Universal guitar noise gate with a built-in effects loop, ensuring that the signal is turned off and prevents unwanted noise and noise from other pedals without any effect on your sound. It is set using the Threshold, Reduction and Release potentiometers. Noise reduction is adjustable from -70dB to
True bypass guitar noise gate effect. Effect is controlled with one Threshold controller. Reduces any unwanted hum or stage noise from the signal. Powered by 9V battery or DC 9 V adapter. Dimensions are 118 x 62 x 56 mm. Weight: 240 g. Product comes in grey finish. | Battery Type: 9V | UK/EU Power
Noise gate pedal. 2 Working Modes: Hard/Soft. Hard: Provide hard effect of noise reduction. Soft: Provide soft effect of noise reduction. Full metal shell. Very small and exquisite. True bypass.SpecificationsEffects Modes: 2 (Hard/Soft)Input: 1/4” monaural jack (impedance: 1M )Output: 1/4”
The ZUUL’s threshold knob also controls the dynamics of the gate circuit. Perfect for guitar, bass or any signal source as it has studio quality specifications. Use in front of an amplifier or in a series effects loop. Dual colour LED for visual feedback gating action: Green = Open, Orange =
The signal-pollution from the decadent, noise-producing effect pedals is not welcome behind the iron curtain! Iron Curtain is a classic, simple no-nonsense noise gate with intuitive controls, high quality components and zero tolerance for any unwanted noise in your signal - only the purest tone is
Noise gate guitar stomp effect with TonePrint technology and an effects loop. This effect lets you silent unwanted noises from any pedalboard thanks to a multiband System 6000 algorithm while preserving a natural decay. The pedal is controlled by three pots – Threshold for adjusting the level of
The Revv G8 Noise Gate is the new, simple, zero-compromise, solution to taking control of your rig. Noise comes from so many places – the room you’re in, your guitar, your amp, pedals, other pieces of gear in the signal chain. Dealing with that gets in the way of music live & in the studio
Hum eliminating pedal that absolutely eliminates hum from any audio source – it is not a noise gate, and not a noise suppressor, but a real hum extractor. The pedal is a true bypass and features a tough, compact die-cast chassis. A 7.5AC-400 power supply is included. Dimensions: 102 x 121 x 59
All the same features as the ZUUL but in mini form factor! The mini ZUUL’s threshold knob also controls the dynamics of the gate circuit. Perfect for guitar, bass or any signal source as it has studio quality specifications. Use in front of an amplifier or in a series effects loop. Dual colour
DC 9V Dry battery or 9V AC Adaptor, optional, Connectors (1/4' jack): Input, Der BOSS NS-2 Noise Gate, Return, 9V DC In, Output, Dimensons: 70(W) x 125(D) x 55(H) mm, 9V DC Out, Send, Power consumption: 20 mA (DC 9V), Weight: 400 g | Outputs: Mono | Type: Noise Reducer;Envelope Filter | Made in:
R-23 LEGAL DONE is a NOISE GATE pedal that supports both 2 cable method and 4 cable method. Unique NOISE GATE circuit and strong signal recognition system removes the unwanted hum and noise effectively produced by guitar amps and pedals, retaining the guitar’s original tone completely. | Power
Got a noise problem? The Noise Reaper is a pro-quality gate that lets you have loads of gain without loads of noise. One knob. Studio-quality gating. We all love distortion, but not when unwanted fizz, hum, and other noise make your signal unwieldy and difficult to control. Enter, the Noise Reaper
in and output and Send and Return each jack 6,3 mm, control for Trigger, noise reduction26db, Effect Loop/ Noisegate combination pedal for eguitar and bass guitar, 2 Bypassmodi, Loop off Mod: Loop on Mod: 2 StatusLED, works with 9VBattery or power supply 9V DC | UK/EU Power supply included: No | Made
ISP Technologies introduces the DECI-MATE G MICRO Noise Reduction pedal. The elegant mini design of the pedal will be appreciated especially by those who need to save space in the pedalboard. The pedal is very easy to use, simply plug it into the end of a chain of existing pedals or plug it into
(hiss, mid and full), gate LED, mode control, 1x output, metal footswitch in robust enclosure, trigger level control, 1x input, status LED. | Battery Type: 9V | Made in: USA | Controls: Trigger | UK/EU Power supply included: No | Battery Operation: Yes | Power Supply: Adapter or Battery | True Bypass:
Enhancing quietnessThe NSG: Noise Gate comes as a response to these annoyances. Utilizing an adjustable threshold level to filter out sounds below a certain threshold, allowing for only the desired audio to be seized. | True Bypass : No | Width (cm) : 5.0 | Battery Operation : No | Number of Buttons :
