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The U 47 fet is back! The U 47 fet Collectors Edition is a new edition of the classic, issued in the year 2014. The U 47 fet was first manufactured from 1972 to 1986, and since then has been firmly established in the range of microphones used by many well-known studios. In addition to serving as a soloist microphone, it has become legendary especially for the recording of bass-heavy instruments and for the direct miking of loud amps. The U 47 fet Collectors Edition is a new edition of this classic, issued in the year 2014. For this, Neumann has resumed production of this classic mic, according to the original production documents and schematics. It is supplied with a high-quality wooden case with sophisticated special packaging, and an individual certificate with the serial number of the microphone. In terms of technical design, the U 47 fet is a condenser microphone with a cardioid directional characteristic and fet 80 circuit technology. Among other things this technology, also used in the U 87, is characterized particularly by a wide dynamic range. The K 47 double large-diaphragm capsule was already employed in the U 47, the legendary tube-based predecessor of the U 47 fet. The K 47 provides a slight boost in the range above 2 kHz. If required, a switchable low-cut filter raises the lower cutoff frequency electronically from 40 Hz to 140 Hz, thus suppressing undesirable low frequencies (such as impact sound and wind noise), or serving to compensate for the proximity effect. Switchable attenuation can reduce transmission levels by 10 dB, facilitating the processing of very high sound pressure levels of up to 147 dB. In addition, to prevent overloading of the connected preamp, the output signal can be reduced by 6 dB via a switch on the bottom of the microphone. In order to ensure stable positioning, the microphone is swivel-mounted on an integrated bracket. The bracket stand connector has 5/8'-27 internal thread, with an adapter for 1/2' and 3/8' threads. The microphone cable can be secured at the side of the stand connector, by using the knurled nut to fasten it in the slot (for cable diameters of up to 5 mm). The microphone is available in classic nickel. Made in: Germany
The U 47 fet is back! The U 47 fet Collectors Edition is a new edition of the classic, issued in the year 2014. The U 47 fet was first manufactured from 1972 to 1986, and since then has been firmly established in the range of microphones used by many well-known studios. In addition to serving as a
Studio microphone. The Neumann U 87 Ai is probably the best-known and most frequently used studio microphone the world over. Its smooth and refined sound is as iconic as its elegant exterior design. The U 87 Ai is the standard microphone for speech and vocals. Three polar patterns plus pad and low
The U87 is probably the best known and most widely used Neumann studio microphone. Every sound engineer will immediately recognize it by its characteristic shape. It is an excellent choice for general use in studios, broadcasting, film and television. It is also used as the main microphone when
In a word: The Neumann classic. Three directional characteristics and switchable pre-attenuation ensure suitability for a wide range of applications. The U 87 presents a wide range of features and versatility that make it to one of the most desirable mics available. Our users are recognising the
In a word: The Neumann classic. Three directional characteristics and switchable pre-attenuation ensure suitability for a wide range of applications. The U 87 presents a wide range of features and versatility that make it to one of the most desirable mics available. Our users are recognising the
A further development of the classic U 87. The 5 directional characteristics, 2-level low-cut filter and switchable pre-attenuation provide maximum flexibility. The U 89* is a studio microphone for universal applications. The headgrille protects a dual-diaphragm capsule. A rotary switch below the
A further development of the classic U 87. The 5 directional characteristics, 2-level low-cut filter and switchable pre-attenuation provide maximum flexibility. The U 89* is a studio microphone for universal applications. The headgrille protects a dual-diaphragm capsule. A rotary switch below the
Condenser microphone with large diaphragm and classic Neumann design. It is designed for universal use. Has a cardioid directional characteristic, acoustic-pressure gradient system, transformerless circuitry, frequency response 20 Hz - 20 kHz, impedance 50 ohms, maximum sound pressure 138 db SPL
