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The Supa-Wah takes Fulltone’s legendary Clyde Wah concept to the next level by offering two additional modes (on top of Whacked, Jimi and Shaft modes): Phat is the throatiest, most vocal Wah sound while Sub is deep, grunty, and unbelievably expressive, plus it works great on Bass too. The
The wah-wah pedal Clyde Deluxe Wah from Fulltone. The Deluxe version of the Clyde Wah has all the features that players have come to know and love about the original 'Clyde Standard' but with the following additions: 10-step variable Input Level control, true-bypass with light status indicator and
The Fulltone 69 MKII guitar pedal fuzz effect. This effect delivers a sound with Fulltone-typical quality and reliability. The control is used to adjust the Volume, Fuzz, Input and Contour functions. Used with a clean amp, this pedal produces a quite nice distortion. However using it with a already
Fulltone brings the Octafuzz 2 octaver pedal effect. Octafuzz 2 offers an interesting design with a solid steel construction, glossy finish, retro logo and it is made in a bright blue color. It creates the original octave and fuzz sounds that are really adventurous and made for experimentation. It
The OCD V2 guitar pedal overdrive effect designed by Fulltone. This model provides the ability to switch between true bypass and enhanced bypass modes for complete audio consistency. Class A configured discrete 2N5457 JFET input section increases input impedance to 1 MOhm, which contributes to
The Fulltone 2B is a tiny, transparent, and amazing boost pedal, born from the “Boost” channel in FD3 pedal. Soon after the FD3 came out they started getting a steady flow of emails asking if they could “please make that into a single channel Boost pedal!” So they crammed the circuit into