaks up sweet and smooth like a tube amp. The
Maestro created the world’s first fuzz pedal - the Maestro Fuzz-Tone FZ-1 - the legendary sound on the Rolling Stones “(I Can’t Get No) Satisfaction.” Welcome to the FZ-M. This all-analog pedal boasts two-in-one functionality for increased sonic versatility with both an FZ-1 inspired fuzz
The Northern Creeper Fuzz from Daredevil Pedals. The circuit is thick and biting, reminiscent of early 70's fuzzes by Shin-ei or Maestro minus the extra controls. Just volume and sustain. More output, even tone response, and more gain. Big, gritty, blown out, and saturated but tight enough to hold