Next-generation noise reducer and ultra-fast gate powered by advanced MDP technology. Powered by advanced BOSS MDP technology, the NS-1X intelligently silences noise without affecting the natural tone and playing feel of your guitar or bass. Reduction mode keeps your rig quiet in any general
Hum Eliminator™ uses custom in-house made Isolation Transformers to break loop antennas that cause ground hum and buzz. The Hum Eliminator™ also converts back and forth between balanced and unbalanced connections and prevents the cable to act as an antenna for noise. | Simply place a channel of
Compact 2-channel hum eliminator/DI-box that removes hum caused by AC power or ground loops while maintaining the highest sonic quality, and converts between balanced and unbalanced signals without any signal loss, perfect for use with unbalanced equipment and balanced audio system. It is equipped
ISP Technologies introduces the revolutionary patent pending HUM EXTRACTOR™ + DECIMATOR G, two channel, ultimate noise reduction system. After years of musicians fighting the major noise problem of power line frequency hum, ISP Technologies eliminates this dreaded noise with the new patent
SE-NGT mutes the sound when the input goes down under desired Level. When muting, the Low-Impedance mute system makes no line noise of next wired high-gain effector. You can control output level for boosted output, when noise-gate is active. Specs: Power supply: DC9V, Consumption: 11mA(active),
The Line Level Shifter is designed to increase or decrease signal voltage (-10dBV and +4dBu) without adding noise. The Line Level Shifter also converts back and forth between balanced (+4dBu) and unbalanced (-10dBV) signals automatically. The Line Level Shifter also contains Ebtechs Hum Eliminator
MR Gate is a full featured expander/gate that can be used to gate noise during quiet sections. It’s a very comprehensive gate implementation with adjustable lookahead, variable ratio, attack and decay times, etc. In addition, it has a scrolling time display that shows the level of the input
The Old Blood Noise Endeavors Haunt is a gated fuzz that is capable of a wide array of fuzz sounds. From the restrained and nuanced light fuzziness to granular and biting saw sounds, many textures and character traits can be summoned with the Volume, Gate, Fuzz, Mix and Tone knob controls. The
The reference-class MDX4600 is a marvelous 4-channel Expander/Gate/Compressor/Peak Limiter that is ideal for: compressing mono/stereo signals and providing virtually inaudible noise suppression, without loss of high frequencies; increasing vocal presence and energy; and limiting, or smoothing out
The reference-class MDX2600 is a marvelous dual-channel Expander/Gate/Compressor/Peak Limiter that is ideal for: compressing mono/stereo signals and providing virtually inaudible noise suppression, without loss of high frequencies; increasing vocal presence and energy; and limiting, or smoothing
Dual-channel tube compressor and amplifier. Superior performance and an incredible tone makes the ProVLA II and indispensable tool for tracking, mixing, mastering, dynamic control of live sound sources or for use in broadcast audio. Unlike typical compression units that use Voltage Controlled
The dbx 560A Compressor/Limiter offers legendary VCA-based compression in the increasingly popular 500 Series format. dbx has a much-heralded history with modular processors dating back to our 900 Series and the 560A continues that tradition. - OverEasy® or classic hard knee compression with dbx's
Compressor with optical circuits. It has Vactrol circuits used by the legendary Pro-VLA optocompressor. It provides clean and fine compression and the possibility of versatile control of signal dynamics. Punch circuit with J-FET Enhancer function, which connected the signal to the necessary harmony
It faithfully reproduces first-class Scandinavian tube compression, combining smooth tube warmth with precise control. Like the original inspiration, beloved by producers and engineers from Chris Lord-Alge to Rick Rubin, the WA-1B delivers the revered 'forgiving' musical compression of optical tube
Dual-channel tube compressor and amplifier. Superior performance and an incredible tone makes the ProVLA II and indispensable tool for tracking, mixing, mastering, dynamic control of live sound sources or for use in broadcast audio. Unlike typical compression units that use Voltage Controlled
Highly adaptable stereo compressor/limiter in an efficient single rack space design that is intended for situations where extra flexibility is required to optimize signal levels. It delivers essential control along with simplicity of operation, with comprehensive and wide-ranging controls providing