Condenser microphone with large diaphragm and classic Neumann design. It is designed for universal use. It has a changeable directional characteristics (omnidirectional, wide angle cardioid, cardioid, hypercardioid, figure-8), switch for selected parameters with LED signalization, pressure-acoustic
Condenser microphone with a compact body and classic Neumann design. It is designed for universal use. It has a cardioid polar pattern, frequency response 20 Hz - 20 kHz, impedance 50 ohms, maximum sound pressure 144 db SPL and slight presence boost above 6 kHz. The microphone capsule is placed in
A contemporary development of the legendary U 67. K 67 capsule, new circuit design, which closely reproduces the U 67 sound characteristics, three directional pattern, pre-attenuation and high-pass filter. Novel Neumann dual-color design. In the world of studio microphones, the numbers “47”,
Large diaphragm condenser microphone. The extremely quiet self-noise of the TLM 103 is regarded a milestone until today. In technical terms: a noise level of just 7 dB(A). In other words: the TLM 103 is so low noise that even the faintest nuances become audible. Thus, it is perfectly suited for
FET Condenser Microphone. The WA-47jr is an FET transformerless version of the highly renowned classic ‘47 microphone that has been used on countless hit records for the last 50+ years. The WA-47jr is fully discrete, has 3 polar patterns and is designed for pro studio, home studio, live, and
Large diaphragm condenser microphone. The extremely quiet self-noise of the TLM 103 is regarded a milestone until today. In technical terms: a noise level of just 7 dB(A). In other words: the TLM 103 is so low noise that even the faintest nuances become audible. Thus, it is perfectly suited for
FET Condenser Microphone. The WA-47jr is an FET transformerless version of the highly renowned classic ‘47 microphone that has been used on countless hit records for the last 50+ years. The WA-47jr is fully discrete, has 3 polar patterns and is designed for pro studio, home studio, live, and
The KMS 104 plus is a studio grade vocal microphone for stage use with a Neumann condenser capsule and all the virtues of a rugged stage microphone: excellent pop protection, enormous SPL capability, and high feedback resistance, thanks to its tight cardioid pattern. Compared to the KMS 104, the
Broadcast condenser microphone with large-diaphragm capsule which has a flat frequency response up to 3 kHz, and cardioid directional characteristic that is ideal for the faithful reproduction of speech and music. It features integrated pop protection and elastic suspension, easy to clean
The M 147 Tube is a vacuum tube condenser microphone with cardioid characteristic. At the heart of this microphone is the K 47 dual diaphragm capsule, inherited from this model's now legendary predecessors, the U 47 and the M 49. Following the capsule is a tube that functions as an impedance
The microphone's smaller dimensions contribute to an exceptionally compact appearance that nevertheless fits in with the classic Neumann design. The elegant shape together with the chrome-plated ring catches your attention at first glance. Inside the microphone is a newly developed large-diaphragm
The microphone's smaller dimensions contribute to an exceptionally compact appearance that nevertheless fits in with the classic Neumann design. The elegant shape together with the chrome-plated ring catches your attention at first glance. Inside the microphone is a newly developed large-diaphragm
Large-diaphragm studio microphone with a cardioid directional characteristic and a warm sound which is especially optimized for vocal performance. Its unique design is inspired by that of the legendary M 49 and M 50 microphones of the 1950s. By combining its retro look with proven Neumann
A studio grade vocal microphone for stage use. Its precision manufactured condenser capsule offers true Neumann sound quality, combined with all the virtues of a rugged stage microphone: excellent pop protection, low handling noise, enormous SPL capability, and high feedback resistance, thanks to
The 'Series 180' consists of three compact miniature microphones with patterns that satisfy the demands of all common studio applications. Because of its optimized mechanical construction and conscious omission of modularity, which is unnecessary in many cases, the 'Series 180' is predestined for
The 'Series 180' consists of three compact miniature microphones with patterns that satisfy the demands of all common studio applications. Because of its optimized mechanical construction and conscious omission of modularity, which is unnecessary in many cases, the 'Series 180' is predestined for