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Condenser microphone with large diaphragm and classic Neumann design. It is designed for universal use. It has a changeable directional characteristics (omnidirectional, wide angle cardioid, cardioid, hypercardioid, figure-8), switch for selected parameters with LED signalization, pressure-acoustic gradient system, transformerless circuitry, frequency response 20 Hz - 20 kHz, impedance 50 ohms, maximum sound pressure 141 db SPL and low noise only 10 db-A. The microphone has a balanced sound in all characteristics and excellent transient response. It is equipped with a grill cover, which also performs the function of pop filter. It is ideal for professional recording studios, orchestra, vocals, spoken word or string instruments. Connection with XLR connector. Package includes SG 2 swivel mount and a wooden jeweler's box. Dimensions: 64 x 145 mm. Weight: 445 g. Colour: Nickel. Frequency Range: 20 Hz - 20 kHz Impedance: 50 Ohm Type: Condenser Package Contents: Holder;Microphone Weight: 445 g Polar Pattern: Cardioid, Omni, Figure 8, Supercardioid, Wide Cardioid Made in: Germany
Product Neumann TLM 107 Studio Condenser Microphone is described by the EAN code 4006087086667.
Category | Microphones |
EAN | 4006087086667 |
Condenser microphone with large diaphragm and classic Neumann design. It is designed for universal use. It has a changeable directional characteristics (omnidirectional, wide angle cardioid, cardioid, hypercardioid, figure-8), switch for selected parameters with LED signalization, pressure-acoustic
Multi-faceted versatility, no-compromise sound and innovative operation: With five directional characteristics and a novel operating concept, the TLM 107 provides sound without any coloration. Featuring equally impressive level handling and low self-noise, it captures everything from the softest
Large diaphragm condenser microphone. The extremely quiet self-noise of the TLM 103 is regarded a milestone until today. In technical terms: a noise level of just 7 dB(A). In other words: the TLM 103 is so low noise that even the faintest nuances become audible. Thus, it is perfectly suited for
Large diaphragm condenser microphone. The extremely quiet self-noise of the TLM 103 is regarded a milestone until today. In technical terms: a noise level of just 7 dB(A). In other words: the TLM 103 is so low noise that even the faintest nuances become audible. Thus, it is perfectly suited for
Condenser microphone with a compact body and classic Neumann design. It is designed for universal use. It has a cardioid polar pattern, frequency response 20 Hz - 20 kHz, impedance 50 ohms, maximum sound pressure 144 db SPL and slight presence boost above 6 kHz. The microphone capsule is placed in
Condenser microphone with large diaphragm and classic Neumann design. It is designed for universal use. Has a cardioid directional characteristic, acoustic-pressure gradient system, transformerless circuitry, frequency response 20 Hz - 20 kHz, impedance 50 ohms, maximum sound pressure 138 db SPL
The microphone's smaller dimensions contribute to an exceptionally compact appearance that nevertheless fits in with the classic Neumann design. The elegant shape together with the chrome-plated ring catches your attention at first glance. Inside the microphone is a newly developed large-diaphragm
The microphone's smaller dimensions contribute to an exceptionally compact appearance that nevertheless fits in with the classic Neumann design. The elegant shape together with the chrome-plated ring catches your attention at first glance. Inside the microphone is a newly developed large-diaphragm
Large-diaphragm studio microphone with a cardioid directional characteristic and a warm sound which is especially optimized for vocal performance. Its unique design is inspired by that of the legendary M 49 and M 50 microphones of the 1950s. By combining its retro look with proven Neumann
A large-diaphragm mic reduced to the essentials, but with no compromise in quality, featuring a cardioid directional characteristic and a classic design. The TLM 193* is a large diaphragm microphone with a cardioid polar pattern. With this microphone Neumann continues its long tradition, and is
The reduced overall size contributes to an exceptionally compact appearance, which unites all of the typical design components of a Neumann microphone. The harmonious proportions and gleaming grille ring ensure that even at first glance, the TLM 102 attracts attention. The TLM 102 is impressive in
The new standard for home recording and the music industry. The mic for everyone who, despite budget limitations, does not want to do without the uncompromising Neumann sound. Cardioid directional characteristic and very low self-noise. The TLM 103* is the ideal large diaphragm microphone for all
A contemporary development of the legendary U 67. K 67 capsule, new circuit design, which closely reproduces the U 67 sound characteristics, three directional pattern, pre-attenuation and high-pass filter. Novel Neumann dual-color design. In the world of studio microphones, the numbers “47”,
Studio microphone. The Neumann U 87 Ai is probably the best-known and most frequently used studio microphone the world over. Its smooth and refined sound is as iconic as its elegant exterior design. The U 87 Ai is the standard microphone for speech and vocals. Three polar patterns plus pad and low
The swivel mount for mounting the TLM 102, TLM 103 and TLM 193 microphones replaces the previous type SG 1. The metal mount has a 5/8'-27 internal thread with a reduction to 1/2' and 3/8' for mounting on a microphone stand. It is produced in matte black. | Package Contents: 3/8” to 5/8”
The KMS 104 plus is a studio grade vocal microphone for stage use with a Neumann condenser capsule and all the virtues of a rugged stage microphone: excellent pop protection, enormous SPL capability, and high feedback resistance, thanks to its tight cardioid pattern. Compared to the KMS 104, the
The M 147 Tube is a vacuum tube condenser microphone with cardioid characteristic. At the heart of this microphone is the K 47 dual diaphragm capsule, inherited from this model's now legendary predecessors, the U 47 and the M 49. Following the capsule is a tube that functions as an impedance
The U87 is probably the best known and most widely used Neumann studio microphone. Every sound engineer will immediately recognize it by its characteristic shape. It is an excellent choice for general use in studios, broadcasting, film and television. It is also used as the main microphone when
Broadcast condenser microphone with large-diaphragm capsule which has a flat frequency response up to 3 kHz, and cardioid directional characteristic that is ideal for the faithful reproduction of speech and music. It features integrated pop protection and elastic suspension, easy to clean
A studio grade vocal microphone for stage use. Its precision manufactured condenser capsule offers true Neumann sound quality, combined with all the virtues of a rugged stage microphone: excellent pop protection, low handling noise, enormous SPL capability, and high feedback resistance, thanks to
The 'Series 180' consists of three compact miniature microphones with patterns that satisfy the demands of all common studio applications. Because of its optimized mechanical construction and conscious omission of modularity, which is unnecessary in many cases, the 'Series 180' is predestined for
The 'Series 180' consists of three compact miniature microphones with patterns that satisfy the demands of all common studio applications. Because of its optimized mechanical construction and conscious omission of modularity, which is unnecessary in many cases, the 'Series 180' is predestined for
The 'Series 180' consists of three compact miniature microphones with patterns that satisfy the demands of all common studio applications. Because of its optimized mechanical construction and conscious omission of modularity, which is unnecessary in many cases, the 'Series 180' is predestined for
The 'Series 180' consists of three compact miniature microphones with patterns that satisfy the demands of all common studio applications. Because of its optimized mechanical construction and conscious omission of modularity, which is unnecessary in many cases, the 'Series 180' is predestined for