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The Supersonic Fuzz Gun is a completely unique and different take on a fuzz pedal made with the extreme manipulator in mind. The controls interact with each other in amazing and interesting ways to create a huge array of gated and oscillating fuzz sounds. It can scream, it can blast, it can
The Soundwave Breakdown takes the idea of a screaming fuzz pedal and turns it inside out, utilizing specially matched transistors turned backwards to get its bombastic sound. The exact positions of the knobs yield completely different sounds, ranging from fuzz, buzz, and grind to bleeps, synth
This might be the most insane Death By Audio pedal yet. Showing little to no respect for what instruments normally sound like, or even what many people want them to sound like, we pushed this thing until it sounded totally disgusting. Want a thick, gnarly fuzz sound? Sure, you can do that, and
The Interstellar Overdriver is a true overdrive pedal, designed to blast your amp with your sound. Beautifully transparent and based around a discrete circuit, this is the natural, wonderful sound of turning up too loud (without necessarily having to actually turn up too loud). It's specifically
The Interstellar Overdriver Deluxe is two amazing, all analog, Interstellar Overdriver pedals with extra options! Not only can one channel slam into the other for unearthly overdrive sounds -- there's 5 additional sounds on the 2nd channel for a huge range of overdrive / fuzz tones. A pleasant
A powerful delay pedal with insane controls. Push the feedback for wild sound worlds. Bring in a warble on the modulator or absolutely warp it. Overdrive the delay with the fuzz control. This is the preferred echo for recording engineers and touring pros around the world because it sounds just that
Main features:• Pedal with filtered germanium distortion• Based on a console-style drive perimeter• Uses old germanium transistors• Huge gain range - Moves from mild overdrive to blurred fuzz• Filter section for detailed control of the frequency response of the converters - for huge bass,
Pedal effect for electric guitar - analog feedback/boost. FEEDBACK: The big knob. This controls the amount the SEND (external effect input) is forced back into the RECEIVE (external effect output). This creates feedback within the circuit to create new unbridled and experimental effects and
This is the Deep Animation and it's so good it hurts. This crazy goofball responds to how you play, enveloping and filter sweeping and overdriving. Finally, the perfect wave-thumper moving with how hard you hit your strings. It multiplies your dynamics into a hyper, exaggerated dance. Or it adds