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VHT extracted the Drive channel from their best-selling RedLine amplifiers and put it in pedal form.The V-Four’s four modes provide a full complement of tones and textures: Overdrive, Distortion, Metal, and the extremely high-gain and djent-ready Redline mode. Each mode is exceptionally responsive to picking dynamics and volume control changes.The V-Four also features Low, Mid, and High tone controls, plus controls for Gain and Level. The V-Four has a true-bypass Engage footswitch, and players can use the Select footswitch to scroll through each of the four modes. It’s powered by a 9-volt battery or external 9-volt power supply (Sold Separately). Controls : High Outputs : Jack 6,3 mm TS Controls : Mid UK/EU Power supply included : No Power Supply : Adapter Battery Operation : Yes Power Supply : Battery Controls : Low Depth (mm) : 94.0 Inputs : Jack 6,3 mm TS Number of Buttons : 2 Colour : Red Controls : Level Battery Type : 9V Height (mm) : 48.0 Colour : White True Bypass : Yes Width (mm) : 120.0 Controls : Gain Controls : Mode Selector Type : Overdrive
Product VHT Redline V-Four Overdrive #1707264 has an EAN code 8402460414700.
Color | White Red |
Category | Amplifiers, Pedals, Boosters |
EAN | 8402460414700 |
VHT extracted the Drive channel from their best-selling RedLine amplifiers and put it in pedal form.The V-Four’s four modes provide a full complement of tones and textures: Overdrive, Distortion, Metal, and the extremely high-gain and djent-ready Redline mode. Each mode is exceptionally
Overdrive/boosting effect pedal from Nine series that was designed specifically for tube amplifiers and produces a warm, pleasant and very natural vintage tone, offering everything from clean or slightly distorted sound to rich and velvet sound which does not distort the original instrument’s
The BE-OD overdrive pedal captures the tone of the now legendary Friedman BE-100 amplifier which has graced the stages of world-class musicians the world over. The BE-OD delivers authentic tube-amplifier sound from a compact pedal with the controls needed to shape your tone including volume, gain,
Handwired on a vintage-style eyelet board, the VHT D-Boost FET clean-boost pedal faithfully replicates the FET input circuitry found in the most coveted D-style amplifier.While the original FET circuitry was built-into the amps, and not footswitchable, with no external means for level adjustment,
VHT has done it again! Packing unimaginable tone and clean Class D power into a pedal sized enclosure, the Micro 6 is an amp you can always have with you. The Micro 6 features a full complement of features in its tiny package, including volume and tone controls, guitar & AUX in, and speaker and
Pedal that has been inspired by the classic sounds of the Dumble amplifiers of the late 1970s. The pedal features four controls for Gain, Volume, Depth and Tone. To offer more headroom, the pedal can be operated with 9 volts as well as with 18 volts. Dumble Silverface amp owners includes Stevie Ray
Dual overdrive pedal captures the tone of the now legendary Friedman BE-100 amplifier, which has graced the stages of world class musicians the world over. The original Friedman BE-OD single channel pedal took the industry by storm. This BE-OD Deluxe pedal employs the exact same circuit but adds
Overdrive guitar pedal effect inspired by the vintage sound of amplifiers from the 70's. It is controlled by potentiometers for Volume, Gain, Bass and Treble. It is also equipped with a foot switch and durable metal construction. The effect has a built-in 6.3 mm mono jack input and output. It is
The ZIO is a fully analog preamp / amplifier pedal that includes a choice of four different preamp circuits, each with up to +20 dB of additional output amplification. ZIO is the first fully analog effects pedal from Source Audio and designed in collaboration with Christopher Venter, owner and sole
The JHS Pedals 3 Series Overdrive offers a wide range of overdrive sounds within straightforward design aesthetics. You can achieve anything from boost, transparent low gain, to huge amp-like medium overdrive sounds. The simple knob functions give you control over the Volume, Body (or EQ), and
