Dynamic instrument microphone. It is ideal for sound pickup of bass drums, kick drums, bass amplifiers or various other bass instruments. It features suppression of structure-borne noise, impact noise or excellent mechanical features. Stand holder and padded bag is included. | Made in: China
Dynamic supercardioid microphone from the PRO series suitable for bass drum recording. Microphone features frequency response of 20 – 10 000 Hz, -64 dBV/Pa (0.6 mV) sensibility, 45 Ohm impedancy, max SPL 174 dB and XLR output. Package comes with microphone pouch. Dimensions: 58 x 140 mm. Weight:
Whether you’re mixing a recording or monitoring a bass line, you want a microphone that combines superior attack and punch for studio-quality sound, even at extremely high sound pressure levels with ultra-low noise floor. Our C112 dynamic microphone offers a strong low-frequency response and is
Dualelement bass drum microphone from Artist Elite series that features cardioid condenser and dynamic capsules combined in one housing. The dynamic element delivers the aggressive attack of the beater; the condenser captures the round tonalities of the shell. Two layers of resistive mesh form
Solid, lightweight, and easy to position cardioid instrument microphone that is especially suitable for use with bass drums, bass guitar cabs and tubas, perfect for studios, clubs, rehearsal rooms, smaller gigs, or for home recording. It features a rugged, lightweight aluminium body for stable
Dynamic instrument microphone with cardioid polar patter that was specifically designed for deep bass frequency instruments such as kick drums, bass guitar amps and tuba. Faithfully reproducing the lowest frequencies and handling the highest SPLs, it is the bottom end's best friend. The microphone
Package Contents: Microphone;Holder;Gig Bag | Switch: No | Made in: China | Polar Pattern: Hypercardioid | Frequency Range: 40 Hz - 16 kHz | Type: Dynamic | Weight: 300 g | Impedance: 580 Ohm
Professional dynamic microphone with a cardioid polar frequency, designed to capture the sound of the bass drum. It is used on stages worldwide for more than 30 years. It has a frequency range of 20Hz - 17kHz, an impedance of 210 ohms and sensitivity up to 160 dB SPL. The microphone includes a
This 4055 Kick Drum Microphone has been optimized to pick up the true sound of the kick (bass) drum. This microphone delivers the renowned DPA sound, clarity and linear frequency response, both on axis and off axis. The low frequency response, dynamics and high-level capabilities of this mic are
cardioid pattern, max SPL: 144dB, frequency response: 30Hz15kHz, 200ohm, also suitable for bass guitar etc. | Switch: No | Impedance: 280 Ohm | Offer Configuration: Standard offer | Package Contents: Holder;Gig Bag;Microphone | Frequency Range: 30 Hz - 15 kHz | Type: Dynamic | Made in: USA | Weight: 250 g | Polar
The TG D71 Boundary semi-cardioid condenser microphone feature with an extremely tough housing with a compact, lean design and non-slip rubber underside. The TG D71 is an ideal choice to record percussion instruments – high impulse fidelity and a maximum sound pressure level of 148 dB. The
The second-generation TG D70 is a dynamic microphone and standard equipment for every kick drum. It’s your companion on stage, in clubs and in the studio – a must-have microphone for every drummer. With its natural sound, high-quality materials and robust construction, the microphone is a true
Robust, dual-element kick drum microphone from DTP Percussion series with switchable sound characteristics that is suitable for all bass-heavy application. Thanks to its Dual-Element Technology and fine-tuned frequency responses, it offers unparalleled, powerful sound that will impress drummers and
The V KICK is the most compact and versatile drum microphone in its class, intended for use with kick (bass) drums and other sources such as miking bass guitar speaker cabinets, floor toms or other large drums where low-frequency energy is of the utmost importance. Its integrated swivel joint
