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Elastic suspension for studio microphones. It has a swivel mount with a 5/8'-27 female thread, plus a thread adapter to connect to 1/2'- and 3/8' stands. Color: Black. Made in: Germany
Product Neumann EA 87 MT Microphone Shockmount is marked with an EAN code 4006087072981.
Category | Stands, Microphones |
EAN | 4006087072981 |
Elastic suspension for studio microphones. It has a swivel mount with a 5/8'-27 female thread, plus a thread adapter to connect to 1/2'- and 3/8' stands. Color: Black. | Made in: Germany
Elastic suspension for studio microphones. It has a swivel mount with a 5/8'-27 female thread, plus a thread adapter to connect to 1/2'- and 3/8' stands. Color: Black. | Made in: Germany
Elastic suspension for studio microphones. It has a swivel mount with a 5/8'-27 female thread, plus a thread adapter to connect to 1/2'- and 3/8' stands. Color: Black. | Made in: Germany
Elastic suspension for studio microphones. It has a swivel mount with a 5/8'-27 female thread, plus a thread adapter to connect to 1/2'- and 3/8' stands. Color: Black. | Made in: Germany
Elastic suspension for studio microphones. It has a swivel mount with a 5/8'-27 female thread, plus a thread adapter to connect to 1/2'- and 3/8' stands. Color: Nickel. | Made in: Germany
Elastic suspension for studio microphones. It has a swivel mount with a 5/8'-27 female thread, plus a thread adapter to connect to 1/2'- and 3/8' stands. Color: Nickel. | Made in: Germany
Elastic suspension for studio microphones. It has a swivel mount with a 5/8'-27 female thread, plus a thread adapter to connect to 1/2'- and 3/8' stands. Color: Nickel. | Made in: Germany
Elastic suspension for studio microphones. It has a swivel mount with a 5/8'-27 female thread, plus a thread adapter to connect to 1/2'- and 3/8' stands. Color: Nickel. | Made in: Germany
Elastic suspension for studio microphones. It has a swivel mount with a 5/8'-27 female thread, plus a thread adapter to connect to 1/2'- and 3/8' stands. Color: Black. | Made in: Germany
Elastic suspension for studio microphones. It has a swivel mount with a 5/8'-27 female thread, plus a thread adapter to connect to 1/2'- and 3/8' stands. Color: Black. | Made in: Germany
Elastic suspension for studio microphones. It has a swivel mount with a 5/8'-27 female thread, plus a thread adapter to connect to 1/2'- and 3/8' stands. Color: Nickel. | Made in: Germany
Elastic suspension shock mount that features swivel mount with a 5/8'-27 female thread, plus a thread adapter to connect to 1/2'- and 3/8' stands. Product comes in Silver finish. | Made in: China
A further development of the classic U 87. The 5 directional characteristics, 2-level low-cut filter and switchable pre-attenuation provide maximum flexibility. The U 89* is a studio microphone for universal applications. The headgrille protects a dual-diaphragm capsule. A rotary switch below the
The 'Series 180' consists of three compact miniature microphones with patterns that satisfy the demands of all common studio applications. Because of its optimized mechanical construction and conscious omission of modularity, which is unnecessary in many cases, the 'Series 180' is predestined for
The 'Series 180' consists of three compact miniature microphones with patterns that satisfy the demands of all common studio applications. Because of its optimized mechanical construction and conscious omission of modularity, which is unnecessary in many cases, the 'Series 180' is predestined for
The 'Series 180' consists of three compact miniature microphones with patterns that satisfy the demands of all common studio applications. Because of its optimized mechanical construction and conscious omission of modularity, which is unnecessary in many cases, the 'Series 180' is predestined for
The KMS 104 plus is a studio grade vocal microphone for stage use with a Neumann condenser capsule and all the virtues of a rugged stage microphone: excellent pop protection, enormous SPL capability, and high feedback resistance, thanks to its tight cardioid pattern. Compared to the KMS 104, the
The 'Series 180' consists of three compact miniature microphones with patterns that satisfy the demands of all common studio applications. Because of its optimized mechanical construction and conscious omission of modularity, which is unnecessary in many cases, the 'Series 180' is predestined for
In a word: The Neumann classic. Three directional characteristics and switchable pre-attenuation ensure suitability for a wide range of applications. The U 87 presents a wide range of features and versatility that make it to one of the most desirable mics available. Our users are recognising the
The KMR 82 is a shotgun microphone with a high directivity that remains within the acceptance angle independent of the frequency. The advantage is that a sound source, for example an actor on stage, will not change its apparent tonal balance when moving within this area. Shotgun microphones are
The KMR 81 is a shotgun microphone with a high directivity that remains within the acceptance angle independent of the frequency. The advantage is that a sound source, for example an actor on stage, will not change its apparent tonal balance when moving within this area. Shotgun microphones are
The KMS 104/104 plus and the KMS 105 microphones have been developed to optimally transmit the human voice with respect to the demanding conditions present on the live stage. The KMS series has become the internationally acknowledged standard for first-class stage microphones. The high acoustic
The BY-C04 Universal Microphone Shockmount from BOYA is designed to greatly reduce microphone noise caused by vibration and handling when shooting with a camera or boompole. This shockmount can be used with microphones that have a 19 to 22mm diameter. Built with a 3/8'-16 and 1/4'-20 threads, the
The Cloud U1, perhaps the most versatile microphone shockmount on the market, is fully adjustable to cover a wide range of microphone sizes. The isolation properties are highly effective and in controlled tests provided up to twice the isolation of traditional microphone suspension system. In