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The Auteur MKII is a preamp that features high-speed input stages that capture lots of detail and nuance, and transformer-coupled output stages that impart a nice touch of vintage vibe. It also features Jack 6,3 mm, phantom power, phase, and a 13dB pad. It’s housed in a 1U, 1/2 rack chassis, and can be linked together with a second ½ rack unit by using the included connector plate. The preamp has a revamped gain stage that results in higher gain, lower noise, lower distortion, and a more extended frequency response. Rackmountable: Yes Phantom Power: Yes Type: Preamp Gain: 65 dB Weight: 900 g Package Contents: Manual Controls: Phase Switch;Pad;Gain Made in: China UK/EU Power supply included: No Frequency Range: 10 Hz - 30 kHz Application: Recording Inputs: Jack 6,3mm TS Impedance: 600 Ohm Number of Channels: 1 Compressor: No
The Auteur MKII is a preamp that features high-speed input stages that capture lots of detail and nuance, and transformer-coupled output stages that impart a nice touch of vintage vibe. It also features Jack 6,3 mm, phantom power, phase, and a 13dB pad. It’s housed in a 1U, 1/2 rack chassis, and
The Auteur MKII is a two channel preamp that features high-speed input stages that capture lots of detail and nuance, and transformer-coupled output stages that impart a nice touch of vintage vibe. It also features phantom power, phase, and a 10dB pad. It’s housed in a 1U, 1/2 rack chassis, and
The Black Lion Audio Auteur Quad is a four channel mic preamp based on the Auteur MkII preamp. Thanks to Edcor transformers offers fat, colorful vintage sound. It features meters on all four channels as well as DI inputs from 500 series Auteur on the first 2 channels, switchable 48 V phantom power
Auteur mkIII is a microphone preamplifier in a practical size.The Auteur mkIII has an audio input based on an integrated chip, which is used to provide a fast and transparent front-end, which in turn is combined with a vintage-inspired output phase design in conjunction with Cinemag
The Auteur DT is a versatile preamp/DI box ready to suit all of your single-channel recording needs. Thanks to 60 dB of Chicago console-style gain and 1/4” and XLR inputs, Auteur DT will accurately capture and enhance anything you throw at it: the crackling snap of a well-tuned snare — or the
The B12A Quad is a four channel version of the company’s single channel B12A Mk2. More than just another 312A clone, the B12A Quad combines vintage-inspired sonics and modern features in a rugged 1RU chassis with a smart feature set that will satisfy the most demanding audio engineers. A revised
The B173 Quad is a four channel mic preamp version of the B173 mkII model. The preamp combines vintage-inspired sonics and modern features in a rugged 2RU chassis with a smart feature set that will satisfy the most demanding audio engineers. A revised gain stage and lower noise floor deliver
Eighteen’s preamplifier circuit isn’t just another clone, but an original design built to pay proper tribute to some of the most classic designs ever made. The preamp starts with a vintageinspired preamplifier with Cinemag input transformer providing a creamy, yet punchy response and custom
Designed for recording engineers who want an updated take on the classic '73-style unit, the Black Lion Audio B12A mkIII is a single-channel preamp with a warm, creamy, 1970s tone. It's suitable for recording vocals, keyboards, guitars, basses, and more. This preamp gives you a half-rack package,
Designed for recording engineers who want an updated take on the classic '73-style unit, the Black Lion Audio B173 mkII is a single-channel preamp with a warm, creamy, 1970s tone. It's suitable for recording vocals, keyboards, guitars, basses, and more. This preamp gives you a half-rack package,
he Micro Clock MKII from Black Lion Audio is an external Wordclock generator that features ultra-low jitter, third-order crystal oscillators, with a high-current parallel drive circuit designed to increase the amount of desirable harmonics within the clock's spectral band. In an attempt to minimize
Solid State professional 1-channel microphone preamp with up to 71 dB of Gain. Possibility of setting impedance. Preamplifier is equipped with: Hipass filter, 48V phantom power, parametric EQ, - 20 db pad switch, turning phase, HPF, switchable output level of + 4 / -10 dB, frequency range 2 Hz -
The Micro Clock MKIII is a redesign of its predecessor, the Micro Clock mk2 and features core improvements including lower-jitter crystal oscillators, higher-quality galvanic transformer isolation in the signal path, dedicated output drivers with better isolation, higher-precision signal division,
Equipped with a fully balanced TT/Bantam patchbay, the PBR-8 is an 8-slot 500 Series chassis with unlimited routing options for quickly dialing in sounds without your modules having to be mounted in any particular order. With the PBR-8, you can easily audition a signal chain, re-route it, split it
Discrete, high voltage, dual-transformer microphone preamplifier design with high gain (+71dB), high headroom, low noise, and an exciting sonic performance – great for all types of recording applications. A high quality mic preamp is one of the most critical pieces needed to achieve the elusive
Dual channel '73 style British microphone preamp. If there’s one style of preamp that professional engineers would unanimously agree has defined the tone of pop/rock records for decades, it would most definitely be the venerable '73-style of mic pre. '73-style preamps have been massively used in
Single channel '73 style British microphone preamp. If there’s one style of preamp that professional engineers would unanimously agree has defined the tone of pop/rock records for decades, it would most definitely be the venerable '73-style of mic pre. '73-style preamps have been massively used
Dual channel '73 style British microphone preamp + EQ. If there’s one style of preamp that professional engineers would unanimously agree has defined the tone of pop/rock records for decades, it would most definitely be the venerable '73-style of mic pre. '73-style preamps have been massively
Microphone and instrument preamp. The WA-412 provides 4 channels of classic American console preamps in a sleek 1RU design. This style of preamp is often referred to as ''the sound of Rock n' Roll'' for its BIG punchy low end and smooth open top end. Featuring fully discrete socketed 6-pin op-amps
The WA-MPX is an authentic reproduction of the vintage tape machine tube preamp that started the birth of rock ‘n’ roll known for pure analog warmth, delivering an impressive 300v of raw power & 90dB of tube gain. During the golden era of tape recording, the original 351-style tube preamp
The WA-MPX is an authentic reproduction of the vintage tape machine tube preamp that started the birth of rock ‘n’ roll known for pure analog warmth, delivering an impressive 300v of raw power & 90dB of tube gain. During the golden era of tape recording, the original 351-style tube preamp
The Black Lion Audio Seventeen is a single-channel compressor inspired by the legendary 1176 and designed in collaboration with Tobias Lindell. It provides incredible detail and nuance not usually associated with compressor type. It features a custom made output transformer that gives it massive
When designing the TB12 Tone Beast Black our goal was to make a microphone preamplifier affordable and jam packed full of options, without compromising the quality and design parameters that make this type of microphone preamplifier so desirable. | With top notch CineMag transformers and multiple
The WA73-EQ is a “Desert Island” boutique preamp-eq, but it can also be classified as a studio and live work-horse. The classic 1073 was known for being a versatile tool that worked well with all kinds of microphones from Condenser, to Dynamic, to Ribbon. The WA73-EQ equally shines on all types