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Premium quality closed-back studio headphone for monitoring, editing, and mixing. The Neumann NDH 20 is a closed-back headphone combining excellent isolation with the carefully balanced sound image and outstanding resolution you’d expect from a Neumann product. The NDH 20 is thus ideally suited to monitoring and mixing tasks, even in loud and noisy environments. Circumaural memory foam ear pads offer high long-term comfort. Superior sonics along with large memory foam ear pads make the NDH 20 a pleasure to wear for long periods without fatigue. The NDH 20 uses newly designed drivers (38 mm) with high-gauss neodymium magnets to ensure high sensitivity and minimized distortion, thus allowing the user to listen to the pure audio signal without unwanted coloration. The mechanical construction, too, meets the highest standards. The adjustable headband is made of flexible steel while the ear cup covers are machined from lightweight aluminum. For easy transportation the headphone is foldable and can be placed into the supplied soft cloth bag. Two detachable cables (one straight, one coiled) and a 6,3 mm adapter are also included. Sound Pressure Level (SPL): 114 dB Type: On-ear;Studio Colour: Black;Silver Microphone: No Type-A Connector: TRS 3,5 mm Jack Original Colour by Producer: Silver;Black Impedance: 150 Ohm Battery Operation: No Made in: China Active noise cancellation: No Sound Pressure Level - SPL (dB): 114.0 Construction Method: Closed Sensitivity: 100 dB
Color | Black Silver |
Premium quality closed-back studio headphone for monitoring, editing, and mixing. The Neumann NDH 20 is a closed-back headphone combining excellent isolation with the carefully balanced sound image and outstanding resolution you’d expect from a Neumann product. | The NDH 20 is thus ideally suited
Ear pads (pair) for NDH 20 headphones made of memory foam. | Compatible with: Neumann NDH20 | Colour: Black
Neumann NDH 30 are open headphones with transparent sound and excellent resolution of details, similar to Neumann studio monitors. The headphones are therefore ideal for monitoring listening and mixing or editing in a studio environment. Large ear pads filled with memory foam guarantee a high level
The pop-filter PS 20 A is used to limit the 'pop' sounds (disturbing sounds arising when pronouncing the sounds 'p' and 'b'). It consists of a circular frame covered with special gauze and a 'goose neck' for optimal adjustment. It is attached to the microphone stand with a screw clamp. The diameter
Condenser microphone with large diaphragm and classic Neumann design. It is designed for universal use. Has a cardioid directional characteristic, acoustic-pressure gradient system, transformerless circuitry, frequency response 20 Hz - 20 kHz, impedance 50 ohms, maximum sound pressure 138 db SPL
Condenser microphone with large diaphragm and classic Neumann design. It is designed for universal use. It has a changeable directional characteristics (omnidirectional, wide angle cardioid, cardioid, hypercardioid, figure-8), switch for selected parameters with LED signalization, pressure-acoustic
The MT 48 brings Neumann quality to the digital workflow. It is the first audio interface in its class that is able to capture the full dynamic range of Neumann microphones and is optimally matched to the KH-Line of studio monitors and Neumann headphones. The result is an ideal signal chain without
Condenser microphone with a compact body and classic Neumann design. It is designed for universal use. It has a cardioid polar pattern, frequency response 20 Hz - 20 kHz, impedance 50 ohms, maximum sound pressure 144 db SPL and slight presence boost above 6 kHz. The microphone capsule is placed in
In a word: The Neumann classic. Three directional characteristics and switchable pre-attenuation ensure suitability for a wide range of applications. The U 87 presents a wide range of features and versatility that make it to one of the most desirable mics available. Our users are recognising the
The BCM 705 is Neumann’s first dynamic microphone. The housing and headgrille are identical to those of the BCM 104; only the green logo indicates that this is something new from Neumann. The principle of reduction to the essentials can be seen in the dynamic capsule with a hypercardioid
In a word: The Neumann classic. Three directional characteristics and switchable pre-attenuation ensure suitability for a wide range of applications. The U 87 presents a wide range of features and versatility that make it to one of the most desirable mics available. Our users are recognising the
The U87 is probably the best known and most widely used Neumann studio microphone. Every sound engineer will immediately recognize it by its characteristic shape. It is an excellent choice for general use in studios, broadcasting, film and television. It is also used as the main microphone when
Studio microphone. The Neumann U 87 Ai is probably the best-known and most frequently used studio microphone the world over. Its smooth and refined sound is as iconic as its elegant exterior design. The U 87 Ai is the standard microphone for speech and vocals. Three polar patterns plus pad and low
The KMS 104 plus is a studio grade vocal microphone for stage use with a Neumann condenser capsule and all the virtues of a rugged stage microphone: excellent pop protection, enormous SPL capability, and high feedback resistance, thanks to its tight cardioid pattern. Compared to the KMS 104, the
Wind protection for the TLM 102 microphone. The diameter of the wind protection is 80 mm. It is produced in black. Foam wind shields prevent disturbing sounds that arise from wind, rapid movements of the microphone pole or sensing from a short distance. They are made of special foam (polyurethane
The KMR 81 is a shotgun microphone with a high directivity that remains within the acceptance angle independent of the frequency. The advantage is that a sound source, for example an actor on stage, will not change its apparent tonal balance when moving within this area. Shotgun microphones are
The KMR 82 is a shotgun microphone with a high directivity that remains within the acceptance angle independent of the frequency. The advantage is that a sound source, for example an actor on stage, will not change its apparent tonal balance when moving within this area. Shotgun microphones are
The 'Series 180' consists of three compact miniature microphones with patterns that satisfy the demands of all common studio applications. Because of its optimized mechanical construction and conscious omission of modularity, which is unnecessary in many cases, the 'Series 180' is predestined for
The microphone's smaller dimensions contribute to an exceptionally compact appearance that nevertheless fits in with the classic Neumann design. The elegant shape together with the chrome-plated ring catches your attention at first glance. Inside the microphone is a newly developed large-diaphragm
The microphone's smaller dimensions contribute to an exceptionally compact appearance that nevertheless fits in with the classic Neumann design. The elegant shape together with the chrome-plated ring catches your attention at first glance. Inside the microphone is a newly developed large-diaphragm
The 'Series 180' consists of three compact miniature microphones with patterns that satisfy the demands of all common studio applications. Because of its optimized mechanical construction and conscious omission of modularity, which is unnecessary in many cases, the 'Series 180' is predestined for
The 'Series 180' consists of three compact miniature microphones with patterns that satisfy the demands of all common studio applications. Because of its optimized mechanical construction and conscious omission of modularity, which is unnecessary in many cases, the 'Series 180' is predestined for
The KMR 81 is a shotgun microphone with a high directivity that remains within the acceptance angle independent of the frequency. The advantage is that a sound source, for example an actor on stage, will not change its apparent tonal balance when moving within this area. Shotgun microphones are
The KMR 82 is a shotgun microphone with a high directivity that remains within the acceptance angle independent of the frequency. The advantage is that a sound source, for example an actor on stage, will not change its apparent tonal balance when moving within this area. Shotgun microphones are