This is the 2nd generation MONDO kick drum microphone from Avantone and a great deal of R&D effort has culminated in this rugged, great sounding mic. We feel it represents the very finest kick drum microphone available, both for live clubs & concerts, as well as serious studio recording projects
Robust dynamic kick drum microphone from DTP Percussion series that offers everything you need to mic bass heavy instruments: memorable, impressive sound and reliable performance on stage and in the studio. Linear or enhanced – it combines two different sound characters in one microphone. In
The V BEAT is the most compact drum microphone in its class, intended for use with snare or tom drums. Unlike the V7, which is optimized for vocals, the V BEAT features the same high-grade sonic performance as the V7 X instrument dynamic, but in a dedicated low-profile & drum-friendly form factor
The Heil PR 48 kick drum microphone is the end-result of what happens when you start with the finest kick drum microphone components…listen to what your customers want based on real-world drumming conditions, and put it all together. Heil incorporates suggestions from some of the best drummers
includes bag. Ideal for kick drum or bass guitar, hyper cardioid | Type: Dynamic | Polar Pattern: Supercardioid | USB: No | Weight: 610 g | Headphone Output: No | Microphone Input: No | Package Contents: Adapter;Gig Bag;Microphone | Switch: No | Frequency Range: 20 Hz - 10 kHz | Impedance: 150 Ohm | Capsule Type:
Avantone Pro is back again with a another classic from the past! Introducing Kick — a sub-frequency microphone that utilizies their famous reproduction “white cone” low-frequency driver. Kick brings the boom from your instruments out to the forefront, making large-sounding sources sound
Clip to connect a d:vote 4099 Instrument Microphone to an acoustic upright bass. There are several excellent placement possibilities on the instrument. The microphone and its mounting system are both designed and optimized for the double bass. This ensures that the best mounting and audio
Clip to connect a d:vote 4099 Instrument Microphone to an acoustic upright bass. There are several excellent placement possibilities on the instrument. The microphone and its mounting system are both designed and optimized for the double bass. This ensures that the best mounting and audio
Hypercardioid dynamic microphone that is tailored for kick drum, percussion, brass and other highly dynamic instruments, delivering a natural sound with high SPLs. Its rich, warm lowfrequency response of 40 Hz 10 15 kHz gives it excellent presence. The microphone is equipped with a rare HiENERGY
Professional-quality dynamic kick drum microphone from PG ALTA series with an updated industrial design that features a black metallic finish and grille offering an unobtrusive visual presence. It is designed to deliver clarity in kick drum and low-frequency performance and recording applications
Drum microphone set. Set of 5 Instrument Microphones: 1 x PRA-218A for Bass Instruments - Bass Amps, Acoustic Bass, Kick Drums, 4 x PRA-228A for Bass Instruments - Acoustic Bass, Rack/Floor Toms, Congas, 2 x PRA-268AH for Mid-high frequency instruments - Orchestra, Woodwinds, Strings, Piano, Guitar
Bass drum microphone mount that attaches directly to the lug screws inside the bass drum shell to get perfect internal microphone placement. | Made in: Taiwan
The discounted set with accessories is put together in such a way that all the products form a perfect harmony. Buying the set also saves you money, as it is cheaper than the products individually. The main picture showing the set is for illustrative purposes. | Type: Dynamic | Weight: 250 g | Made in:
Robust dynamic kick drum microphone from DTP Percussion series that offers everything you need to mic bass heavy instruments: memorable, impressive sound and reliable performance on stage and in the studio. Linear or enhanced – it combines two different sound characters in one microphone. In
