A detailed replica of one of the world's most iconic effectsthe Dallas Rangemaster treble booster. Originally produced in 1965, it has been used by many of the worlds most respected artists including Eric Clapton, Tony Iommi, Rory Gallagher, Brian May, Marc Bolan, Ritchie Blackmore and many more
The Silver Solo is a treble booster/gain boost based on the old Dallas Rangemaster circuit from the 60's. It accentuates dynamics and texture while increasing volume, pushing your tone through the mix when you need that extra cut. You'll get more sustain and a sweet harmonic edge to each note. I
The Abasi Pathos presents an impassioned appeal to the varied sonic needs of the modern guitarist. Designed to retain the feel of an American-style tube amp channel, its versatility is derived from the ‘smooth’ and ‘edge’ voicings that range from an emotive crunch all the way to scorching,
A Mosfet type Distortion Pedal designed for electric guitar. It is made of aluminum, offers independent Gain, Level, Low (Tone) and High (Tone) controls and True Bypass. The device is equipped with a blue LED that indicates its activation. A Mosfet circuit is able to very closely simulate the sound
The Powerball pedal is tonally based on the Lead2 channel of the Engl Powerball II, recreating the gain stages of the amp itself. True bypass and completely analog, the pedal’s specially selected components offer up a particularly high level of sound quality. The electronics assembly is protected
This is Odyssey: One analogue circuit by Peter Hamstead, countless classic and contemporary tones. With interactive controls for unbelievable versatility, Odyssey can take you on a journey from clean boost with tone shaping, to classic rock, through to heavy metal, and all the way to oversaturated
The OnoMATOpoeia is basically a sonic super hero. Clean boost by day, dirty overdrive by night, and with some serious superpowers hidden up its sleeve. It’s the secret sauce your pour on your tone when you want that extra Oomph! That extra Kapow! It’s what you kick in when you need your solos
The Hammertone™ Fuzz captures the iconic splat, saturation and horn-like sustain used on the formative records of rock’n’roll history. Despite its small size, this purple-tinged, psychedelic stompbox is feature-packed with three classic controls, two silicon diodes and an octave fuzz mode –
For everyone out there who nevers turns off their Barbershop, this is for you. The same circuit in a tiny box, no bypass switch, no light. You can select between two tone options via a jumper inside the pedal: MODELE B FEATURES flat and wide, like the original Barbershop, like the middle tone
Liftoff with the EHX Spruce Goose Overdrive, an elevated take on a Bluesbreaker®-style OD with a smooth, rich breakup that retains clarity and dynamics. The Spruce Goose soars with a host of new features including a LIFT switch accessing 3 input gain settings, additional output, and expanded EQ to
Premium Waza Craft pedal with authentic vintage preamp sounds from the BOSS CE-1 Chorus Ensemble and Roland RE-201 Space Echo. The vintage BOSS CE-1 Chorus Ensemble and RE-201 Space Echo are legendary for their inspiring and influential effect sounds. But they’re also loved for their variable
With its musical response and increased headroom the Boomster mk.2 aims to redefine the quality standards of the buffer and booster genres. Extensive testing and comparison sessions with most of the appropriate chips currently in production, resulted in opting for the hi-fi-grade Burr Brown OPA
The ~900 is a ferocious fuzz pedal featuring two cascading JFET gain stages. It offers a very wide range of gain, adds delicious harmonics and, if given the opportunity, will slap the ice cream cone right out of your hand. The INPUT section is a ‘mu-amp’ design. The INPUT knob controls the
The Big Muff is iconic, but there’s always room to look at a classic from a fresh perspective. The Fig Fumb is SDFXs take on the circuit, giving you more stability, more gain, and more flexibility to dial in the crushing tone you know you need. There are so many Big Muff versions out there that
Roaring like a British Lion from Wembley to the Sunset Strip, the Jubilee is ready to melt faces. Sure, it can do subtle but that's no fun. Crank it up and rock out. Controls: Loudness: Controls the output level of the pedal.Drive: Adjusts the gain and distortion of the pedal.Treble / Middle /
This pedal incorporates two different gain stages: a clean, full-response stage capable of up to +12db boost, and a tailored clipping stage that overdrives a mix of silicon and Russian germanium components for colorful light to medium drive. A simple but elegant high-cut control helps keep things
Preserving that warm tube tone of V1 they’ve added gain and volume boost function to spice up your solos. The core real-tube overdrive circuit, courtesy of a 12AY7, is exactly the same but as they listened to our customers feedback they updated the tone control with wider range for brighter
The Northern Creeper Fuzz from Daredevil Pedals. The circuit is thick and biting, reminiscent of early 70's fuzzes by Shin-ei or Maestro minus the extra controls. Just volume and sustain. More output, even tone response, and more gain. Big, gritty, blown out, and saturated but tight enough to hold