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Rack version of the GAP COMP-54 MKII single-channel vintage style compressor with some additional features and signal path that utilizes only discrete components like resistors, capacitors and transistors. Its line input and output are transformer balanced and the unit also has a third inter-stage transformer. The class-A circuit used in the unit is similar to the one in the classic 2254 compressor. The controls are very flexible covering broad ranges of Ratio, Attack and Release times, including two Auto positions. All controls except the Gain make-up one are stepped for easy resetting and stereo matching. There are three selectable side-chain high pass filter frequencies available to handle special situations and three flexible side-chain options (Internal, Insert and External). The external side-chain I/O is electronically balanced @ 4dBu and appears on the right slot rack connections. The compressor provides separate switches for hardware bypass and compression out, two insert connectors for inserting the EQ-573 in the main audio/or side-chain signal path and meter selectable for output (two reference level, +4 and +12 dBu) and gain reduction. It is also possible to link two units for stereo operation. Other features include three-position Air EQ switch (Flat, +3 or +6 dB @ 30 kHz), two-position output termination switch for different tones and a soft start circuit that ramps up the supply voltage slowly (about 10 sec.) to avoid a power-on current surge. Rackmountable: Yes Power Supply: 240V Made in: China UK/EU Power supply included: Yes Type: Digital Signal Processor
Category | Additives, Processors, Compressors |
Rack version of the GAP COMP-54 MKII single-channel vintage style compressor with some additional features and signal path that utilizes only discrete components like resistors, capacitors and transistors. Its line input and output are transformer balanced and the unit also has a third inter-stage
Single-channel vintage-style compressor that was inspired by the solid-state classic compressor/levelling amplifier LA-3A. At its core is the T4 electro-optical attenuator with its unique sound and compression characteristics and a very smooth, natural and program dependent attack and release
The Warm Audio BUS-COMP is an all-analog, 2 channel, stereo VCA bus compressor based on classic circuitry that has provided silky smooth tone for decades. This Stereo VCA bus compressor is masterful at controlling dynamics. The BUS-COMP will perform well on stereo mixes, drum mixes, drum overheads,
In addition to the common dynamics processing controls (ratio, attack, release, etc), Pure Compressor v3 offers control over the essential dynamics profile used, all in order to provide full control over the processing even in the most demanding situations.Extended envelope settings with full
Microphone preamplifier Golden Age Project PRE-73 Jr MKIINo integrated circuits are used in the signal pathMax. microphone gain 70 dBSwitchable High-Pass Filter (off/approx. 40 Hz/approx. 170 Hz)2-stage switchable Air EQ (3 or 6 dB gain at 30 kHz)Phantom power supply: + 48 VSwitchable
The PRE-73 is a vintage-voiced preamp from the new Premier range of Golden Age recording equipment. The Premier line features top quality components and design whilst delivering excellent value for money. SoundGolden Age Premier have constructed the PRE-73 in line with their brief; retro-style
Single-channel vintage style 3-band equalizer that uses the class-A circuit which is similar to the EQ section in the classical 1073 module, only without the high pass filter. Its sound character is warm, punchy, sweet and musical. Additional frequencies have been added and the mid frequency band
True condenser microphone that features transformerless discrete low noise class-A electronics, a 20 mm small capsule and a 3 um gold-sputtered diaphragm with cardioid shaped polar pattern and a great sensitivity. Its sound characteristics are ideal for many recording and live situations: it will
Vintage style 4-band equalizer with inductor based mid frequency bands that uses the class-AB circuit which is similar to the EQ section in the classical 1081 module, only without the high and low pass filters. Its sound character is warm, punchy, sweet and musical. The equalizer has stepped
True condenser, multi-pattern small capsule microphone that features transformerless discrete low noise class-A electronics and three interchangeable heads with gold-sputtered diaphragms that provide cardioid, hyper-cardioid and omni-directional shaped polar patterns. Its sound characteristics are
Vintage style 4-band equalizer with inductor based mid frequency bands that uses the class-AB circuit which is similar to the EQ section in the classical 1081 module, only without the high and low pass filters. Its sound character is warm, punchy, sweet and musical. The equalizer has stepped
Circular steel-mesh pop filter designed for reducing plosive pops on vocal recordings that comes with a goose neck and a stand clamp for easy positioning. | Made in: China
High quality vintage style passive ribbon microphone that features a ribbon transducer with a shorter and narrower ribbon. It is darker sounding than GAP models from R 1 series since the higher frequencies roll off earlier. This microphone will do wonders with both clean and distorted electrical
Deluxe version of the single-channel vintage style microphone-, line- and instrument preamplifier with signal path that uses only discrete components like resistors, tantalum capacitors and transistors, no integrated circuits. The line and microphone input and the line output are transformer
High quality dual capsule condenser microphone that was inspired by classical microphone models, but offers three polar patterns, a -10dB pad and a high-pass filter. It provides a wide frequency response and a large dynamic range, so it will perform great in the studio or in live sound and
Matched (within 1 dB) stereo pair of true condenser, small capsule microphones that feature transformerless discrete low noise class-A electronics, 20mm small capsules and a 3 um gold-sputtered diaphragms with cardioid shaped polar pattern and a great sensitivity. Their sound characteristics are
Large capsule tube condenser microphone that provides warm sound and is equipped with selectable pad, high-pass filter and nine different polar patterns plus high quality Accusound 7-pin tube microphone cable. It is a very versatile microphone with a wide frequency response and a large dynamic
High quality large capsule condenser microphone that was inspired by classical microphone models and is very versatile, with a wide frequency response and a large dynamic range. It will perform great in the studio or in live sound and broadcast applications. It has a centre-terminated capsule with
High quality vintage style passive ribbon microphone that offers the unique and natural sound that has been available in classical microphones like the RCA 44 and 77, which are still used to make high quality recordings today, after almost 70 years. It is very well suited for the recording of most
The PRE-73 PREMIER is a one-channel vintage style microphone-, line- and instrument preamplifier. The signal path uses only discrete components like resistors, capacitors and transistors. The in- and output is transformer balanced, using two different transformers, each one optimized for its
Single-channel low-cost vintage style microphone preamplifier that is using a fully discrete signal path with three separate transformers: for the balanced microphone input, the line input and the output. The circuit is very similar to the classical preamp section of the Neve 1073 pre/EQ module
Single-channel vintage style microphone-, line- and instrument preamplifier with a two band LF (+/-15 dB) and HF (+/-20 dB) shelving equalizer with two selectable frequencies for each band that offers a smooth and effective sound shaping. Its signal path uses only discrete components like
High quality vintage style active ribbon microphone that combines the best of two worlds; the warmth of a ribbon and the stability of a F.E.T. buffer amplifier. This means that it can be used with long cables and virtually any pre-amp featuring 48V phantom power. A clean and clear sound, yet warm
Rack version of the GAP PRE-73 MKII, single-channel low-cost vintage style microphone preamplifier with some additional features that is using a fully discrete signal path. The circuit still uses the preamp and output section from the classic Neve 1073-module, adapted to work in the api rack