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Nobleman is an overdrive pedal. For many years, TS overdrive were designed by lots of brands, its warm tube sound is exactly impressive. But there are still some musicians prefer to hear more bright effect and less intermediate frequency when keeping its warm feeling. Based on these ideas, we designed this Nobleman. It can well keep the original features of guitar and AMP. So it can work very well in many music styles. Controls: Volume;Tone;Gain UK/EU Power supply included: No True Bypass: Yes Battery Operation: No Type: Overdrive Colour: Green Made in: China Outputs: Jack 6,3 mm Package Contents: Manual Power Supply: Adapter Inputs: Jack 6,3 mm Number of Buttons: 1
Product Tone City Nobleman is marked by the EAN code 6975220210208.
Color | Green |
Category | Pedals, Boosters |
EAN | 6975220210208 |
Nobleman is an overdrive pedal. For many years, TS overdrive were designed by lots of brands, its warm tube sound is exactly impressive. But there are still some musicians prefer to hear more bright effect and less intermediate frequency when keeping its warm feeling. Based on these ideas, we
The Tone City Matcha Cream is a fuzz effects pedal, that was inspired by the famous green fuzz pedals from Russia. The versatile tone and gain range covers everything from a smooth, singing fuzz with loads of sustain all the way to thick, sludgy 'wall-of-fuzz'. Higher tone settings create a
This is an improved pre-amp / overdrive pedal based on the classic TS style circuit. It can provide 30dB boost with smoothness and certain compression sense. It can push the crunch channel of amplifier to get the high-gain sound, meanwhile it will not reduce the headroom. | UK/EU Power supply
Model M is a distortion pedal. It is the big brother of Golden Plexi. With much more headroom and function, this pedal brings you the classic plexi style distortion. It has a high-gain and a crunch mod, this two mod share a volume boost. | Controls: Crunch;Boost;Model;Gain;Tone;Volume | Power Supply:
This little pedal can help you get the classic plexi style tone easily. The dynamics is like a real tube amplifier. When you play fast, you can still distinguish the sound of each string with good clean up. When it is set at low gain, the sound will not be obscure but still clear. That is the big
King of blues is an dual channel overdrive pedal. Two independent overdrive were built in according to the order of A to B. The channel A give you a worm and transparent sound. It can work from clean boost to high gain overdrive, and always emphasizes the most pleasant mid-frequency of the guitar
Bad Horse is an overdrive pedal. It has an extremely wide range gain from clean boost to cream overdrive, and even to hard rock. Benefit from the clean-drive mix circuit and the germinated diode, it can keep very clear timbre and is full of harmonics when it is at high gain. When you setting it as
Wild Fire is a distortion pedal. If you hope to get a high gain amplifier distortion sound when you just own a low watt clean amplifier, this tiny box can satisfy you instantly. Because its good adaptability, it can work with most of amplifiers in the market. It provides you two kinds of clipping
Effect pedal, Booster. What do the tones of renowned guitarist such as Page, EVH and Johnson have in common? They all used the legendary echo machine EP-3 as a pre-amp. We've captured that magic in a new Xotic Effects pedal, the EP Booster. We've used the highest quality parts available with a
Mandrogora is a overdrive. It has two tone controls that will allow you to shape your overdrive to the specifics of your guitar and rig. The VOL knob controls the amount of signal and the Gain knob controls the level of overdrive. This super smooth overdrive allows you to have controllable highs,
This is a analog & digital delay pedal. The dry signal is from analog circuit and the delay signal is from digital. It sounds like an old analog delay, with very naturally feedback. And there won’t be much sound coloring even when it works after a distortion pedal. It can be used in front of an
The heart of this pedal is an FET boost capable of the most aggressive tones and volume. Excessive controls and components have been eliminated, less knobs = more tone! This has nothing to do with 'clean transparent boost' or any cork-sniffing metaphors you may have heard. The HYPE is big and
This little Mickey is absolutely a classic US style high-gain distortion. It has a very good dynamics performance. You can flexibly get a dynamics pleasing your ear through Tone, Gain and your fingers' force. Meanwhile its dynamics contains kinds of harmonics. Based on two modes of Clipping
Black Tea is a classic British AC30 style tone. It is an orverdrive from low to medium gain with sweet and crisp tone like mellow midrange reminiscent of the old Top Boost amps from the late 60's. It has very good clean up, sounding like a real tube amplifier. Built in charge pump device to get a
This Blues Man is a classic british style overdrive. Try it, you will find its extremely good clean head room. It can work excellently as a boost use. The overdrive timbre is quite sensitive, and full of dynamics, it flows out very smoothly and naturally. Benefiting from its transparent timbre, it
If you own a high watt amplifier, but you can not turn up the volume because of the surroundings limit, you can try this little overdrive pedal. It can help you to get the sound like a full volume of amplifier and keep the origin features of your guitar. You can control everything by the konb of
Sweet Cream is a quite transparent overdrive. It is full of dynamics and the gain. You can control the gain you want by your playing. It can be used to push the distortion channel of amp to make the distortion more plump. You can adjust the ratio of distortion and clean signal by the touch knob
A compact, modern replica of the 1966 Professional MKII Tone Bender pedal created by Gary Hurst. The BPC MKII Tone Bender features an authentic 3 transistor circuit with 3x OC81D transistors that provides a thicker and slightly less aggressive sound than the MKI version. The OC81D loaded original
A detailed replica of the original 1965 Metal Case Tone Bender pedal created by Gary Hurst in London, England. The BPC MKI Tone Bender features the same transistor specification (1x OC75 and 2x 2G381) as the original version. This configuration has a unique tone and a special character which cannot
Fuxx Fuzz is a quite wild fuzz. It is clean but not dim like some fuzz. If you want more crazy sound, just turn up the toggle switch, this little monster will get manic in a moment by adding a high octave signal on the sound. | Controls: Volume;Tone;Gain | Battery Operation: No | UK/EU Power supply
A detailed replica of the 1966 Professional MKII Tone Bender pedal created by Gary Hurst. Unlike the MKI.5, the MKII had a 3 transistor circuit which, based on production and supply, comprised of either 3x OC75 or 3x OC81D transistors and offered increased sustain. The OC81D loaded MKII can be
Maestro created the world’s first fuzz pedal - the Maestro Fuzz-Tone FZ-1 - the legendary sound on the Rolling Stones “(I Can’t Get No) Satisfaction.” Welcome to the FZ-M. This all-analog pedal boasts two-in-one functionality for increased sonic versatility with both an FZ-1 inspired fuzz
All Spark is an boost based on Classic A JFET design. Up to 17dB pure volume. The additional BASS and TREBLE control give you more flexibility in achieving your ultimate tone. It doesn't change the Characteristics of your equipment tone. Its ideal pedal If you want more thickness distortion, change
TPS-1 is a high quality multi-output power supply with very low noise. | It totally has 10 outputs: | | 4 * 9V 500mA | 4 * 9V / 200mA | 2 * 9-18v / 200mA sag voltage continuously adjustable output. | | Each of them has independent short-circuit and overload protection. When one output occurs short