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Pedal effect for electric guitar - analog feedback/boost. FEEDBACK: The big knob. This controls the amount the SEND (external effect input) is forced back into the RECEIVE (external effect output). This creates feedback within the circuit to create new unbridled and experimental effects and results. The more this knob is turned up the more intense and explosive the effects are. The ACTIVE BOOST is also in this loop and (if engaged) will be forced back into itself to create its own wild and interesting sounds if nothing is plugged into the loop. ON: This toggle switch when in the ON position turns on the ACTIVE BOOST circuit. PHASE: Flips the phase of the effects loop, only when the ACTIVE BOOST is on. GAIN: Controls the amount of gain of the ACTIVE BOOST circuit. LIMIT: Limits the output volume of the entire pedal only when the ACTIVE BOOST is engaged. STOMP SWITCH: Bypasses the effect. UK/EU Power supply included: No Power Supply: Adapter or Battery;9V Made in: USA Type: Boost Battery Type: 9V
Product Death By Audio Total Sonic Annihilation 2 is described by the EAN code 7202601524852.
Category | Pedals, Boosters |
EAN | 7202601524852 |
Pedal effect for electric guitar - analog feedback/boost. FEEDBACK: The big knob. This controls the amount the SEND (external effect input) is forced back into the RECEIVE (external effect output). This creates feedback within the circuit to create new unbridled and experimental effects and
A powerful delay pedal with insane controls. Push the feedback for wild sound worlds. Bring in a warble on the modulator or absolutely warp it. Overdrive the delay with the fuzz control. This is the preferred echo for recording engineers and touring pros around the world because it sounds just that
This might be the most insane Death By Audio pedal yet. Showing little to no respect for what instruments normally sound like, or even what many people want them to sound like, we pushed this thing until it sounded totally disgusting. Want a thick, gnarly fuzz sound? Sure, you can do that, and
The Soundwave Breakdown takes the idea of a screaming fuzz pedal and turns it inside out, utilizing specially matched transistors turned backwards to get its bombastic sound. The exact positions of the knobs yield completely different sounds, ranging from fuzz, buzz, and grind to bleeps, synth
The Interstellar Overdriver is a true overdrive pedal, designed to blast your amp with your sound. Beautifully transparent and based around a discrete circuit, this is the natural, wonderful sound of turning up too loud (without necessarily having to actually turn up too loud). It's specifically
The Interstellar Overdriver Deluxe is two amazing, all analog, Interstellar Overdriver pedals with extra options! Not only can one channel slam into the other for unearthly overdrive sounds -- there's 5 additional sounds on the 2nd channel for a huge range of overdrive / fuzz tones. A pleasant
The Supersonic Fuzz Gun is a completely unique and different take on a fuzz pedal made with the extreme manipulator in mind. The controls interact with each other in amazing and interesting ways to create a huge array of gated and oscillating fuzz sounds. It can scream, it can blast, it can
Main features:• Pedal with filtered germanium distortion• Based on a console-style drive perimeter• Uses old germanium transistors• Huge gain range - Moves from mild overdrive to blurred fuzz• Filter section for detailed control of the frequency response of the converters - for huge bass,
This is the Deep Animation and it's so good it hurts. This crazy goofball responds to how you play, enveloping and filter sweeping and overdriving. Finally, the perfect wave-thumper moving with how hard you hit your strings. It multiplies your dynamics into a hyper, exaggerated dance. Or it adds
A clear sustaining overdriver run into one of 5 selectable post amplifiers into a sweepable frequency equalizer circuit. What does this mean? It's basically a huge range of intense and usable overdrive, distortion, EQ, and fuzz effects in one. Use this pedal as a boost for solos, a great recording
Hundreds of possible distortion sounds at your fingertips, customizable via four selectable foot switches and eight internal DIP switches. Set it and forget it. Then dig back in when you want to change things up again. This gives you a ton of fuzz, overdrive, distortion sounds you will become
The Robot is a low fidelity 8 bit pitch transposer with absolutely no feelings whatsoever. It is completely synthetic and transforms any input into a puree of resynthesized robot jargon. Features bendable super lo-fi octave up, octave down, arp, and unity pitches.Control Knob - Located on the
The Mateus Asato Signature Pedal, the ASABI, is a distortion and overdrive pedal that contains a HUGE array of tones and is also the world's first pedal to feature analog distortion plug-ins!To keep things interesting on your pedalboard, they developed the technology to create replaceable
The Warm Audio Centavo is an accurate recreation of one of the most unattainable overdrive pedals in guitar history. Known by its lauded boost and overdriven tones, the craze for this uber-popular pedal continues today, long after its original production from 1994 to 2009. With prices soaring into
Call in the Army, the Navy, Scotland Yard, your mom, and the Mario Brothers! You'll need all the help you can get to stop this endless wall of fuzz from raging! This kill all circuit explodes the meanest, nastiest, most insane distortion to make you the ruler of the fuzz universe. This Death By
The sound of the original cult classic fuzzer is back by popular demand. Now you can get the same huge sound as the Harmonic Transformer in a smaller 2.5'' x 4.75'' pedalboard-friendly pedal. Intermodulate your sound and unleash ringing raging fuzz on the world. Super big, super vicious and super
Psycho HP/BP/LP filter with a laser etched enclosure. Can be pushed past the limit to glitch out into octaves up, down, and envelope folds. The specific medical grade IC chip used allows for a hyper precise filter that sounds like no other. The Evil Fuzz is just that totally psychotic destruction
The Archer Ikon is sort of a 2 in one guitar pedal. It can be used as just a clean boost by turning the gain all the way down. As you introduce gain it will attenuate the clean signal but there is a magical blend in between that you will find. The iKon uses a different set of germanium diodes
The BlackBird Overdrive, a pedal that succeeds in generating blackface/brownface-style drive and works as a flexible tone-sculpting platform.There are lots of amp-in-a-box-style pedals and while some are great, many are less dynamic-nailing one particular type of tone well, but failing flat when
The Warm Audio Warmdrive is a true reproduction of the most sought-after 'amp-in-a-box' pedal of all time, delivering the tones of a truly unattainable overdriven amp. Both guitar heroes and modern virtuosos like SRV, Eric Clapton, Robben Ford, John Mayer, Santana, and Cory Wong are known to have
Universal overdrive/boost effects pedal for electric guitar that provides an incredible audio signal transmission. It can be used as just a clean boost by turning the gain all the way down, or as a powerful and aggressive overdrive that will attenuate the clean signal and rise as you introduce
Rather than relying on traditional LED, transistor or vacuum-tube circuits to produce overdrive, the PLASMA Pedal fundamentally redefines the way that signal clipping can be achieved.Inspired by Nikola Tesla's electrical resonant transformer circuit design (the Tesla Coil), it is the first effects
The Fundamental Fuzz is a 3-mode aggressive fuzz pedal with the tonal integrity to live on a professional's pedalboard but with simplified controls friendly enough for even the newest effect pedal users. It can live anywhere in your chain: hit it with your favorite overdrive or push it into another
The Kangra Filter Fuzz is a true bypass, two-in-one pedal that provides a thick and spatty octave fuzz, and a psychedelic filter thats great for sweeps, frequency boost or even envelope filter sounds. The filter can run independently, or with the fuzz feeding into it. This is no rhythm player’s