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The Aftermath captures the massive sound of an overdriven tube amplifier. With its highly responsive Gain control, the Aftermath can go from smooth overdrive to modern distortion crunch. You can use the Bass and Treble controls to fine tune the frequency response without loosing any clarity. The
Since its release in 1981, the workhorse SD1 Super Overdrive has been the core gain pedal for generations of players across every musical genre. Based around the revolutionary asymmetrical clipping circuit from the OD1 Overdrive—one of the three original BOSS compact pedals from 1977—the SD1
The NEW PLEX 55 Foxgear’s FETs preamp section truly mimics the behavior and harmonic content of tube preamps like the Classic British tones reminiscent of Marshall Plexis. the PLEX 55 is designed to get that Edge and Crunch tone you expect when an amp ispushed to its limit, place your favorite
Model M is a distortion pedal. It is the big brother of Golden Plexi. With much more headroom and function, this pedal brings you the classic plexi style distortion. It has a high-gain and a crunch mod, this two mod share a volume boost. | Controls: Tone;Volume;Gain;Model;Crunch;Boost | True Bypass:
Main features:• Pedal with filtered germanium distortion• Based on a console-style drive perimeter• Uses old germanium transistors• Huge gain range - Moves from mild overdrive to blurred fuzz• Filter section for detailed control of the frequency response of the converters - for huge bass,
King of blues is an dual channel overdrive pedal. Two independent overdrive were built in according to the order of A to B. The channel A give you a worm and transparent sound. It can work from clean boost to high gain overdrive, and always emphasizes the most pleasant mid-frequency of the guitar
Bad Horse is an overdrive pedal. It has an extremely wide range gain from clean boost to cream overdrive, and even to hard rock. Benefit from the clean-drive mix circuit and the germinated diode, it can keep very clear timbre and is full of harmonics when it is at high gain. When you setting it as
Using the same low-noise power supply up-converter circuit as the Stampede OD SOV-2 overdrive pedal, the output of a single 9-volt battery is increased to a level that is capable of delivering sonic depth and a wide dynamic range that would be impossible with a standard 9-volt power supply. The
EQThe EQ section of the pedal is set up a bit differently than many other pedals. The controls are basically like a vintage Fender amp (although the pedal in no way sounds like a Fender). One thing this means is that the controls are interactive in relation to one another. An example would be that
Named after the world’s most fearless creature, the Honey Badger Octave Fuzz truly does not give a fuzz. Thick skinned and unbelievably aggressive, this golden box of doom does not care for pleasantries and goes straight for the tonal jugular.Redbeard Effects took the much loved concept of the
Height (mm): 57.15 | MIDI Interface: No | UK/EU Power supply included: No | Colour: Yellow | Outputs: Jack 6,3 mm TS | True Bypass: Yes | Type: Overdrive;Boost;Distortion | Controls: Level;Gain | Power Supply: Adapter or Battery;9V DC ( - ) | Battery Type: 9V | Battery Operation: Yes | Depth (mm): 118.8 | Inputs: Jack 6,3
Maestro created the world’s first fuzz pedal - the Maestro Fuzz-Tone FZ-1 - the legendary sound on the Rolling Stones “(I Can’t Get No) Satisfaction.” Welcome to the FZ-M. This all-analog pedal boasts two-in-one functionality for increased sonic versatility with both an FZ-1 inspired fuzz