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Solid State professional 1-channel microphone preamp with up to 71 dB of Gain. Possibility of setting impedance. Preamplifier is equipped with: Hipass filter, 48V phantom power, parametric EQ, - 20 db pad switch, turning phase, HPF, switchable output level of + 4 / -10 dB, frequency range 2 Hz - 200 kHz. Made in: China
Category | Microphones |
Solid State professional 1-channel microphone preamp with up to 71 dB of Gain. Possibility of setting impedance. Preamplifier is equipped with: Hipass filter, 48V phantom power, parametric EQ, - 20 db pad switch, turning phase, HPF, switchable output level of + 4 / -10 dB, frequency range 2 Hz -
When designing the TB12 Tone Beast Black our goal was to make a microphone preamplifier affordable and jam packed full of options, without compromising the quality and design parameters that make this type of microphone preamplifier so desirable. | With top notch CineMag transformers and multiple
Discrete, high voltage, dual-transformer microphone preamplifier design with high gain (+71dB), high headroom, low noise, and an exciting sonic performance – great for all types of recording applications. A high quality mic preamp is one of the most critical pieces needed to achieve the elusive
Single channel '73 style British microphone preamp. If there’s one style of preamp that professional engineers would unanimously agree has defined the tone of pop/rock records for decades, it would most definitely be the venerable '73-style of mic pre. '73-style preamps have been massively used
Dual channel '73 style British microphone preamp. If there’s one style of preamp that professional engineers would unanimously agree has defined the tone of pop/rock records for decades, it would most definitely be the venerable '73-style of mic pre. '73-style preamps have been massively used in
Dual channel '73 style British microphone preamp + EQ. If there’s one style of preamp that professional engineers would unanimously agree has defined the tone of pop/rock records for decades, it would most definitely be the venerable '73-style of mic pre. '73-style preamps have been massively
Microphone and instrument preamp. The WA-412 provides 4 channels of classic American console preamps in a sleek 1RU design. This style of preamp is often referred to as ''the sound of Rock n' Roll'' for its BIG punchy low end and smooth open top end. Featuring fully discrete socketed 6-pin op-amps
The WA-MPX is an authentic reproduction of the vintage tape machine tube preamp that started the birth of rock ‘n’ roll known for pure analog warmth, delivering an impressive 300v of raw power & 90dB of tube gain. During the golden era of tape recording, the original 351-style tube preamp
The WA-MPX is an authentic reproduction of the vintage tape machine tube preamp that started the birth of rock ‘n’ roll known for pure analog warmth, delivering an impressive 300v of raw power & 90dB of tube gain. During the golden era of tape recording, the original 351-style tube preamp
The WA73-EQ is a “Desert Island” boutique preamp-eq, but it can also be classified as a studio and live work-horse. The classic 1073 was known for being a versatile tool that worked well with all kinds of microphones from Condenser, to Dynamic, to Ribbon. The WA73-EQ equally shines on all types
High voltage, dual-transformer microphone preamplifier design with high gain (+71 dB), high headroom, low noise, and an exciting sonic performance – great for all types of recording applications. A high quality mic preamp is one of the most critical pieces needed to achieve the elusive ‘larger
The Auteur MKII is a preamp that features high-speed input stages that capture lots of detail and nuance, and transformer-coupled output stages that impart a nice touch of vintage vibe. It also features Jack 6,3 mm, phantom power, phase, and a 13dB pad. It’s housed in a 1U, 1/2 rack chassis, and
The Black Lion Audio Auteur Quad is a four channel mic preamp based on the Auteur MkII preamp. Thanks to Edcor transformers offers fat, colorful vintage sound. It features meters on all four channels as well as DI inputs from 500 series Auteur on the first 2 channels, switchable 48 V phantom power
The ultimate mic pre for recording guitar. Designed and Manufactured in Los Angeles, California U.S.A. Install a 440 mic pre into any 500 series compatible chassis. Have legendary tone and integrate post effects pedals into your signal chain with ease. From the legendary Cinemag input and output
The B173 Quad is a four channel mic preamp version of the B173 mkII model. The preamp combines vintage-inspired sonics and modern features in a rugged 2RU chassis with a smart feature set that will satisfy the most demanding audio engineers. A revised gain stage and lower noise floor deliver
Auteur mkIII is a microphone preamplifier in a practical size.The Auteur mkIII has an audio input based on an integrated chip, which is used to provide a fast and transparent front-end, which in turn is combined with a vintage-inspired output phase design in conjunction with Cinemag
Audiophile Vacuum Tube Preamplifier with Preamp Modeling Technology and USB/Audio Interface. ubes can really warm up a signal fast, giving it depth and character. Though transistors have succeeded the technology, many musicians agree that tubes deliver a far superior sound. The TUBE ULTRAGAIN
Classic condenser microphone based on the early 1970's microphone used on countless hit records. The WA-14 utilizes a custom all-brass CK12-style capsule, CineMag USA transformer, and a fully discrete signal path. The WA-14 can be used on an array of sources, such as; punchy/warm intimate lead
Microphone preamplifier. It offers 8 channels and is suitable for all audio interfaces with the ADAT function. It offers the ability to record directly to disc and DAW. All channels provide 24-bit audio input / output at 44.1 or 48 kHz. It is based on eight high-quality Class A mic preamps. Each of
The Auteur MKII is a two channel preamp that features high-speed input stages that capture lots of detail and nuance, and transformer-coupled output stages that impart a nice touch of vintage vibe. It also features phantom power, phase, and a 10dB pad. It’s housed in a 1U, 1/2 rack chassis, and
Mic Preamp. Features: Each of the 4-710d’s four Twin-Finity channels features true-bypass 1176-style compression, including specially tuned ''fast'' and ''slow'' settings. Eight channels of high quality 24-bit A/D conversion. Selectable sample rates up to 192 kHz. Digital output via dual ADAT
FET Condenser Microphone. The WA-47jr is an FET transformerless version of the highly renowned classic ‘47 microphone that has been used on countless hit records for the last 50+ years. The WA-47jr is fully discrete, has 3 polar patterns and is designed for pro studio, home studio, live, and
FET Condenser Microphone. The WA-47jr is an FET transformerless version of the highly renowned classic ‘47 microphone that has been used on countless hit records for the last 50+ years. The WA-47jr is fully discrete, has 3 polar patterns and is designed for pro studio, home studio, live, and
Compact alltube microphone preamplifier/D.I. box that delivers the classic Putnam 610 tube console sound in a portable, highly versatile design. It provides the silky, vintage warmth of the original console’s mic amp design, and will flatter and enhance any microphone or instrument with its