The heart of this pedal is an FET boost capable of the most aggressive tones and volume. Excessive controls and components have been eliminated, less knobs = more tone! This has nothing to do with 'clean transparent boost' or any cork-sniffing metaphors you may have heard. The HYPE is big and
The Aces Hybrid Amplifier found its origins in RCA data sheets from the 1950s. Simple 2 stage gain circuits utilizing germanium transistors, the only kind available at the time. Daredevil wanted to use the same approach, but give it the Daredevil treatment, creating something unique that nailed a
The Northern Creeper Fuzz from Daredevil Pedals. The circuit is thick and biting, reminiscent of early 70's fuzzes by Shin-ei or Maestro minus the extra controls. Just volume and sustain. More output, even tone response, and more gain. Big, gritty, blown out, and saturated but tight enough to hold
The Northern Creeper Fuzz from Daredevil Pedals. The circuit is thick and biting, reminiscent of early 70's fuzzes by Shin-ei or Maestro minus the extra controls. Just volume and sustain. More output, even tone response, and more gain. Big, gritty, blown out, and saturated but tight enough to hold
The Silver Solo is a treble booster/gain boost based on the old Dallas Rangemaster circuit from the 60's. It accentuates dynamics and texture while increasing volume, pushing your tone through the mix when you need that extra cut. You'll get more sustain and a sweet harmonic edge to each note. I
Guitar pedal effect - overdrive. The Drive – Bi is a dual channel, op-amp gain circuit. Designed to cover medium to high level amp style drive that is extremely dynamic and raw. Low channel adds grit, sustain, and overdrive to your amp while still pushing output. Hi gain mode expands low end,
Raw and Nasty. Vintage sonic gnarliness born from the Mosrtie Fuzzrite. Nail the tones of Detroit garage rock and that other band, the one with the singer in silver pants covered in peanut butter. This is a versitile fuzz, dial in splattery octave tones or thicker searing gain. Both knobs interact
Guitar effect. Features: Developed and designed in collaboration with legendary guitarist Earl Slick. Octave circuit with a Hendrix-like sustain. Original modern fuzz circuit. Both circuits can be used independently of each other. Built-in switchable and adjustable noise gate. Controls: fuzz,