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Collaboration with Darryl Jones. Based off Jan Ray pedal, Darryl and team wanted to recreate a pedal that can be used in a wide variety of range and tone and a LOT of headroom.Mixing the clean channel and the overdrive channel lets you keep the bottom end to the bass.Equipped with N.O.S parts which Darryl was also very interested in.It's been a long 6 years to get this pedal complete. He has been using the prototype on The Rolling Stones Tour through out the years. Controls: Clean;Mix;Level;Drive;Bass;Boost;Treble Height (mm): 50.0 MIDI Interface: No Power Supply: Adapter;9V Made in: Japan Battery Operation: No Depth (mm): 95.0 Outputs: Jack 6,3 mm TS Number of Buttons: 2 Package Contents: Manual USB: No Inputs: Jack 6,3 mm TS UK/EU Power supply included: No Weight (g): 680.0 Colour: Brown Width (mm): 142.0 True Bypass: Yes Type: Overdrive
Product Vemuram DJ1 has an EAN code 4560479550155.
Color | Brown |
Category | Pedals, Boosters |
EAN | 4560479550155 |
Collaboration with Darryl Jones. Based off Jan Ray pedal, Darryl and team wanted to recreate a pedal that can be used in a wide variety of range and tone and a LOT of headroom.Mixing the clean channel and the overdrive channel lets you keep the bottom end to the bass.Equipped with N.O.S parts which
Collaboration with John Shanks. The SHANKS II was designed and based on the vintage sound of the Fuzz Face, Tonebender and the BUZZAROUND. Equipped with 2 Silicon Transistors and a FET with 3 Orange Drop capacitors. A versatile pedal which allows you to dial in the range of the fuzz to suit your
The Jan Ray was designed to recreate the punchy clear tone of the Blackface Fender amps from the 60's.So-called the 'Fender Magic 6' sound. An easy to handle overdrive keeping the characteristics of the guitar with great sustain without any unnatural compression. | Controls:
Collaboration with John Shanks. An easy to handle overdrive with a wide range in tone. Equipped with two trimmers lets you control the Bass and the Saturation of the overall tone.Allowing you to achieve an even more wide variety to your ideal tone.Inspired by many countless vintage pedals. | Battery
Double pedal booster for 2 effects designed for lifting pedals to the optimum level that can easy to switch between effect pedals located on Pedaltrain pedalboards. This pedal booster has a solid steel frame and can be installed on a pedalboard using velcro or screws, which are
Double pedal booster for 3 effects designed for lifting pedals to the optimum level that can easy to switch between effect pedals located on Pedaltrain pedalboards. This pedal booster has a solid steel frame and can be installed on a pedalboard using velcro or screws, which are accessories. | Made
Xotic's iconic boost pedal is back.Dynamic and sensitive to the nuances of the player, the RC Booster offers more than 20 dB of transparent clean gain.Active control of amplification, treble, gain and volume.Using premium parts, the RC Booster is considered an 'always on pedal' that naturally
Effect pedal, Booster. What do the tones of renowned guitarist such as Page, EVH and Johnson have in common? They all used the legendary echo machine EP-3 as a pre-amp. We've captured that magic in a new Xotic Effects pedal, the EP Booster. We've used the highest quality parts available with a
Pedatrain’s custom Pedal-Booster raises each pedal by full one inch, allowing easy access and is accommodating to virtually any custom configuration. | Type: Pedalboard | Made in: China | Colour: Black | Original Colour by Producer: Black | Variant: PBK
Pedal effect and preamp for electric bass from Darkglass - booster. Designed to be the perfect complement to our distortion circuits, the flexibility and portability of the Harmonic Booster is also the perfect one-stop solution for gigging musicians in search of a precise and harmonically rich
Booster guitar effect pedal with a buffer function. This pedal is commanded by two main pots – Volume for the amount of boost and Tone for a either a bass or treble boost. The buffer function is switched by a central switch and it counters the signal loss in packed pedalboards with this pedal at
Boost effect pedal for electric guitar that offers a unique concept in booster design, featuring two completely independent boost circuits in a single compact housing. The Clean (Left) channel offers up to +20 dB of clean boost with a completely flat frequency response, while the Vintage (Right)
The Silver Solo is a treble booster/gain boost based on the old Dallas Rangemaster circuit from the 60's. It accentuates dynamics and texture while increasing volume, pushing your tone through the mix when you need that extra cut. You'll get more sustain and a sweet harmonic edge to each note. I
Ibanez is proud to announce a new addition to the MINI pedal lineup. The BTMINI booster features three controls; BASS, TREBLE and LEVEL. Unlike a single knob booster, the BASS and TREBLE EQ enables significant tonal flexibility. For example, while set to the ''Wide Range'' setting (Turing Bass and
A detailed replica of one of the world's most iconic effectsthe Dallas Rangemaster treble booster. Originally produced in 1965, it has been used by many of the worlds most respected artists including Eric Clapton, Tony Iommi, Rory Gallagher, Brian May, Marc Bolan, Ritchie Blackmore and many more
The Fulltone 2B is a tiny, transparent, and amazing boost pedal, born from the “Boost” channel in FD3 pedal. Soon after the FD3 came out they started getting a steady flow of emails asking if they could “please make that into a single channel Boost pedal!” So they crammed the circuit into
The JHS Pedals Bender is a pedal that gives you the touch, feel, and response of the vintage germanium fuzz but with accuracy and consistency of carefully chosen modern silicon transistors. The controls are Volume, Tone, and Attack. Volume sets the overall output level of the effect; turn it up and
The JHS Pedals 3 Series Distortion is a massively versatile distortion pedal with the ability to achieve medium gain crunch, heavy overdrive, distortion, and even fuzz tones. The controls on the Distortion are Volume, Filter (or Tone), and Distort knobs that give you a wide range of usable sounds
The Dual Fusion pedal from Wampler Pedals is the first overdrive pedal specifically voiced to the new breed of fusion guitarists – but it’s so versatile it can find a place on ANY board of ANY genre. Fusion in its current form is a fairly new concept, with roots not only in theoretical jazz but
The Northern Creeper Fuzz from Daredevil Pedals. The circuit is thick and biting, reminiscent of early 70's fuzzes by Shin-ei or Maestro minus the extra controls. Just volume and sustain. More output, even tone response, and more gain. Big, gritty, blown out, and saturated but tight enough to hold
The heart of this pedal is an FET boost capable of the most aggressive tones and volume. Excessive controls and components have been eliminated, less knobs = more tone! This has nothing to do with 'clean transparent boost' or any cork-sniffing metaphors you may have heard. The HYPE is big and
THE GREEN WONDER is a versatile high headroom overdrive/booster pedal, that has high output and sounds great with both single coil and humbucking pickups. THE GREEN WONDER works extremely well with different kinds of amplifiers and can be used with both clean and overdrive channels, even with heavy
JAM pedals’ unabashed distortion monster. Jam Pedals pulled out all the stops to make sure the Rattler will get you all the amazing tones of great early 80s ProCo RAT® distortion boxes and put in the time and R&D to make it more responsive to picking and fretting nuances resulting in an open,
Compact overdrive effect pedal that provides the same amount of power as the original version but in smaller package. It was developed in collaboration with Stu G, a guitarist from Delirious?, and offers four distinct overdrive settings which provide a great range of distorted tone and attack. It