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A compact, modern replica of the 1966 Professional MKII Tone Bender pedal created by Gary Hurst. The BPC MKII Tone Bender features an authentic 3 transistor circuit with 3x OC81D transistors that provides a thicker and slightly less aggressive sound than the MKI version. The OC81D loaded original MKII can be heard on many Jimmy Page (Led Zeppelin) tracks such as 'Whole Lotta Love'. Colour: Silver Battery Operation: Yes UK/EU Power supply included: No Power Supply: Adapter or Battery Depth (mm): 50.0 Controls: Attack;Level Battery Type: 9V Width (mm): 68.0 Outputs: Jack 6,3 mm TS Inputs: Jack 6,3 mm TS Made in: Great Britain Height (mm): 112.0 Number of Buttons: 1 Type: Fuzz
Color | Silver |
A compact, modern replica of the 1966 Professional MKII Tone Bender pedal created by Gary Hurst. The BPC MKII Tone Bender features an authentic 3 transistor circuit with 3x OC81D transistors that provides a thicker and slightly less aggressive sound than the MKI version. The OC81D loaded original
A detailed replica of the 1966 Professional MKII Tone Bender pedal created by Gary Hurst. Unlike the MKI.5, the MKII had a 3 transistor circuit which, based on production and supply, comprised of either 3x OC75 or 3x OC81D transistors and offered increased sustain. The OC81D loaded MKII can be
A detailed replica of the original 1965 Metal Case Tone Bender pedal created by Gary Hurst in London, England. The BPC MKI Tone Bender features the same transistor specification (1x OC75 and 2x 2G381) as the original version. This configuration has a unique tone and a special character which cannot
Based on the old Supa Tone Benders and Muff style pedals that inspired our Olympia fuzz of a decade ago, and using BC184 transistors, Crom does away with the typical lossy tone stack, instead using a classic 1950’s tweed amp style tone (Mountain) control that interacts with the gain (Sword)
A compact, modern replica of the original Zonk Machine MKI pedal that was developed by Wilsic Sound for John Hornby Skewes and produced in Leeds, England from 1965 to 1966. The design and circuit topology of the Zonk Machine looks very similar to the original MKI Tone Bender (designed by Gary
A compact, modern replica of one of the world's most iconic effectsthe Dallas Rangemaster treble booster. Originally produced in 1965, it has been used by many of the worlds most respected artists including Eric Clapton, Tony Iommi, Rory Gallagher, Brian May, Marc Bolan, Ritchie Blackmore and many
A detailed replica of one of the world's most iconic effectsthe Dallas Rangemaster treble booster. Originally produced in 1965, it has been used by many of the worlds most respected artists including Eric Clapton, Tony Iommi, Rory Gallagher, Brian May, Marc Bolan, Ritchie Blackmore and many more
Compact analog true bypass fuzz effect pedal from the MINI series. Features Tone, Sustain and Level controls. Power Supply: External DC 9 Volt AC Adapter (not included). Dimensions: 51 x 93 x 55 mm. Weight: 175 g. | Controls: Level;Tone;Sustain | Inputs: Mono | Battery Operation: No | UK/EU Power supply
Guitar effect - compact fuzz pedal from Fuzz Face series, which is a reincarnation of the pedal Band of Gypsys Fuzz Face and offers slightly more aggressive, but still classic 'Hendrix´s' sound of '70s. It features smaller design, controls Volume and Fuzz, LED indicator of on/off status, true
Ultra-compact fuzz effect pedal for electric guitar that features legendary Fuzz Face tones in smaller, more pedalboard-friendly housing with several modern appointments – a bright status LED, and AC power jack and a convenient battery door. Pedal has the same circuit as the JHF1 Hendrix Fuzz
This pedal was inspired by the classic sounds of the Dumble Overdrive Special from the late 1980s and 1990s. The pedal has four controls for Gain, Dynamic, Tone and Volume and a Boost switch. To offer more headroom, the pedal can be operated with 9 volts as well as with 18 volts. Owners of the
Pedal that has been inspired by the classic sounds of the Dumble amplifiers of the late 1970s. The pedal features four controls for Gain, Volume, Depth and Tone. To offer more headroom, the pedal can be operated with 9 volts as well as with 18 volts. Dumble Silverface amp owners includes Stevie Ray
Caroline Guitar Company Wave Cannon MKII is a real distortion pedal that is also capable of doing extremely cool mild-to-medium crunch tones. The distortion pedal is really capable of overwhelming your amp and it has a LOT of gain and volume on tap. It is a classic distortion pedal that sounds good
The JHS Pedals 3 Series Fuzz is a versatile fuzz box that cleans up well with your guitar's volume knob. The Fuzz is the perfect balance of vintage and modern with soaring sustain and clear articulation. The controls allow you to create a wide variety of sounds via the Bias knob, which gives the
The Lysis MKII is finally here! Is it a fuzz pedal, an octave, a sweeping filter, some kind of synth machine? YES!!Building on the foundation of original Lysis design, the Lysis MKII pushes the envelope even further with a number of new features and functionality that increase player interaction
The Fundamental Fuzz is a 3-mode aggressive fuzz pedal with the tonal integrity to live on a professional's pedalboard but with simplified controls friendly enough for even the newest effect pedal users. It can live anywhere in your chain: hit it with your favorite overdrive or push it into another
Compact fuzz guitar effect pedal that delivers a legendary, classical fuzz sound, and can be also used by bass guitar players. It features Volume, Drive and Tone control knobs that can be combined to achieve powerful distortion and long sustain. Pedal is equipped with a sturdy, metal chassis with
The Hawaiian Pizza fuzz pedal is the latest bizarre contraption from the minds of the Caroline Guitar Company. Combining classic overdrive with molten fuzz (sweet & savoury), the Hawaiian Pizza is undoubtedly a head-turner. Emulates classic tube-style overdrive, perfect for pushing the front of
The Tone City Matcha Cream is a fuzz effects pedal, that was inspired by the famous green fuzz pedals from Russia. The versatile tone and gain range covers everything from a smooth, singing fuzz with loads of sustain all the way to thick, sludgy 'wall-of-fuzz'. Higher tone settings create a
If a ripping, royally raucous fuzz, with impeccable manners, is what you seek in your tone conquest or whether you are chasing those soaring Gilmour-esque leads that propel you to the far side of the moon, then look no further than the Imperial MKII.True to the original SGFX Imperial, the MKII
Blues Overdrive Pedal tonally sits somewhere between a boost / treble booster and a fuzz. The 2 controls are unlabelled, but the left is the output control and the right is the grit control. It also has a bias switch to select between 'vintage' or 'vintage modern' voicings.The Blues also contains a
The Fuzz Face Mini pedal line features legendary Fuzz Face tones in smaller, more pedalboard-friendly housings with several modern appointments: a bright status LED, an AC power jack and a convenient battery door. As with the original models, Fuzz Face Minis feature true bypass switching. The FFM2
The Fulltone 69 MKII guitar pedal fuzz effect. This effect delivers a sound with Fulltone-typical quality and reliability. The control is used to adjust the Volume, Fuzz, Input and Contour functions. Used with a clean amp, this pedal produces a quite nice distortion. However using it with a already
Maestro created the world’s first fuzz pedal - the Maestro Fuzz-Tone FZ-1 - the legendary sound on the Rolling Stones “(I Can’t Get No) Satisfaction.” Welcome to the FZ-M. This all-analog pedal boasts two-in-one functionality for increased sonic versatility with both an FZ-1 inspired fuzz