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Maestro created the world’s first fuzz pedal - the Maestro Fuzz-Tone FZ-1 - the legendary sound on the Rolling Stones “(I Can’t Get No) Satisfaction.” Welcome to the FZ-M. This all-analog pedal boasts two-in-one functionality for increased sonic versatility with both an FZ-1 inspired fuzz sound and a thicker, more modern fuzz tone. Its 3-knob control layout gives you intuitive control. The Attack knob controls the amount of fuzz. The Tone control lets you adjust the timbre from bright and raspy to warm and wooly and anywhere in between. Use the Level control to set the output volume; it can go way beyond unity gain when desired. The true bypass footswitch triggers the LED lights in the bugles in the Maestro logo when it’s on, so you’ll always know when the effect is active. MIDI Interface: No UK/EU Power supply included: No Controls: Tone;Level;Modern/Classic Switch;Attack USB: No True Bypass: Yes Colour: Yellow;Grey Battery Operation: Yes Made in: China Power Supply: 9V;Adapter or Battery Type: Fuzz Height (mm): 63.5 Package Contents: Manual Outputs: Jack 6,3 mm Number of Buttons: 1 Weight (g): 557.9 Battery Type: 9V Width (mm): 87.6 Depth (mm): 128.0 Inputs: Jack 6,3 mm
Product Maestro Fuzz-Tone FZ-M is assigned an EAN code 7111060691664.
Color | Yellow Grey |
Category | Pedals, Boosters |
EAN | 7111060691664 |
Maestro created the world’s first fuzz pedal - the Maestro Fuzz-Tone FZ-1 - the legendary sound on the Rolling Stones “(I Can’t Get No) Satisfaction.” Welcome to the FZ-M. This all-analog pedal boasts two-in-one functionality for increased sonic versatility with both an FZ-1 inspired fuzz
The Tone City Matcha Cream is a fuzz effects pedal, that was inspired by the famous green fuzz pedals from Russia. The versatile tone and gain range covers everything from a smooth, singing fuzz with loads of sustain all the way to thick, sludgy 'wall-of-fuzz'. Higher tone settings create a
Fuzz was the first type of distortion pedal, and the retro sound of vintage units from the 1960s remains coveted by guitarists to this day. Realized through deep analysis of many legendary pedals and detailed Waza craftsmanship, the all-analog FZ-1W delivers the inspiring tone, feel, and vibe of
Fuzz/distortion effect pedal for guitars that recreates the gamut of famous fuzz tones from the 60’s and 70’s and offers switch for 3 different sound modes: Fuzz 1 (classic fuzz), Fuzz 2 (grunge) and gain Boost. It provides dedicated Gain, Bass, Treble and Level, controls, blue status LED for
The Fuzz Face Mini pedal line features legendary Fuzz Face tones in smaller, more pedalboard-friendly housings with several modern appointments: a bright status LED, an AC power jack and a convenient battery door. As with the original models, Fuzz Face Minis feature true bypass switching. The FFM2
Ultra-compact fuzz effect pedal for electric guitar that features legendary Fuzz Face tones in smaller, more pedalboard-friendly housing with several modern appointments – a bright status LED, and AC power jack and a convenient battery door. Pedal has the same circuit as the JHF1 Hendrix Fuzz
Rufus Reloaded is a unique pedal that offers a vast array of fuzz tones. With the Re|Loaded edition they’ve added an extremely dynamic and tactile octave-up effect.They focused development on creating a powerful, easy to play octave-up, that responds evenly across all of your instrument’s
Boss FZ-5 Fuzz Pedal - vintage sound of the '60s and '70s with COSM technology. | Battery Type: 9V | Made in: Taiwan | Power Supply: Adapter or Battery;9V | Inputs: Mono | Outputs: Mono | True Bypass: None | UK/EU Power supply included: No | Controls: Middle;Level;Fuzz | Type: Fuzz | Battery Operation: Yes
The Invader is a high-gain, all-analog modern distortion pedal with an aggressive, dominant sonic character and rich harmonics, generating a wide range of distorted sounds. The 3-knob control layout offers intuitive control over Gain (distortion amount), Tone, and output Level, with more than
A detailed replica of the original 1965 Metal Case Tone Bender pedal created by Gary Hurst in London, England. The BPC MKI Tone Bender features the same transistor specification (1x OC75 and 2x 2G381) as the original version. This configuration has a unique tone and a special character which cannot
