Lowest price in the last 45 days: £ 197
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Ever played an original FuzzFace from around 1970? Fulltone has two intentionally mismatched (for harmonic content) silicon transistors that snarl and spit... not for the meek! If you put the 'Fuzz' on 10 you will rip, and you might get all sorts of oscillation and weirdness... but that's Rock. Don't try using it with a wah wah... you can't, and neither could Jimi, without it screaming and howling. You want polite and quiet? Go elsewhere. You want art in a box? Come on in.Housed in a 16 gauge steel box and powder coated deep blue, this pedal is a bit unruly but with some warmth... ideal for older 4 input Marshall amps, it has much more FUZZ than the '69 Pedal and includes a Mid control for extra clarity and cut. True Bypass: Yes Made in: USA Controls: Volume;Mid;Fuzz Power Supply: Adapter;9V UK/EU Power supply included: No Inputs: Jack 6,3 mm TS Tuner: No MIDI Interface: No Type: Fuzz Number of Buttons: 1 Outputs: Jack 6,3 mm TS Package Contents: Manual USB: No Colour: Blue
Product Fulltone 70 is assigned an EAN code 6768910005204.
Color | Blue |
Category | Boosters |
EAN | 6768910005204 |
The Fulltone 2B is a tiny, transparent, and amazing boost pedal, born from the “Boost” channel in FD3 pedal. Soon after the FD3 came out they started getting a steady flow of emails asking if they could “please make that into a single channel Boost pedal!” So they crammed the circuit into
The Fulltone 69 MKII guitar pedal fuzz effect. This effect delivers a sound with Fulltone-typical quality and reliability. The control is used to adjust the Volume, Fuzz, Input and Contour functions. Used with a clean amp, this pedal produces a quite nice distortion. However using it with a already
The OCD V2 guitar pedal overdrive effect designed by Fulltone. This model provides the ability to switch between true bypass and enhanced bypass modes for complete audio consistency. Class A configured discrete 2N5457 JFET input section increases input impedance to 1 MOhm, which contributes to
Fulltone brings the Octafuzz 2 octaver pedal effect. Octafuzz 2 offers an interesting design with a solid steel construction, glossy finish, retro logo and it is made in a bright blue color. It creates the original octave and fuzz sounds that are really adventurous and made for experimentation. It
Ultra-compact digital distortion effect pedal that offers faithful simulation of the Fulltone OCD effect pedal, delivering ultra wide dynamic range and extraordinary open tube-like drive sound. It provides two modes: HP and LP. The HP, high peak mode, will boost up the bottom end when increasing
The Supa-Wah takes Fulltone’s legendary Clyde Wah concept to the next level by offering two additional modes (on top of Whacked, Jimi and Shaft modes): Phat is the throatiest, most vocal Wah sound while Sub is deep, grunty, and unbelievably expressive, plus it works great on Bass too. The
The wah-wah pedal Clyde Deluxe Wah from Fulltone. The Deluxe version of the Clyde Wah has all the features that players have come to know and love about the original 'Clyde Standard' but with the following additions: 10-step variable Input Level control, true-bypass with light status indicator and
CS-MDV mkII...the world's smallest (3.9' W x 4.1' L x 2.3' H ) yet biggest sounding 'real vintage Univibe clone.'It's the biggest sounding 'vibe they've ever made or heard, power it with 18 volt DC power supply or power it by using 2 x 9CVDC outlets on your pedalboard multi-power supply while using
The Wren and Cuff Tri Pie 70′ is version of the famous Muff “triangle knob” fuzz from around 1970. What they’ve done is made whatthey consider the best sounding tri-knob replication you can find.Compared to the modern-day BM, the Tri Pie 70′ has less saturation, a bit less mid-scoop, and
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Boss Legend Series ST2 Power Stackclassic British sound of the '60s and '70s, optional power supply | Controls: Sound;Treble;Bass;Level | Type: Overdrive;Distortion | UK/EU Power supply included: No | Power Supply: Adapter or Battery;9V | Made in: Taiwan | Outputs: Mono | Battery Type: 9V | Inputs: Mono | True
Oxford Sound recreates the tone of an Orange amp, bringing out the classic British rock of the 70’s. It offers more versatility, which performs great for clean, distortion and more. | Number of Buttons: 1 | Package Contents: Manual | Made in: China | Height (mm): 55.0 | Weight (g): 390.0 | UK/EU Power
Classic analog op-amp powered fuzz/distortion pedal effect. Delivers 70s circuit with symmetrical hard clipping. Based on the most famous 'rodent' distortion of the 80s. As you turn down your guitar volume, it cleans up, but not all the way. Unique Filter control. Compact, pedalboard friendly
When we look back to the glory days of rock guitar (mid 60's to mid 70's), some of the most popular amplifier set-ups were British Marshalls and Vox's.....often with multi-speaker cabinets. Players like Tony Iommi, Ritchie Blackmore, Brian May etc, carved their signature sounds on stage and in the
Overdrive guitar pedal effect inspired by the vintage sound of amplifiers from the 70's. It is controlled by potentiometers for Volume, Gain, Bass and Treble. It is also equipped with a foot switch and durable metal construction. The effect has a built-in 6.3 mm mono jack input and output. It is
Wren and Cuff takes two hand-matched BC108 silicon transistors selected for specific gains, super-quiet metal film resistors, and add smoothing capacitors to tame spiky highs and eliminate squealing at higher volumes, and that's only the start.Don't like the low output on a traditional FF? Fixed
With original late-70s Op-Amp Big Muffs selling for exorbitant prices, Mike Matthews decided to take the power to the people and reissue the classic pedal at a price that players could afford! The circuitry of the new Op-Amp Big Muff -sometimes also referred to as the IC or V4 Big Muff- has been
Boss FZ-5 Fuzz Pedal - vintage sound of the '60s and '70s with COSM technology. | Outputs: Mono | UK/EU Power supply included: No | Controls: Middle;Level;Fuzz | True Bypass: None | Battery Operation: Yes | Power Supply: 9V;Adapter or Battery | Type: Fuzz | Inputs: Mono | Battery Type: 9V | Made in: Taiwan
A part-by-part recreation of J’s number one Muff since 1987, this is not just any 70’s EHX Ram’s Head. J’s pedal is an odd bird with parts values that are “incorrect” and component values that have drifted far from their original values during its near-50 year journey. On the other side
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Xotic's iconic boost pedal is back.Dynamic and sensitive to the nuances of the player, the RC Booster offers more than 20 dB of transparent clean gain.Active control of amplification, treble, gain and volume.Using premium parts, the RC Booster is considered an 'always on pedal' that naturally