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Auteur mkIII is a microphone preamplifier in a practical size.The Auteur mkIII has an audio input based on an integrated chip, which is used to provide a fast and transparent front-end, which in turn is combined with a vintage-inspired output phase design in conjunction with Cinemag transformers.The two channels are equipped with MIC IN connectors located on the rear panel on the XLR connectors (4-pin) and balanced TRS line OUTPUT connections. The front panel contains LINE (TRS ENGAGE) level inputs and the corresponding HI-Z switch.Both channels also have front panel GAIN controls (up to 62 dB gain), plus PAD (-10 dB), 48V (phantom power) and Ø (reverse polarity) buttons.Removable rack ears for 1⁄2U units are also included. Height (mm): 10.2 Gain: 62 dB Weight: 1,4 kg Made in: China Number of Channels: 2 Frequency Range: 10 Hz - 30 kHz Inputs: Jack 6,3mm;XLR Length (mm): 25.4 Depth (mm): 22.9 Outputs: Jack 6,3mm Microphone Input: Yes Package Contents: Rack Holders Type: Preamp USB: No Battery Operation: No Phantom Power: Yes EQ: No Rackmountable: Yes Power Supply: Adapter Switch: Yes
Product Black Lion Audio Auteur Mk3 Microphone Preamp is described by the EAN code 6965505409762.
Category | Microphones |
EAN | 6965505409762 |
Auteur mkIII is a microphone preamplifier in a practical size.The Auteur mkIII has an audio input based on an integrated chip, which is used to provide a fast and transparent front-end, which in turn is combined with a vintage-inspired output phase design in conjunction with Cinemag
The Black Lion Audio Auteur Quad is a four channel mic preamp based on the Auteur MkII preamp. Thanks to Edcor transformers offers fat, colorful vintage sound. It features meters on all four channels as well as DI inputs from 500 series Auteur on the first 2 channels, switchable 48 V phantom power
The Auteur MKII is a two channel preamp that features high-speed input stages that capture lots of detail and nuance, and transformer-coupled output stages that impart a nice touch of vintage vibe. It also features phantom power, phase, and a 10dB pad. It’s housed in a 1U, 1/2 rack chassis, and
The Auteur MKII is a preamp that features high-speed input stages that capture lots of detail and nuance, and transformer-coupled output stages that impart a nice touch of vintage vibe. It also features Jack 6,3 mm, phantom power, phase, and a 13dB pad. It’s housed in a 1U, 1/2 rack chassis, and
The Auteur DT is a versatile preamp/DI box ready to suit all of your single-channel recording needs. Thanks to 60 dB of Chicago console-style gain and 1/4” and XLR inputs, Auteur DT will accurately capture and enhance anything you throw at it: the crackling snap of a well-tuned snare — or the
The B173 Quad is a four channel mic preamp version of the B173 mkII model. The preamp combines vintage-inspired sonics and modern features in a rugged 2RU chassis with a smart feature set that will satisfy the most demanding audio engineers. A revised gain stage and lower noise floor deliver
Eighteen’s preamplifier circuit isn’t just another clone, but an original design built to pay proper tribute to some of the most classic designs ever made. The preamp starts with a vintageinspired preamplifier with Cinemag input transformer providing a creamy, yet punchy response and custom
Designed for recording engineers who want an updated take on the classic '73-style unit, the Black Lion Audio B173 mkII is a single-channel preamp with a warm, creamy, 1970s tone. It's suitable for recording vocals, keyboards, guitars, basses, and more. This preamp gives you a half-rack package,
Designed for recording engineers who want an updated take on the classic '73-style unit, the Black Lion Audio B12A mkIII is a single-channel preamp with a warm, creamy, 1970s tone. It's suitable for recording vocals, keyboards, guitars, basses, and more. This preamp gives you a half-rack package,
The B12A Quad is a four channel version of the company’s single channel B12A Mk2. More than just another 312A clone, the B12A Quad combines vintage-inspired sonics and modern features in a rugged 1RU chassis with a smart feature set that will satisfy the most demanding audio engineers. A revised
Single channel '73 style British microphone preamp. If there’s one style of preamp that professional engineers would unanimously agree has defined the tone of pop/rock records for decades, it would most definitely be the venerable '73-style of mic pre. '73-style preamps have been massively used
Dual channel '73 style British microphone preamp. If there’s one style of preamp that professional engineers would unanimously agree has defined the tone of pop/rock records for decades, it would most definitely be the venerable '73-style of mic pre. '73-style preamps have been massively used in
Dual channel '73 style British microphone preamp + EQ. If there’s one style of preamp that professional engineers would unanimously agree has defined the tone of pop/rock records for decades, it would most definitely be the venerable '73-style of mic pre. '73-style preamps have been massively
Microphone and instrument preamp. The WA-412 provides 4 channels of classic American console preamps in a sleek 1RU design. This style of preamp is often referred to as ''the sound of Rock n' Roll'' for its BIG punchy low end and smooth open top end. Featuring fully discrete socketed 6-pin op-amps
Solid State professional 1-channel microphone preamp with up to 71 dB of Gain. Possibility of setting impedance. Preamplifier is equipped with: Hipass filter, 48V phantom power, parametric EQ, - 20 db pad switch, turning phase, HPF, switchable output level of + 4 / -10 dB, frequency range 2 Hz -
The WA-MPX is an authentic reproduction of the vintage tape machine tube preamp that started the birth of rock ‘n’ roll known for pure analog warmth, delivering an impressive 300v of raw power & 90dB of tube gain. During the golden era of tape recording, the original 351-style tube preamp
The WA-MPX is an authentic reproduction of the vintage tape machine tube preamp that started the birth of rock ‘n’ roll known for pure analog warmth, delivering an impressive 300v of raw power & 90dB of tube gain. During the golden era of tape recording, the original 351-style tube preamp
The WA73-EQ is a “Desert Island” boutique preamp-eq, but it can also be classified as a studio and live work-horse. The classic 1073 was known for being a versatile tool that worked well with all kinds of microphones from Condenser, to Dynamic, to Ribbon. The WA73-EQ equally shines on all types
When designing the TB12 Tone Beast Black our goal was to make a microphone preamplifier affordable and jam packed full of options, without compromising the quality and design parameters that make this type of microphone preamplifier so desirable. | With top notch CineMag transformers and multiple
Audiophile Vacuum Tube Preamplifier with Preamp Modeling Technology and USB/Audio Interface. ubes can really warm up a signal fast, giving it depth and character. Though transistors have succeeded the technology, many musicians agree that tubes deliver a far superior sound. The TUBE ULTRAGAIN
Microphone preamplifier. It offers 8 channels and is suitable for all audio interfaces with the ADAT function. It offers the ability to record directly to disc and DAW. All channels provide 24-bit audio input / output at 44.1 or 48 kHz. It is based on eight high-quality Class A mic preamps. Each of
Discrete, high voltage, dual-transformer microphone preamplifier design with high gain (+71dB), high headroom, low noise, and an exciting sonic performance – great for all types of recording applications. A high quality mic preamp is one of the most critical pieces needed to achieve the elusive
Mic Preamp. Features: Each of the 4-710d’s four Twin-Finity channels features true-bypass 1176-style compression, including specially tuned ''fast'' and ''slow'' settings. Eight channels of high quality 24-bit A/D conversion. Selectable sample rates up to 192 kHz. Digital output via dual ADAT
Compact alltube microphone preamplifier/D.I. box that delivers the classic Putnam 610 tube console sound in a portable, highly versatile design. It provides the silky, vintage warmth of the original console’s mic amp design, and will flatter and enhance any microphone or instrument with its