A compact, modern replica of the 1966 Professional MKII Tone Bender pedal created by Gary Hurst. The BPC MKII Tone Bender features an authentic 3 transistor circuit with 3x OC81D transistors that provides a thicker and slightly less aggressive sound than the MKI version. The OC81D loaded original
The Germanium Fuzz is a fuzz pedal. The knobs change the sounds. IMPORTANT: after plugging it into power (9vdc only), it will take 2-3 minutes on average to sound correct. Good time to tune your guitar and grab a beverage. The color of the LED indicator light might change. Don’t turn the internal
Fuzz/octave effects pedal for electric guitar that is loosely based on the old Foxx Tone Machine which was a great fuzz from 1970. A version of this was later made by Prescription Electronics under the name Experience, which added a swell feature to the existing design. This Orange's pedal has an
Compact analog true bypass fuzz effect pedal from the MINI series. Features Tone, Sustain and Level controls. Power Supply: External DC 9 Volt AC Adapter (not included). Dimensions: 51 x 93 x 55 mm. Weight: 175 g. | Controls: Level;Tone;Sustain | Power Supply: Adapter;9V | UK/EU Power supply included:
A detailed replica of the 1966 Professional MKII Tone Bender pedal created by Gary Hurst. Unlike the MKI.5, the MKII had a 3 transistor circuit which, based on production and supply, comprised of either 3x OC75 or 3x OC81D transistors and offered increased sustain. The OC81D loaded MKII can be
The JHS Pedals 3 Series Fuzz is a versatile fuzz box that cleans up well with your guitar's volume knob. The Fuzz is the perfect balance of vintage and modern with soaring sustain and clear articulation. The controls allow you to create a wide variety of sounds via the Bias knob, which gives the
Raw and Nasty. Vintage sonic gnarliness born from the Mosrtie Fuzzrite. Nail the tones of Detroit garage rock and that other band, the one with the singer in silver pants covered in peanut butter. This is a versitile fuzz, dial in splattery octave tones or thicker searing gain. Both knobs interact
The Fundamental Fuzz is a 3-mode aggressive fuzz pedal with the tonal integrity to live on a professional's pedalboard but with simplified controls friendly enough for even the newest effect pedal users. It can live anywhere in your chain: hit it with your favorite overdrive or push it into another
The Supersonic Fuzz Gun is a completely unique and different take on a fuzz pedal made with the extreme manipulator in mind. The controls interact with each other in amazing and interesting ways to create a huge array of gated and oscillating fuzz sounds. It can scream, it can blast, it can
Guitar effect - compact fuzz pedal from Fuzz Face series, which is a reincarnation of the pedal Band of Gypsys Fuzz Face and offers slightly more aggressive, but still classic 'Hendrix´s' sound of '70s. It features smaller design, controls Volume and Fuzz, LED indicator of on/off status, true
Inspired by the overdriven tones of some of the world’s most cherished vintage tube amps, the Ranger is a modern, all-analog overdrive pedal featuring a Mode toggle switch that provides two different tonalities; a warm, expressive, amp-like overdrive and a second tonality that’s slightly
Silicon Fuzz Face® Mini Distortion The Fuzz Face Mini pedal line features legendary Fuzz Face tones in smaller, more pedalboard-friendly housings with several modern appointments: a bright status LED, an AC power jack and a convenient battery door. As with the original models, Fuzz Face Minis
Based on the old Supa Tone Benders and Muff style pedals that inspired our Olympia fuzz of a decade ago, and using BC184 transistors, Crom does away with the typical lossy tone stack, instead using a classic 1950’s tweed amp style tone (Mountain) control that interacts with the gain (Sword)
Fuzz effect pedal for electric guitar that features an all-original circuit designed by Fender’s experts and is packed with silicon fuzz tones for creating that splatty, satisfying sound which has been the cornerstone of rock tone for decades. It features traditional Level, Fuzz and Tone control