Lowest price in the last 45 days: £ 589
Prices and availability may change several times a day. Check the current data directly in the e-shops. You can find all available colors and sizes directly in the e-shops.
The KMS 104 plus is a studio grade vocal microphone for stage use with a Neumann condenser capsule and all the virtues of a rugged stage microphone: excellent pop protection, enormous SPL capability, and high feedback resistance, thanks to its tight cardioid pattern. Compared to the KMS 104, the KMS 104 plus offers an extended bass response and it is particularly popular with female singers. The KMS 104 plus has a much smoother frequency response than dynamic microphones and an airy top-end. Because of its low output impedance of only 50 ohms, the KMS 105 can drive very long cable runs of up to 300 m without transmission losses. Color: Matte Black. Package Contents: Microphone;Gig Bag;Holder Polar Pattern: Supercardioid Weight: 300 g Frequency Range: 20 Hz - 20 kHz Switch: No Impedance: 50 Ohm Made in: Germany Type: Condenser
Product Neumann KMS 104 plus MT Vocal Condenser Microphone is assigned an EAN code 4006087086254.
Category | Microphones |
EAN | 4006087086254 |
The KMS 104 plus is a studio grade vocal microphone for stage use with a Neumann condenser capsule and all the virtues of a rugged stage microphone: excellent pop protection, enormous SPL capability, and high feedback resistance, thanks to its tight cardioid pattern. Compared to the KMS 104, the
The KMS 104/104 plus and the KMS 105 microphones have been developed to optimally transmit the human voice with respect to the demanding conditions present on the live stage. The KMS series has become the internationally acknowledged standard for first-class stage microphones. The high acoustic
The KMS 104/104 plus and the KMS 105 microphones have been developed to optimally transmit the human voice with respect to the demanding conditions present on the live stage. The KMS series has become the internationally acknowledged standard for first-class stage microphones. The high acoustic
The KMS 104/104 plus and the KMS 105 microphones have been developed to optimally transmit the human voice with respect to the demanding conditions present on the live stage. The KMS series has become the internationally acknowledged standard for first-class stage microphones. The high acoustic
The KMS 104/104 plus and the KMS 105 microphones have been developed to optimally transmit the human voice with respect to the demanding conditions present on the live stage. The KMS series has become the internationally acknowledged standard for first-class stage microphones. The high acoustic
A studio grade vocal microphone for stage use. Its precision manufactured condenser capsule offers true Neumann sound quality, combined with all the virtues of a rugged stage microphone: excellent pop protection, low handling noise, enormous SPL capability, and high feedback resistance, thanks to
The 'Series 180' consists of three compact miniature microphones with patterns that satisfy the demands of all common studio applications. Because of its optimized mechanical construction and conscious omission of modularity, which is unnecessary in many cases, the 'Series 180' is predestined for
The 'Series 180' consists of three compact miniature microphones with patterns that satisfy the demands of all common studio applications. Because of its optimized mechanical construction and conscious omission of modularity, which is unnecessary in many cases, the 'Series 180' is predestined for
The 'Series 180' consists of three compact miniature microphones with patterns that satisfy the demands of all common studio applications. Because of its optimized mechanical construction and conscious omission of modularity, which is unnecessary in many cases, the 'Series 180' is predestined for
The 'Series 180' consists of three compact miniature microphones with patterns that satisfy the demands of all common studio applications. Because of its optimized mechanical construction and conscious omission of modularity, which is unnecessary in many cases, the 'Series 180' is predestined for
In a word: The Neumann classic. Three directional characteristics and switchable pre-attenuation ensure suitability for a wide range of applications. The U 87 presents a wide range of features and versatility that make it to one of the most desirable mics available. Our users are recognising the
Broadcast condenser microphone with large-diaphragm capsule which has a flat frequency response up to 3 kHz, and cardioid directional characteristic that is ideal for the faithful reproduction of speech and music. It features integrated pop protection and elastic suspension, easy to clean
Microphone clip for fastening KMS 104/105 microphones. The clip is tiltable and has a 5/8'-27 female thread with a reduction to 1/2' and 3/8' for mounting on a microphone stand. It is produced in matte black. | Colour : Black | Compatible with : Neumann KMS105
Elastic suspension for studio microphones. It has a swivel mount with a 5/8'-27 female thread, plus a thread adapter to connect to 1/2'- and 3/8' stands. Color: Black. | Made in: Germany
Elastic suspension for studio microphones. It has a swivel mount with a 5/8'-27 female thread, plus a thread adapter to connect to 1/2'- and 3/8' stands. Color: Black. | Made in: Germany
Elastic suspension for studio microphones. It has a swivel mount with a 5/8'-27 female thread, plus a thread adapter to connect to 1/2'- and 3/8' stands. Color: Black. | Made in: Germany
Elastic suspension for studio microphones. It has a swivel mount with a 5/8'-27 female thread, plus a thread adapter to connect to 1/2'- and 3/8' stands. Color: Black. | Made in: Germany
A further development of the classic U 87. The 5 directional characteristics, 2-level low-cut filter and switchable pre-attenuation provide maximum flexibility. The U 89* is a studio microphone for universal applications. The headgrille protects a dual-diaphragm capsule. A rotary switch below the
Condenser microphone with a compact body and classic Neumann design. It is designed for universal use. It has a cardioid polar pattern, frequency response 20 Hz - 20 kHz, impedance 50 ohms, maximum sound pressure 144 db SPL and slight presence boost above 6 kHz. The microphone capsule is placed in
Condenser microphone with large diaphragm and classic Neumann design. It is designed for universal use. It has a changeable directional characteristics (omnidirectional, wide angle cardioid, cardioid, hypercardioid, figure-8), switch for selected parameters with LED signalization, pressure-acoustic
Condenser microphone with large diaphragm and classic Neumann design. It is designed for universal use. Has a cardioid directional characteristic, acoustic-pressure gradient system, transformerless circuitry, frequency response 20 Hz - 20 kHz, impedance 50 ohms, maximum sound pressure 138 db SPL
The M 147 Tube is a vacuum tube condenser microphone with cardioid characteristic. At the heart of this microphone is the K 47 dual diaphragm capsule, inherited from this model's now legendary predecessors, the U 47 and the M 49. Following the capsule is a tube that functions as an impedance
Large diaphragm condenser microphone. The extremely quiet self-noise of the TLM 103 is regarded a milestone until today. In technical terms: a noise level of just 7 dB(A). In other words: the TLM 103 is so low noise that even the faintest nuances become audible. Thus, it is perfectly suited for
Large diaphragm condenser microphone. The extremely quiet self-noise of the TLM 103 is regarded a milestone until today. In technical terms: a noise level of just 7 dB(A). In other words: the TLM 103 is so low noise that even the faintest nuances become audible. Thus, it is perfectly suited for