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At its heart, the Dark Star is a Reverb. Then the Reverb signal passes through three possible modes: Pitch, Delay and Crush. CTRL 1 and CTRL 2 correspond with the selected mode. In Pitch, you've got two independent pitch controls for + and - an octave. In Delay, you've got the Delay Time and Delay Feedback. In Crush, you've got a pitch control for +/- an octave and then a control for Bit Crush. The Mix and Reverb knobs control the mix of dry/wet signal and the decay of the reverb, respectively.The Dark Star has two footswitches. The Bypass switch is your standard on/off True Bypass switch. The Hold switch is a momentary footswitch that when pressed, will lock in whatever note is being played through the reverb effect. This will sustain as long as the Hold switch is pressed. If the Mix control is set less than 100% wet, you can continue to play over the sustaining reverb signal.The Dark Star now features an expression out jack and clickless switching. The output level can be tweaked via an internal trimpot for boost, slight drop, or unity gain. True Bypass: Yes UK/EU Power supply included: No Made in: USA Tuner: No Type: Reverb Controls: Reverb;Control;Mix MIDI Interface: No Battery Operation: No USB: No Power Supply: 9V;Adapter Number of Buttons: 2 Colour: Black Inputs: Jack 6,3 mm TS;Expression Outputs: Jack 6,3 mm TS Package Contents: Manual
Product Old Blood Noise Endeavors Dark Star is described by the EAN code 8571830070492.
Color | Black |
EAN | 8571830070492 |
At its heart, the Dark Star is a Reverb. Then the Reverb signal passes through three possible modes: Pitch, Delay and Crush. CTRL 1 and CTRL 2 correspond with the selected mode. In Pitch, you've got two independent pitch controls for + and - an octave. In Delay, you've got the Delay Time and Delay
Looking back on an inspiring year of collaboration with Datachoir, Old Blood Noise Endeavors created Minim, a new pedal built from the foundation laid out by Rêver. Inside is a newly voiced reverb with harmonic tremolo, a modulated delay with nearly infinite repeats available, and a reverse
Inspired by the unique complexities of running modulations in parallel, Old Blood Noise Endeavors unveils the Visitor Parallel Multi-Modulator. With three different primary modulation options (tremolo, chorus, and phaser) and two parallel secondary modulation options (tremolo and chorus), Visitor
The Old Blood Noise Endeavors Expression Slider is a fader for use with any pedal that has an Old Blood style expression input. Simply use a TRS cable to plug the Expression Slider into the Expression input and use the slider as you would a knob or expression pedal. Suggested uses: strap it to your
The Old Blood Noise Endeavors Haunt is a gated fuzz that is capable of a wide array of fuzz sounds. From the restrained and nuanced light fuzziness to granular and biting saw sounds, many textures and character traits can be summoned with the Volume, Gate, Fuzz, Mix and Tone knob controls. The
From the creative brains of Old Blood Noise Endeavors, the BL-44 Reverse is a pedal that contends with the existential construct of “time”, as it actively seeks to push you to live your sonic life in reverse. Through a highly intuitive and fun control set, this compact real-time reverse effect
Old Blood Noise is now offering a harmonic take on their Whitecap dual asynchronous tremolo as a full member of the OBNE roster. The Blackcap retains the analog tremolo side of the original and takes the highly functional digital tap side into the realm of harmonic tremolo. Where before it turned
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Expanding on the Excess, Old Blood Noise continues their journey to revive and expand sought-out pedal sounds of the 80s. With delay, chorus, and harmonized fifths available along with distortion in series or parallel configurations, Excess V2 unveils more sounds and even more control. | | Three
What began as a simple request for a vocal version of an Old Blood effect spiraled into a multi-function device with 10 new effects, versatile in/out and send/return sections oriented toward any instrument you want to throw at it, and ample control over all elements. It’s the new multi-tool for
A strange mix of haunting reverb and three modulation settings, the Procession aims at inspiring something new, something fringe and something risky.The Procession's simple controls run the gamut of reverb soundscapes ranging from simple reverb to complex Sci-Fi filtery echo weirdness. The Mix and
Playing on the relationship between pedal and player, input and output, OBNE presents Sunlight dynamically held reverb. Sunlight features three new reverb algorithms unique to the OBNE lineup, each with the added ability to freeze the reverb trails when the player stops playing. | | Input knob for
From familiar phase and vibe sounds to resonant random step filtering, warm delays, and previously unheard in-betweens, the Dweller is capable of countless sonic textures with five controls and six modes. | | Toggle switches to select between two phaser voices (four-stage and eight-stage) and three
The Signal Blender provides a number of parallel routing solutions through its use of a pair of send/returns, primary input and output, switching, and volume control. | Signal Blender can be used as a: | | Parallel effect blender | 3-to-1 mixer | 1-to-3 splitter | Active ABY in either direction | Volume
Building effects around a foundation of flanging. From pitch shifting flanger to highly resonant metallic sounds to reverb-like delays and recognizable swooshes, the Flat Light will induce motion to your sound no matter where it sits in your signal path. | | Three modes of flanger: Detune
Expression Ramper allows you to pick two expression settings and move between them, either in one motion or as a continuous LFO activated by a footswitch. The mini enclosure size takes up minimal space while creating new sounds out of any pedal with an expression input. | | Triangle, square, and
Split | Meld Is a passive, non-summing, non-destructive way to manage parallel dual-mono and stereo signal paths. Split | Meld is an audio routing solution. Split | Meld consists of 2 pairs of a TRS (or Stereo) Jack & 2 TS Mono jacks. The TIP & RING of each TRS jack is routed to a corresponding
Tweaking the platform of Fault overdrive/distortion, they’ve carved out room for greater gain range, voice control, and clipping options in the Fault Version 2. The Fault remains a great overdrive with footswitchable second gain stage and three band EQ, and now excels as a clean boost and
Two years since its initial release, Alpha Haunt Fuzz gets a makeover. The pedal explores the vast variety of sounds you can coax from one fuzz circuit, from open overdrives to squashed sputters. Now in a more pedalboard-friendly package, the Alpha Haunt continues to offer users its uniquely
Turning its predilection for parallel signals toward the world of filters and widening out to full stereo, Old Blood Noise Endeavors unveils its first digitally-controlled analog pedal. Float boasts two independently controllable filters and copious capabilities for motion. Utilising the two
After nearly six years of production, they have expanded flagship pedal, the Black Fountain Oil Can Delay. The Black Fountain captures the sound of vintage oil can delay units, which processed the instrument signal through actual oil in order to create warm, modulated repeats unlike anything else
The second addition of the OBNE Utility Line, the classic AB/Y Switcher. It's simple: sometimes you need two outputs, sometimes you need two inputs. And then you need to switch between them. Or use them both at the same time. That's it. It's not magic. It's not revolutionary. It's a simple tool. A