THE GREEN WONDER is a versatile high headroom overdrive/booster pedal, that has high output and sounds great with both single coil and humbucking pickups. THE GREEN WONDER works extremely well with different kinds of amplifiers and can be used with both clean and overdrive channels, even with heavy
The Special 6 Ultra's added gain stage provides plenty of overdrive for searing leads, bone-crushing crunch, and gristly grind, while its amazingly effective variable Watts control can reduce the volume to whisper-quiet bedroom practice levels while maintaining the same overdriven tone, texture and
Guitar pedal effect - overdrive. Ever since the 1970s a small, green Japanese overdrive pedal has been a major part of almost every pedalboard. From blues rockers like SRV and John Mayer using it as the main part of their sound to massive metal artists like Kirk Hammett using it to push an already
Overdrive and distortion pedal for electric guitar that delivers transparent overdrive with great touch and incredible response. It is equipped with switchable True Bypass or buffered switching, and Volume, Drive and Treble controls: wire-ranging Drive control provides every option from clean boost
This pedal was inspired by the classic sounds of the Dumble Overdrive Special from the late 1980s and 1990s. The pedal has four controls for Gain, Dynamic, Tone and Volume and a Boost switch. To offer more headroom, the pedal can be operated with 9 volts as well as with 18 volts. Owners of the
The JHS Pedals Overdrive Preamp is a faithful replication of the first version ('Big Box V1') of DOD's most loved pedal, the Overdrive/Preamp (250). The controls are simple. The Level control adjusts the overall output of the circuit and lets you cut or boost the signal. The Level control of this
Guitar effect Overdrive pedal. Blues-style overdrive with wide frequency range. Works well with Bass too. 2 modes (Bright/Fat). Metal housing. True Bypass. Power: optional 9V DC power supply. Dimensions: 93.5 mm (L) × 42 mm (W) × 52 mm (H), Weight: 160 g | Controls: Bright/Fat;Level;Tone;Gain | Made
Guitar pedal effect - overdrive. Westwood is a touch sensitive translucent overdrive manipulator. This mild-mannered light- to medium-gain overdrive with active EQ controls will still knock the socks right off your trusty low-wattage combo amp, pushing it into anything from cutting, edge-of-breakup
Mad Professor Sweet Honey Overdrive (SHOD) is a touch sensitive low gain overdrive pedal handmade in Finland. It is designed to overdrive distorted amplifiers and give dynamically controlled light overdrive on clean sounds. Distortion level can be controlled by pick attack and pickup strength
Compact overdrive effect pedal for electric guitar that creates classic, bold, symmetrical overdrive, adding edge and gain without compromising the tone. It features dedicated Tone, Volume and Sustain control knobs and tough die-cast enclosure. Pedal is true bypass and powered by 9 V battery
Overdrive effect pedal that features a unique “clean” control and overdrive circuit which provides the same tone as a vintage ‘808. Then the clean control blends back in a boosted direct signal, which restores the attack and feel lost in a highly compressed overdrive circuit. The pedal
Guitar Overdrive pedal effect. The No.1 Overdrive is a tube-like amp on your pedalboard. If you crave a powerful, warm distortion with a dynamic, tube-like sound, prepare to meet your ''can't live without'' pedal. No.1 is the original KHDK Overdrive. Powered by our unique proprietary circuit, the
Guitar effect Overdrive pedal. Classic blues overdrive sound. Metal housing. True Bypass. Power: optional 9V DC power supply. Dimensions: 93.5 mm (L) × 42 mm (W) × 52 mm (H), Weight: 160 g | Controls: Level;Tone;Gain | UK/EU Power supply included: No | Power Supply: Adapter;9V | Made in: China | Inputs:
Nobleman is an overdrive pedal. For many years, TS overdrive were designed by lots of brands, its warm tube sound is exactly impressive. But there are still some musicians prefer to hear more bright effect and less intermediate frequency when keeping its warm feeling. Based on these ideas, we