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Handwired on a vintage-style eyelet board, the VHT D-Boost FET clean-boost pedal faithfully replicates the FET input circuitry found in the most coveted D-style amplifier.While the original FET circuitry was built-into the amps, and not footswitchable, with no external means for level adjustment, the VHT D-Boost pedal expands the design’s versatility with footswitchable convenience and an external level control.It’s a true clean boost pedal, with enough clean boost to significantly overdrive your amp, and it can also enhance detail, clarity and harmonic complexity at more moderate level settings. The D-Boost’s footswitch has a large aluminum “topper,” and it’s surrounded by a cool-looking status-indicating blue LED ring. Power Supply : Adapter Number of Buttons : 1 UK/EU Power supply included : No Inputs : Jack 6,3 mm TS Controls : Level Power Supply : Battery Type : Boost Width (mm) : 128.0 Battery Operation : Yes Depth (mm) : 94.0 Height (mm) : 55.0 Colour : Black Battery Type : 9V Outputs : Jack 6,3 mm TS
Product VHT AV-HW-DB2 D-Boost #1707266 has an EAN code 8402460417220.
Color | Black |
Category | Pedals, Boosters |
EAN | 8402460417220 |
Handwired on a vintage-style eyelet board, the VHT D-Boost FET clean-boost pedal faithfully replicates the FET input circuitry found in the most coveted D-style amplifier.While the original FET circuitry was built-into the amps, and not footswitchable, with no external means for level adjustment,
VHT has done it again! Packing unimaginable tone and clean Class D power into a pedal sized enclosure, the Micro 6 is an amp you can always have with you. The Micro 6 features a full complement of features in its tiny package, including volume and tone controls, guitar & AUX in, and speaker and
VHT extracted the Drive channel from their best-selling RedLine amplifiers and put it in pedal form.The V-Four’s four modes provide a full complement of tones and textures: Overdrive, Distortion, Metal, and the extremely high-gain and djent-ready Redline mode. Each mode is exceptionally
Koko Boost is a unique boost pedal that incorporates both a clean transparent boost and a selectable midrange boost. Koko will expand the range of your tube amplifier and Overdrive / Distortion pedals. Koko Boost features an easy to tweak layout which includes Boost and Mid knobs, plus a Freq
The Fulltone 2B is a tiny, transparent, and amazing boost pedal, born from the “Boost” channel in FD3 pedal. Soon after the FD3 came out they started getting a steady flow of emails asking if they could “please make that into a single channel Boost pedal!” So they crammed the circuit into
Xotic's iconic boost pedal is back.Dynamic and sensitive to the nuances of the player, the RC Booster offers more than 20 dB of transparent clean gain.Active control of amplification, treble, gain and volume.Using premium parts, the RC Booster is considered an 'always on pedal' that naturally
The Dual Boost is a versatile, dual-mode, transparent clean boost, housed within a compact, pedalboard friendly enclosure.Constructed with the goal of delivering unrivaled sound quality, in an easy to use package, the Dual Boost pairs the highest quality components with an on-board charge pump
Compact level boost pedal that provides 26 dB of completely clean boost and adds body, punch and warmth to pickups, and grit, life and compression to the overall tone. If placed after existing distortion/overdrive, it also enhances drive sounds. Pedal also provides Level knob that boosts levels or
Booster guitar effect pedal with a buffer function. This pedal is commanded by two main pots – Volume for the amount of boost and Tone for a either a bass or treble boost. The buffer function is switched by a central switch and it counters the signal loss in packed pedalboards with this pedal at
Boost effect pedal for electric guitar that offers a unique concept in booster design, featuring two completely independent boost circuits in a single compact housing. The Clean (Left) channel offers up to +20 dB of clean boost with a completely flat frequency response, while the Vintage (Right)
The Silver Solo is a treble booster/gain boost based on the old Dallas Rangemaster circuit from the 60's. It accentuates dynamics and texture while increasing volume, pushing your tone through the mix when you need that extra cut. You'll get more sustain and a sweet harmonic edge to each note. I
Ultra-compact level boost pedal that provides 20 dB of completely clean boost and adds body, punch and warmth to pickups. It features the Prime-Time seamless switching between latching and momentary modes – it adds grit, life and compression to the tone, and, if placed after existing
The Two Stroke Boost EQ is Orange´s take on the essential ‘clean boost’ pedal, but with even more versatility. Combining an active dual-parametric EQ and up to 12dB of output boost, the Two Stroke is the perfect tool for fine-tuning your sound or pushing your amp’s front end with unsurpassed
Ultra-compact digital boost effect pedal that provides 20 dB of clean boost and an on-board 15+/- dB 2-band EQ for nice embellishing of original tone. Its design is based on the classic Xotic RC Booster. The pedal features an all-metal shell and mono input/output, and has true bypass. The pedal
The heart of this pedal is an FET boost capable of the most aggressive tones and volume. Excessive controls and components have been eliminated, less knobs = more tone! This has nothing to do with 'clean transparent boost' or any cork-sniffing metaphors you may have heard. The HYPE is big and
Guitar effect Distortion pedal. Metal sounds, 3 modes: Lo Boost - Light, narrow-band treble boost, Boost Off - no boost, Hi Boost - high boost. Metal housing. True Bypass. Power: optional 9V DC power supply. Dimensions: 93.5 mm (L) × 42 mm (W) × 52 mm (H), Weight: 160 g | UK/EU Power supply
The Keeley Katana has become one of the most popular boost pedals on the market. Its ability to keep your signal clear but at a lot louder volume really made this a popular pedal for those who needed a quick and easy boost. Now it is getting a make over in a new smaller casing to make this the Mini
Guitar Clean Boost pedal effect. The No. 2 is KHDK's original Clean Boost, utilizing the strength of KHDK's unique circuit. Providing a warm, tube-like boost, it was designed for those who appreciate a natural and subtle gain. Best used as a tool for shaping your tone on a quality all-tube amp, the
Years ago they set out to develop a modern guitar pedal worthy of the greatest boosted metal tones. Countless hours of research, design, development, prototyping, sampling, planning, reviewing, manufacturing, packing, and shipping, we are proud to present Fredrik Thordendal’s signature 33 pedal!
Pedal effect for electric guitar. The Super Sweet Boost (SSB) offers a dynamic and transparent +20 dB clean boost perfectly tuned for transferring the articulation of your guitar playing. | The SSB is incorporated with a high performance Class A preamp built around the famous JRC4558 chip. The boost
Blues Overdrive Pedal tonally sits somewhere between a boost / treble booster and a fuzz. The 2 controls are unlabelled, but the left is the output control and the right is the grit control. It also has a bias switch to select between 'vintage' or 'vintage modern' voicings.The Blues also contains a
Guitar pedal effect - boost/overdrive from Andy Timmons signature series. In 2016 JHS releases one of the most popular drive pedals over the last few years the AT Andy Timmons Angry Charlie style overdrive pedal. Now they are cranking it up a notch with the AT+, the same amazing overdrive pedal
The Joyo JF-38 Roll Boost is a great clean boost pedal. Wether you use it infront of the amp or in the effects loop is up to you. When it is used in the effects loop the Roll Boost is capable of giving you a massive volume boost, making it perfect as a solo boost. When used in the effects loop it
The D&M Drive is the perfect storm of Drive and Boost. Offers a gorgeous sounding high voltage Boost side designed to impart the perfect tone on any amp that needs to be pushed. No longer will you wonder what the perfect clean boost should be. As you roll things up, the drive morphs your tone