Voiced to deliver a powerful kick drum sound with little or no additional EQ’ing required. Also highly effective when used on other bass instruments.FeaturesExcellent acoustic isolationWith deep lows and top-end punctuationLarge-diaphragm dynamic capsuleCreates a rich and detailed frequency
Professional, pre-polarized, boundary plate condenser microphone designed specifically for bass frum, with half-cardioid pick-up pattern and optimized frequency response that ensure a precise, fast, and realistic sound. It can be also used for Leslie and low-frequency instrument applications,
Professional, pre-polarized, boundary plate condenser microphone designed specifically for bass frum, with half-cardioid pick-up pattern and optimized frequency response that ensure a precise, fast, and realistic sound. It can be also used for Leslie and low-frequency instrument applications,
Microphone for percussion instruments, bass guitar amps, djembes, trombones, tubas and many more. A wide bandwidth dynamic mic optimized to handle low frequencies and able to withstand very high levels of sound pressure. It offers warm and precise sound. | Application:
144dB max SPL, 200ohm, hypercardioid, 38Hz19kHz, also suitable for bass guitar etc. | Switch: No | Impedance: 280 Ohm | Type: Dynamic | Weight: 130 g | Polar Pattern: Hypercardioid | Package Contents: Gig Bag;Holder;Microphone | Frequency Range: 40 Hz - 18 kHz | Made in: USA
Supercardioid condenser microphone from d:vote series that was designed specifically for PA amplification and live recording of acoustic upright bass, handling high SPL of 142 dB (peak before clipping) and including a special clip for the instrument, an adapter for XLR and an extension cable
Microphone stand for miking bass drums or amplifiers that features a 40.6cm boom, a mid-point clutch and a die-cast U-shaped base instead of the heavy tripod design, allowing for placement in the tightest of spaces. Height adjustment: 20.3-35.6 cm. | Made in: China
Stand for Yamaha silent bass instruments features a sturdy construction, height-adjustability and foldable legs. Will hold your bass, bow and headphones while you are not playing. Material: metal. Colour: Chrome | Made in: Japan
Steel microphone stand with boom arm (model 21140) that features an extra low design for bass drums or special use, and very short, heavy legs and zinc diecast base to provide maximum stability. Boom arm with adjustable length from 425 to 725 mm features a twopiece telescopic design, a wing nut and
Ideal for bass drum micing, the GMS 3122 HDB is a premium quality microphone stand with thick walled tubing, powder coated finish and 32 cm height. The heavy duty tripod base is made of die cast zinc with ultra strong folding legs of steel and hefty rubber caps for surface protection. The boom hub
XLRconnection, condenser instrument microphone, Highpass Filter, Bass Rolloff at 80 Hz/12 dB/octave, 2020.000 Hz, 170 Gramm, 115,5 mm x 48 mm, 10 dB Padswitch, included standadapter and bag., 148 dB SPL max (158 dB SPL max. with 10 dB pad), cardioid, 100 Ohms, 15 years warranty! Information on
7-piece drum microphone set, consisting of a dynamic bass drum microphone, four dynamic snare drum/tom-tom microphones and two overhead condenser microphones. Optimised for sound pickup of drums. Short body microphones. Including microphone holder with 16 mm (⅝') stand thread and 9 mm (⅜')
The HERCULES Double Bass Stand DS590B features sturdy steel construction and two locking pins that hold the instrument safely. | Made in: China
XLRconnection, condenser instrument microphone, Highpass Filter, Bass Rolloff at 80 Hz/12 dB/octave, 2020.000 Hz, 170 Gramm, 115,5 mm x 48 mm, 10 dB Padswitch, included standadapter and bag., 148 dB SPL max (158 dB SPL max. with 10 dB pad), cardioid, 100 Ohms, 15 years warranty! Information on
