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The Fulltone 69 MKII guitar pedal fuzz effect. This effect delivers a sound with Fulltone-typical quality and reliability. The control is used to adjust the Volume, Fuzz, Input and Contour functions. Used with a clean amp, this pedal produces a quite nice distortion. However using it with a already distorted sound, it really shines like the sun. Inputs: Jack 6,3 mm TS Power Supply: Battery;9V;Adapter Controls: Contour;Input;Fuzz;Volume Number of Buttons: 1 Outputs: Jack 6,3 mm TS Colour: Red Package Contents: Manual Type: Fuzz UK/EU Power supply included: No USB: No Made in: USA Battery Operation: Yes True Bypass: Yes MIDI Interface: No
Product Fulltone 69MKII is described by the EAN code 6768910005372.
Color | Red |
Category | Pedals, Boosters |
EAN | 6768910005372 |
The Fulltone 69 MKII guitar pedal fuzz effect. This effect delivers a sound with Fulltone-typical quality and reliability. The control is used to adjust the Volume, Fuzz, Input and Contour functions. Used with a clean amp, this pedal produces a quite nice distortion. However using it with a already
The Fulltone 2B is a tiny, transparent, and amazing boost pedal, born from the “Boost” channel in FD3 pedal. Soon after the FD3 came out they started getting a steady flow of emails asking if they could “please make that into a single channel Boost pedal!” So they crammed the circuit into
The OCD V2 guitar pedal overdrive effect designed by Fulltone. This model provides the ability to switch between true bypass and enhanced bypass modes for complete audio consistency. Class A configured discrete 2N5457 JFET input section increases input impedance to 1 MOhm, which contributes to
Fulltone brings the Octafuzz 2 octaver pedal effect. Octafuzz 2 offers an interesting design with a solid steel construction, glossy finish, retro logo and it is made in a bright blue color. It creates the original octave and fuzz sounds that are really adventurous and made for experimentation. It
The OCD pedal is the only pedal that uses 2 x Mosfets configured as hard-clipping to 'Voltage reference' instead of the usual way: to ground.' The earliest OCDs used 2 x Mosfets plus 1 x Germanium diode, but very quickly these diodes became harder and harder to find, and they became expensive
The original PlimSoul is the only pedal to offer both Soft & Hard clipping with separate control over each. They designed the PlimSoul’s unique, independent dual-stage clipping circuit to replicate not only the sound, but the feel of a tube amp with its subtleties and complexities. | The original
Ultra-compact digital distortion effect pedal that offers faithful simulation of the Fulltone OCD effect pedal, delivering ultra wide dynamic range and extraordinary open tube-like drive sound. It provides two modes: HP and LP. The HP, high peak mode, will boost up the bottom end when increasing
The wah-wah pedal Clyde Deluxe Wah from Fulltone. The Deluxe version of the Clyde Wah has all the features that players have come to know and love about the original 'Clyde Standard' but with the following additions: 10-step variable Input Level control, true-bypass with light status indicator and
Ever played an original FuzzFace from around 1970? Fulltone has two intentionally mismatched (for harmonic content) silicon transistors that snarl and spit... not for the meek! If you put the 'Fuzz' on 10 you will rip, and you might get all sorts of oscillation and weirdness... but that's Rock
The Supa-Wah takes Fulltone’s legendary Clyde Wah concept to the next level by offering two additional modes (on top of Whacked, Jimi and Shaft modes): Phat is the throatiest, most vocal Wah sound while Sub is deep, grunty, and unbelievably expressive, plus it works great on Bass too. The
Double pedal booster for 3 effects designed for lifting pedals to the optimum level that can easy to switch between effect pedals located on Pedaltrain pedalboards. This pedal booster has a solid steel frame and can be installed on a pedalboard using velcro or screws, which are accessories. | Colour:
Double pedal booster for 2 effects designed for lifting pedals to the optimum level that can easy to switch between effect pedals located on Pedaltrain pedalboards. This pedal booster has a solid steel frame and can be installed on a pedalboard using velcro or screws, which are
Effect pedal, Booster. What do the tones of renowned guitarist such as Page, EVH and Johnson have in common? They all used the legendary echo machine EP-3 as a pre-amp. We've captured that magic in a new Xotic Effects pedal, the EP Booster. We've used the highest quality parts available with a
Xotic's iconic boost pedal is back.Dynamic and sensitive to the nuances of the player, the RC Booster offers more than 20 dB of transparent clean gain.Active control of amplification, treble, gain and volume.Using premium parts, the RC Booster is considered an 'always on pedal' that naturally
The guitar pedal effect Naga Viper Booster type from Catalinbread. Treble booster inspired by the Rangemaster, which has its own Range and Heat controls, to adjust the frequency range and the gain. | Made in : USA
Pedatrain’s custom Pedal-Booster raises each pedal by full one inch, allowing easy access and is accommodating to virtually any custom configuration. | Colour: Black | Type: Pedalboard | Original Colour by Producer: Black | Variant: PBK | Made in: China
Pedal effect and preamp for electric bass from Darkglass - booster. Designed to be the perfect complement to our distortion circuits, the flexibility and portability of the Harmonic Booster is also the perfect one-stop solution for gigging musicians in search of a precise and harmonically rich
Booster guitar effect pedal with a buffer function. This pedal is commanded by two main pots – Volume for the amount of boost and Tone for a either a bass or treble boost. The buffer function is switched by a central switch and it counters the signal loss in packed pedalboards with this pedal at
Boost effect pedal for electric guitar that offers a unique concept in booster design, featuring two completely independent boost circuits in a single compact housing. The Clean (Left) channel offers up to +20 dB of clean boost with a completely flat frequency response, while the Vintage (Right)
The Silver Solo is a treble booster/gain boost based on the old Dallas Rangemaster circuit from the 60's. It accentuates dynamics and texture while increasing volume, pushing your tone through the mix when you need that extra cut. You'll get more sustain and a sweet harmonic edge to each note. I
Ibanez is proud to announce a new addition to the MINI pedal lineup. The BTMINI booster features three controls; BASS, TREBLE and LEVEL. Unlike a single knob booster, the BASS and TREBLE EQ enables significant tonal flexibility. For example, while set to the ''Wide Range'' setting (Turing Bass and
A detailed replica of one of the world's most iconic effectsthe Dallas Rangemaster treble booster. Originally produced in 1965, it has been used by many of the worlds most respected artists including Eric Clapton, Tony Iommi, Rory Gallagher, Brian May, Marc Bolan, Ritchie Blackmore and many more
The JHS Pedals Bender is a pedal that gives you the touch, feel, and response of the vintage germanium fuzz but with accuracy and consistency of carefully chosen modern silicon transistors. The controls are Volume, Tone, and Attack. Volume sets the overall output level of the effect; turn it up and
The JHS Pedals 3 Series Distortion is a massively versatile distortion pedal with the ability to achieve medium gain crunch, heavy overdrive, distortion, and even fuzz tones. The controls on the Distortion are Volume, Filter (or Tone), and Distort knobs that give you a wide range of usable sounds