Video sync / master generator. With redundancy of both the power supply and the video/audio clock, as well as many other functions that meet the strict demands of broadcasting and post production, the CG-2000 is at the top of its class. The CG-2000 is equipped with an external input connector that
The Bullet metal will be the best friend of every metal guitar player. The built in NOISE GATE function is great to make sure that there is no extra noise between the chords or single notes. Of course, the gate's threshold is adjustable. Bring the Bullet Metal to your metal-fest and know that even
The Distressor is the product that started it all for Empirical Labs. Born of founder Dave Derr’s love of classic compressors like the 1176, LA-2A and Gain Brain (among others), the Distressor incorporates his favorite sonic characteristics of these, along with other unique and interesting
Video sync/master generator. It generates NTSC, PAL and HD Tri-level video clock - as well as worldclock through BNC, AES/EBU and S/PDIF outputs - ensuring compatibility with any synchronization system. The crystal oscillator is the heart of the clock generator. In each model of the CG Series, an
Opto Compressor. No plug-in or other compressor type quite compares to the warm, forgiving, fluid qualities of the classic '2A optical compressor. For decades, the renowned ‘2A style circuit has become the go-to device for seamlessly handling vocals, bass, and a wide variety of other instruments
The Black Lion Audio Seventeen is a single-channel compressor inspired by the legendary 1176 and designed in collaboration with Tobias Lindell. It provides incredible detail and nuance not usually associated with compressor type. It features a custom made output transformer that gives it massive
Ultimate stereo sound enhancement processor. Dramatically improves your sound by adding clarity, dimension and depth. Produces natural brightness through harmonic enhancement and tighter bass with increased punch through phase compensation. It is suitable for professional and home recording
stereo link, 19', Compressor-Ratio '1:1 - 1, -10/+4dB switchable, automatic attack and release, XLR ins/outs, Over Easy function, 1U | Power Supply: 240V | Type: Digital Signal Processor | UK/EU Power supply included: Yes | Made in: China
Single-channel vintage-style compressor that was inspired by the solid-state classic compressor/levelling amplifier LA-3A. At its core is the T4 electro-optical attenuator with its unique sound and compression characteristics and a very smooth, natural and program dependent attack and release
Two classics in one chassis, the B172A and the Seventeen version of the legendary “76” FET limiter with their take on the renowned “2A” tube optical compressor. Whether you use the FET and opto separately or in series, where one catches the audio’s peaks and the other provides the heavy
The Warm Audio BUS-COMP is an all-analog, 2 channel, stereo VCA bus compressor based on classic circuitry that has provided silky smooth tone for decades. This Stereo VCA bus compressor is masterful at controlling dynamics. The BUS-COMP will perform well on stereo mixes, drum mixes, drum overheads,
Features:Phantom power, 4-band EQ, HPF, compressor, effects and noise gate at all inputs2 x USB port for recording, playback and updates24-bit processing, 192 kHz AD/DA converters60 dB MIC pre-amp gainAUX, stereo and assignable outputs4 x built-in effect engineSupporting scene
Classic FET-style compressor modeled after iconic 1176LN, D and E Revisions. Completely discrete signal path. Class-A line-level output amplifier. Custom-built, Midas input and output transformers. Push button selection of compression ratios: 4:1, 8:1, 12:1, 20:1. Ultra-fast attack time: 20 to 800
Rack version of the GAP COMP-54 MKII single-channel vintage style compressor with some additional features and signal path that utilizes only discrete components like resistors, capacitors and transistors. Its line input and output are transformer balanced and the unit also has a third inter-stage
Modified Blue Stripe compressor based on a device from the sound engineer Chris Lord-Alge. When certain components became unavailable, techs were forced to change the circuit, creating a one of a kind compressor that has been heard on countless hits. They also added an active wet/dry mix for easy
Pure Expander, capable of anything from mild expansion to hard noise-gating, is a versatile tool for cleaning up spillage from recordings, remove noise or reverb, leakage from drum sessions or microphone bleed. By reducing the gain below threshold, it gives you full control over the material making
The COMPRESSOR LIMITER 522 brings state of the industry dynamics control to a compact 500 Series format processor that is good enough to wear the Midas name. When used in conjunction with the LEGEND L10, L6, or other standard 500 Series rackmount chassis, the 522 provides the ideal solution for