20Hz20kHz, 155dB SPL max (2500 Ohms load), semicardioid, switchable frequency curve for bass drum or piano/speech applications, 1152V phantom power, 146 Ohms, XLR male out. Weight: 480g | Capsule Type: Electret Condenser | Switch: No | Battery Operation: No | Interface: XLR | Type: Condenser | Polar Pattern:
Microphone stand with extra low design for bass drums or special use. Die-cast base with folding legs. Comes complete with boom arm. Boom arm: one-piece design. Boom arm clamping: T-bar locking screw. Boom arm length: 525 mm. Height: 280 mm. Material: steel. Threaded connector: 3/8''. Weight: 1,9
Drum Microphone Set. Content: bass drum mic (supercardioid, 30Hz-10kHz), 3x micro tom mics, 1x snare microphone and 2x back electret overhead microphones, 9-52V phantom power required, includes 4x rim clamps, 2x mic clips for overheads and 7x 6 Meter XLR cables. Includes aluminium case. | Made in:
Compact, space-saving microphone stand for bass drums, AMPs, Cajons, etc. The flat, stable stand slides for example under a bass drum, an AMP or Cajon and is a good choice wherever a tripod stand might be too bulky. Thanks to the easy height adjustment and the extendable boom arm, the microphone
Practical holder for safe storage of the double bass. The sturdy holder attaches to the back rod of the bass chair and can be positioned individually in height. The rubberised support protects the neck of the double bass from scratches. | Made in: China
Professional stand for double bass from METAL series that is adjustable in both height (up to 76 cm) and inclination. It features an iron construction with black painted surface, providing maximum carrying capacity of 25 kg. Width: 45 cm. Weight: 3 kg. | | Made in: China | Height (cm): 74.0 | Net Weight
10dB pad switch, 150ohms, 20Hz20kHz, 12dB/octave bass rolloff @ 80Hz, XLR connection. Includes stand adapter, windscreen and bag, highpass filter, 148dB SPL max (158dB SPL max with 10dB pad), 15 year warranty (more information at www.audiotechnica.com/warranty) dimensions: 148.5 x 26mm. Weight:
Double bass steel stand that features stable support arms with protective non-marring rubber coating and can be easily folded for transportation. Its newly developed V-shaped base for the endpin with diameter of 800 mm means it is easy to place the instrument securely in the stand. Stand has a
Double bass stand with hook for bow. Adjustable height up to 136 cm. Color black | Made in: China
Complete set of drum microphones: BETA 52 (Bass Drum), 3 x SM57 (Snare, Toms), 3 x A56D holder (holders) + case
135 dB SPL max, 48-52 V Phantompower, vocals, carioid, acoustic instruments and guitar-bass-Amps and also for grand piano, Ambient and Broadcast application, internal removable plop filter, warm sound, 200 Ohms, large diaphragm condenser microphone, Overhead, especially for speach, 20 - 20.000 Hz,
Frameworks bass drum and amp mic stand with single section boomCompact BaseThe hefty, weighted base provides balance and stability to the low-profile kick drum and amp mic stand. The base includes a no-slip, vibration reducing gasket for better sound quality.Single Section Boom ArmThe single
Frameworks Telescoping Boom Mic Stand for Desktop Recording, Bass Drum, And Guitar AmpsDetails:Frameworks Telescoping Boom Mic Stand for Desktop Recording, Podcasting, Bass Drum, And Guitar AmpsFits Most Popular Podcast Mics, Including Shure SM7B, Shure MV7, RODE Procaster, & RODE PodMic ModelsCan
2x D2 tom tom mic, 1x D4 floor tom mic and 1x D6 bass mic, 4x d-vice mic clamps with gooseneck.Supplied with a High Quality Carry case | Package Contents: I5;Suitcase;Holder;D6;D4;D2 | Number of Microphones: 5 | Made in: China
2x D2 (toms); 1x i5 (snare), 1x D4 (bass drum/floor tom), 2x ADX51 (overheads/hihat) and 4x DVice (gooseneck rim clamps). | Package Contents: D4;Suitcase;D2;ADX51;I5;D6;Holder | Number of Microphones: 7 | Made in: China
An improved flexible cardioid microphone and microphone bass extension/roll-off switch are the latest updates to this popular active soundhole pickup. The easily accessible Mic/Pickup Blend control offers just the right blend at your fingertips.For unequaled sound quality and ease of use, it’s
