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Wild Fire is a distortion pedal. If you hope to get a high gain amplifier distortion sound when you just own a low watt clean amplifier, this tiny box can satisfy you instantly. Because its good adaptability, it can work with most of amplifiers in the market. It provides you two kinds of clipping character by CLIP switch. At the down position ,you can get a marshall style distortion. When you pull the switch up,the sound would be more like a tube distortion amplifier. Controls: Volume;Tone;Clip;Gain True Bypass: Yes UK/EU Power supply included: No Type: Distortion Colour: Red Power Supply: Adapter Number of Buttons: 1 Outputs: Jack 6,3 mm Package Contents: Manual Made in: China Inputs: Jack 6,3 mm Battery Operation: No
Product Tone City Wild Fire is described by the EAN code 6975220210017.
Color | Red |
Category | Amplifiers, Pedals, Boosters |
EAN | 6975220210017 |
Wild Fire is a distortion pedal. If you hope to get a high gain amplifier distortion sound when you just own a low watt clean amplifier, this tiny box can satisfy you instantly. Because its good adaptability, it can work with most of amplifiers in the market. It provides you two kinds of clipping
The Tone City Matcha Cream is a fuzz effects pedal, that was inspired by the famous green fuzz pedals from Russia. The versatile tone and gain range covers everything from a smooth, singing fuzz with loads of sustain all the way to thick, sludgy 'wall-of-fuzz'. Higher tone settings create a
Nobleman is an overdrive pedal. For many years, TS overdrive were designed by lots of brands, its warm tube sound is exactly impressive. But there are still some musicians prefer to hear more bright effect and less intermediate frequency when keeping its warm feeling. Based on these ideas, we
The BE-OD overdrive pedal captures the tone of the now legendary Friedman BE-100 amplifier which has graced the stages of world-class musicians the world over. The BE-OD delivers authentic tube-amplifier sound from a compact pedal with the controls needed to shape your tone including volume, gain,
This is an improved pre-amp / overdrive pedal based on the classic TS style circuit. It can provide 30dB boost with smoothness and certain compression sense. It can push the crunch channel of amplifier to get the high-gain sound, meanwhile it will not reduce the headroom. | Controls:
Model M is a distortion pedal. It is the big brother of Golden Plexi. With much more headroom and function, this pedal brings you the classic plexi style distortion. It has a high-gain and a crunch mod, this two mod share a volume boost. | Controls: Tone;Volume;Gain;Model;Crunch;Boost | True Bypass:
If you own a high watt amplifier, but you can not turn up the volume because of the surroundings limit, you can try this little overdrive pedal. It can help you to get the sound like a full volume of amplifier and keep the origin features of your guitar. You can control everything by the konb of
This little pedal can help you get the classic plexi style tone easily. The dynamics is like a real tube amplifier. When you play fast, you can still distinguish the sound of each string with good clean up. When it is set at low gain, the sound will not be obscure but still clear. That is the big
Classic British Rock tone as soon as you engage the Copper, the V1 pedal is stompbox that takes all the elements of the VC35 Copper and squeezes it into a pedal.The V1 series is a collaboration between Victory and award winning pedal builder Adrian Thorpe MBE. Designed and built in Britain, the
King of blues is an dual channel overdrive pedal. Two independent overdrive were built in according to the order of A to B. The channel A give you a worm and transparent sound. It can work from clean boost to high gain overdrive, and always emphasizes the most pleasant mid-frequency of the guitar
Dual overdrive pedal captures the tone of the now legendary Friedman BE-100 amplifier, which has graced the stages of world class musicians the world over. The original Friedman BE-OD single channel pedal took the industry by storm. This BE-OD Deluxe pedal employs the exact same circuit but adds
Bad Horse is an overdrive pedal. It has an extremely wide range gain from clean boost to cream overdrive, and even to hard rock. Benefit from the clean-drive mix circuit and the germinated diode, it can keep very clear timbre and is full of harmonics when it is at high gain. When you setting it as
Fuxx Fuzz is a quite wild fuzz. It is clean but not dim like some fuzz. If you want more crazy sound, just turn up the toggle switch, this little monster will get manic in a moment by adding a high octave signal on the sound. | Type: Fuzz | Number of Buttons: 1 | Power Supply: Adapter | Controls:
TPS-1 is a high quality multi-output power supply with very low noise. | It totally has 10 outputs: | | 4 * 9V 500mA | 4 * 9V / 200mA | 2 * 9-18v / 200mA sag voltage continuously adjustable output. | | Each of them has independent short-circuit and overload protection. When one output occurs short
Classic rock sounds in a pedal, the V1 Sheriff is the stompbox that takes all the elements of the Sheriff range and squeezes it into a pedal.The V1 series is a collaboration between Victory and award winning pedal builder Adrian Thorpe MBE. Designed and built in Britain, the Sheriff is a true
A Victory classic in a pedal! Based on the V30 Jack designed in collaboration with Guthrie Govan, the V1 is stompbox that takes all the elements of the VC30 MKII Jack and squeezes it into a pedal.The V1 series is a collaboration between Victory and award winning pedal builder Adrian Thorpe MBE
Designed to emulate the V40 Duchess, the V1 pedal is a collaboration between Victory and award winning pedal builder Adrian Thorpe MBE. The brief was simple to build the truest representation of the Duchess sound.The V1 Duchess is built to be versatile but simple to use, you can use the pedal to
All of the Kraken gain squeezed into a pedal! Based on the VX Kraken which was a collaboration with Rabea Massaad, this V1 stompbox takes all the elements and makes it easy to add to your rig!The V1 series is a collaboration between Victory and award winning pedal builder Adrian Thorpe MBE
Pedal that has been inspired by the classic sounds of the Dumble amplifiers of the late 1970s. The pedal features four controls for Gain, Volume, Depth and Tone. To offer more headroom, the pedal can be operated with 9 volts as well as with 18 volts. Dumble Silverface amp owners includes Stevie Ray
Effect pedal, Booster. What do the tones of renowned guitarist such as Page, EVH and Johnson have in common? They all used the legendary echo machine EP-3 as a pre-amp. We've captured that magic in a new Xotic Effects pedal, the EP Booster. We've used the highest quality parts available with a
VHT extracted the Drive channel from their best-selling RedLine amplifiers and put it in pedal form.The V-Four’s four modes provide a full complement of tones and textures: Overdrive, Distortion, Metal, and the extremely high-gain and djent-ready Redline mode. Each mode is exceptionally
The Aces Hybrid Amplifier found its origins in RCA data sheets from the 1950s. Simple 2 stage gain circuits utilizing germanium transistors, the only kind available at the time. Daredevil wanted to use the same approach, but give it the Daredevil treatment, creating something unique that nailed a
Overdrive/boosting effect pedal from Nine series that was designed specifically for tube amplifiers and produces a warm, pleasant and very natural vintage tone, offering everything from clean or slightly distorted sound to rich and velvet sound which does not distort the original instrument’s
This is a analog & digital delay pedal. The dry signal is from analog circuit and the delay signal is from digital. It sounds like an old analog delay, with very naturally feedback. And there won’t be much sound coloring even when it works after a distortion pedal. It can be used in front of an