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The Ultrawave Multiband Processor embarks on a pioneering journey into the advanced potential of overdrive and tremolo, exploring a brave new universe of sounds yet unheard. At the Ultrawave’s core is a dynamic and multi-dimensional approach known as multiband processing. This process splits the frequency spectrum of a guitar, bass, or synthesizer into multiple, discrete frequency bands and equips each band with its own array of adjustable parameters. In the case of overdrive, the Ultrawave splits the incoming signal and provides separate drive and output level controls for each individual band. The result is a thick and rich distortion with loads of unique overtones and dynamic interplay. Split the signal into 1, 2, 3, 4, 8, or 10 frequency bands, and apply any of the band splitting options to an exciting collection of overdrive types, including Tube, Diode, Foldback (a method of distortion often heard in the world of synthesizers), Octave Up, Negative Flip Diode, and more. Plug in, turn up, and explore the wonders of multiband processing built on over a decade of refinement and experimentation. Controls: Sustain;Treble;Drive;Level Outputs: USB;Jack 6,3 mm TS Type: Overdrive;Distortion;Boost MIDI Interface: Yes UK/EU Power supply included: Yes USB: Yes True Bypass: Yes Width (mm): 70.0 Colour: Blue Height (mm): 51.0 Inputs: Jack 6,3 mm TS;Jack 3,5 mm TRS Package Contents: Adapter;Manual Power Supply: Adapter Depth (mm): 114.0 Battery Operation: No Made in: China
Product Source Audio SA 250 One Series Ultrawave Multiband is marked with an EAN code 8907290016136.
Color | Blue |
Category | Boosters, Processors |
EAN | 8907290016136 |
The Ultrawave Multiband Processor embarks on a pioneering journey into the advanced potential of overdrive and tremolo, exploring a brave new universe of sounds yet unheard. At the Ultrawave’s core is a dynamic and multi-dimensional approach known as multiband processing. This process splits the
The Ultrawave Multiband Bass Processor explores the ground-shaking potential of advance overdrive and tremolo effects with the bass. At the Ultrawave’s core is a dynamic and multi-dimensional approach known as multiband processing. This process splits the frequency spectrum of the signal into
The Source Audio One Series Collider Stereo Delay+Reverb combines two of the most popular effect types in one simple and intuitive pedal. Drawn from the effect engines of the award-winning Nemesis Delay and Ventris Dual Reverb, Collider offers the best delay and reverb effects in one compact,
Modular synthesizer effects pedal for guitar and bass. The Source Audio C4 Synth unites all the sound construction tools of a classic Eurorack modular synthesizer and packages them in a compact and easy-to-use effects pedal for guitar or bass. | The C4 offers multiple methods of preset storage and
The EQ2 Programmable Equalizer is the most powerful and advanced equalizer pedal on the planet. This exceptional piece of gear builds off the legacy of its predecessor, the Source Audio Programmable EQ, a tremendously popular pedal that landed on the boards of numerous pro guitarists, including
The True Spring’s reverb effects are based on a mechanical design originated by the Hammond Organ Company™ in the late 1930s. This stark design uses a pair of input and output transducers to inject an instrument’s dry signal into an actual set of spring coils and capture the very distinct
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Connectors for Source Audio One Series pedals- 6.3 mm (1/4) straight jack plugs- set includes 1 x TRS (stereo) + 1 x TS (mono) connector- allows for simultaneous transfer of Neuro Mobile App messages and stereo audio signals to the entire One Series chain of pedals. | Made in: China | Type-A Connector:
Blue Cat`s MB-5 Dynamix is an extremely powerful all-in-one multiband dynamics processor: it can be used as a multiband compressor limiter gate expander waveshaper all combined at
Out of the box, the AfterShock Bass Distortion packs three bass overdrive engines that span the gamut of low-end crunch, from smooth and natural overdrive to full-on fuzz attack. The Tube engine belts out a subtle, but powerful vintage tube overdrive with a smooth breakup and plenty of punch. Heavy
When using more than one microphone to record a sound source, you might encounter phase or polarity issues between different tracks. This could be due to mic distance, or any other factor which causes the audio to reach one track before the other. Often this is almost imperceptible, but in many