Phantom Power Adapter with integrated switchable bass roll-off switch. Cable adapter is compatibile with C519, C518 and C516 models from the L-Type Series and all models from 500X series. Legth: 50 cm. Color: Black | ~ Length: 0 m;1 m | Length: 50 cm | Colour: Black | Made in: China | Type-A Connector: XLR
Professional multi-channel wireless microphone system for instruments from WMS 420 series that is suitable for live sound, presentations and installations. It includes a SR420 stationary receiver, a PT420 body-pack transmitter, an instrument cable, two receiver antennas, an AC adapter and an AA
UHF guitar microphone system, designed to plug into electric guitars or any instrument with a mono jack output; it can also be used for sending an audio source wirelessly over a 30m distance. Just connect to a mono mixer output and send to powered speakers for example. There are 16 selectable
Wireless system for guitar and bass. Renowned sound engineers rely on ew 500 G4‘s flexibility, especially when handling multi channel settings on the world‘s music stages. Ethernet connection for Wireless Systems Manager (WSM) control software included for advanced frequency coordination in
Wireless system for guitar and bass. Renowned sound engineers rely on ew 500 G4‘s flexibility, especially when handling multi channel settings on the world‘s music stages. Ethernet connection for Wireless Systems Manager (WSM) control software included for advanced frequency coordination in
Wireless system for guitar and bass. Renowned sound engineers rely on ew 500 G4‘s flexibility, especially when handling multi channel settings on the world‘s music stages. Ethernet connection for Wireless Systems Manager (WSM) control software included for advanced frequency coordination in
A diversity wireless system featuring the Audix OM2 handheld transmitter. The OM2 has a slight bass proximity, a tailored mid-range and a full-bodied sound. Ideally optimized for small to mid-size PA systems, the OM2 is a workhorse microphone known for its excellent isolation on stage, outstanding
Professional multi-channel wireless microphone system for instruments from WMS 420 series that is suitable for live sound, presentations and installations. It includes a SR420 stationary receiver, a PT420 body-pack transmitter, an instrument cable, two receiver antennas, an AC adapter and an AA
controls for input signal, recording function, USB, headphone out, bass and microphon, line out, DSP Chip with effects and amps form the Boss GT-100, 2x jack inputs for guitar, 2.1-chanel sound system with subwoofer, guitar and bass preamp, master volume control, 1x Aux-in, 350 built-in audioloops
20' EMAD Resonant Bass Evans™ EMAD™ resonant series features an offset 4' microphone port in a single ply of 7.5mil film. Similar to the EMAD™ batter a black. | Original Colour by Producer: Black | Diameter: 20' | Diameter (inch): 20.0 | Type: Resonant | Made in: USA | Offer Configuration: Standard
22' EMAD Resonant Bass Evans™ EMAD™ resonant series features an offset 4' microphone port in a single ply of 7.5mil film. Similar to the EMAD™ batter a black, noise-free plastic sleeve holds a foam dampening ring around the edge of the micorphone port which controls overtones; enhancing pitch
18' EMAD Resonant Bass Evans™ EMAD™ resonant series features an offset 4' microphone port in a single ply of 7.5mil film. Similar to the EMAD™ batter a black, noise-free plastic sleeve holds a foam dampening ring around the edge of the micorphone port which controls overtones; enhancing pitch
18' EQ3 Black Bass Evans™ EQ3™ resonant series features an offset 5' microphone port in a single ply of 7.5mil film. The series is a very popular choice for both players and engineers. | Series: EQ | Original Colour by Producer: Black | Suitable for: Bass Drum | Offer Configuration: Standard
24' EQ3 Black Bass Evans™ EQ3™ resonant series features an offset 5' microphone port in a single ply of 7.5mil film. The series is a very popular choice for both players and engineers. | Diameter: 24' | Colour: Black | Variant: Black;Bass Drumhead | Number of Layers: 1 | Diameter (inch): 24.0 | Finish:
22' EQ3 Black Bass Evans™ EQ3™ resonant series features an offset 5' microphone port in a single ply of 7.5mil film. The series is a very popular choice for both players and engineers. | Suitable for: Bass Drum | Finish: Clear Drumhead | Original Colour by Producer: Black | Variant: Bass
26' EQ3 Black Bass Evans™ EQ3™ resonant series features an offset 5' microphone port in a single ply of 7.5mil film. The series is a very popular choice for both players and engineers. | Series: EQ | Diameter: 26' | Suitable for: Bass Drum | Variant: Bass Drumhead;Black | Offer Configuration: Standard
20' EQ3 Black Bass Evans™ EQ3™ resonant series features an offset 5' microphone port in a single ply of 7.5mil film. The series is a very popular choice for both players and engineers. | Offer Configuration: Standard offer | Suitable for: Bass Drum | Original Colour by Producer: Black | Type:
22' EQ3 Onyx Bass Evans™ EQ3™ resonant series features an offset 5' microphone port in a single ply of 7.5mil film. The series is a very popular choice for both players and engineers. | Diameter (inch): 22.0 | Made in: USA | Colour: Black | Suitable for: Bass Drum | Number of Layers: 2 | Variant: Bass
24' EQ3 Onyx Bass Evans™ EQ3™ resonant series features an offset 5' microphone port in a single ply of 7.5mil film. The series is a very popular choice for both players and engineers. | Diameter: 24' | Variant: Bass Drumhead | Suitable for: Bass Drum | Type: Resonant | Diameter (inch): 24.0 | Series:
24' EQ3 Coated White Bass Evans™ EQ3™ resonant series features an offset 5' microphone port in a single ply of 7.5mil film. The series is a very popular choice for both players and engineers. The coated surface provides more low register and attack. | Suitable for: Bass Drum | Variant: Bass
24' EQ3 Coated White Bass Evans™ EQ3™ resonant series features an offset 5' microphone port in a single ply of 7.5mil film. The series is a very popular choice for both players and engineers. The coated surface provides more low register and attack. | Diameter (inch): 26.0 | Variant: White;Coated
18' EQ3 Coated White Bass Evans™ EQ3™ resonant series features an offset 5' microphone port in a single ply of 7.5mil film. The series is a very popular choice for both players and engineers. The coated surface provides more low register and attack. | Suitable for: Bass Drum | Type:
20' EQ3 Coated White Bass Evans™ EQ3™ resonant series features an offset 5' microphone port in a single ply of 7.5mil film. The series is a very popular choice for both players and engineers. The coated surface provides more low register and attack. | Variant: Coated Drumhead;White;Bass
22' EQ3 Coated White Bass Evans™ EQ3™ resonant series features an offset 5' microphone port in a single ply of 7.5mil film. The series is a very popular choice for both players and engineers. The coated surface provides more low register and attack. | Finish: Coated Drumhead | Diameter: 22' | Series:
20' EQ3 Onyx Bass Evans™ EQ3™ resonant series features an offset 5' microphone port in a single ply of 7.5mil film. The series is a very popular choice for both players and engineers. | Variant: Bass Drumhead | Diameter (inch): 20.0 | Original Colour by Producer: Black | Diameter: 20' | Number of
18' EQ3 Onyx Bass Evans™ EQ3™ resonant series features an offset 5' microphone port in a single ply of 7.5mil film. The series is a very popular choice for both players and engineers. | Series: Onyx | Number of Layers: 2 | Finish: Coated Drumhead | Type: Resonant | Variant: Bass Drumhead | Diameter
22' EQ3 Black Bass Evans™ EQ3™ resonant series features an offset 5' microphone port in a single ply of 7.5mil film. The series is a very popular choice for both players and engineers. | Variant: Bass Drumhead;No-Port;Black | Diameter (inch): 22.0 | Type: Resonant | Suitable for: Bass Drum | Colour: