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The KMA Machines Wurm 2 Heavy Metal Distortion pedal is powerful beyond measure. Its beastly distortion is based on Swedish 'chainsaw' metal, which, as you can imagine, has a razor-sharp, cutting voicing. Even though it features heavy distortion, the tone is crystal-clear and abounds with cutting crunch. But the real power comes from the huge array of controls it offers, which include an active four-band EQ, as well as a four-way switch to change between different distortion styles.This savage pedal was born for the stage, with a compact chassis and top-mounted jacks, which ensure it sits nicely on your pedalboard. True Bypass: Yes Controls: Volume;Terror;Low;Hi Mids;Lo Mids;High Made in: Germany Power Supply: 9V;Adapter Outputs: Jack 6,3 mm TS Colour: Black Inputs: Jack 6,3 mm TS Type: Distortion Package Contents: Manual UK/EU Power supply included: No Battery Operation: No MIDI Interface: No USB: No Number of Buttons: 1
Product KMA Machines Wurm 2 is marked with an EAN code 6516502490446.
Color | Black |
Category | Pedals, Boosters |
EAN | 6516502490446 |
The KMA Machines Wurm 2 Heavy Metal Distortion pedal is powerful beyond measure. Its beastly distortion is based on Swedish 'chainsaw' metal, which, as you can imagine, has a razor-sharp, cutting voicing. Even though it features heavy distortion, the tone is crystal-clear and abounds with cutting
Fusing together the powerful evolution of KMA’s highly regarded WURM Distortion with an intuitive, yet versatile and ultra-fast Noise Gate, GUARDIAN of the WURM is the perfect metal monster. From chugging hard-rock, droning doom metal and grinding Swedish death metal, the beast abides. But
Moai Maea is KMA Audio Machines’ answer to long forgotten analog octaver tones. The pedal generates one higher octave and up to two sub-octaves, helping you generate a huge wall of sound by playing just one note. The higher octave has an edgy and fuzzy character which is reminiscent of old late
“Through the untamed wilderness of the forest strives a grizzly monster, its glistening eyes peeking through the undergrowth. Endowed with razor sharp claws and bone-crushing teeth, this beast will rip through any intruder that dares to trespass into its domain. A thundering, sizzling roar
Logan is made to transcend the well-known boundaries of overdrive. It doesn't matter if you are looking for a pre-amp, a low/mid-gain drive or a screaming resonant cocked-wah sound, Logan will deliver all the gainy goods. Combined with active 3-Band EQ, including a fully parametric Mid-EQ with a
Welcome to a new era of the most iconic fuzz/distortion sound the world has ever known. You know, that epically huge and super saturated tone (some might call it big and muffy) that has defined the signature sound of so many artists and countless records in the past few decades.Holding three
Releasing the harpoon from his grasp, Queequeg gazed into the depths of the bleak waters that stretched down endlessly beneath him. Mindful to the aim of his adversary, the giant whale plunged further and further into the darkness of the abyss. This subaqueous dominion would forever be his rightful
Cirrus is KMA Audio Machines’ first step into the fully digital realm. But they didn’t just want to do a regular and run-of-the-mill type of product.No, what they came up with is a truly special and versatile, dynamically modulated combined Delay and Reverb pedal that will forever change your
Time and Space are lost within the sound of the universe. Breath in and breath out, slow down and be ready for the Astrospurt. Fasten your seatbelt and get lost in the wide, warm and soft soundscapes generated by this pedal! The Astrospurt is KMA’s take on the classic four-stage JFET based
Jump into spaceship Horizont and begin your trek into star-filled galaxies, all while discovering the incredible vastness of the sounds created by this interdimensional multi-spatial stereo JFET Phaser.The Horizont’s mission is to push way beyond the classic phasing sounds of yesteryear, and take
A compact, modern replica of the original Zonk Machine MKI pedal that was developed by Wilsic Sound for John Hornby Skewes and produced in Leeds, England from 1965 to 1966. The design and circuit topology of the Zonk Machine looks very similar to the original MKI Tone Bender (designed by Gary
Double pedal booster for 2 effects designed for lifting pedals to the optimum level that can easy to switch between effect pedals located on Pedaltrain pedalboards. This pedal booster has a solid steel frame and can be installed on a pedalboard using velcro or screws, which are
Fuzz/octave effects pedal for electric guitar that is loosely based on the old Foxx Tone Machine which was a great fuzz from 1970. A version of this was later made by Prescription Electronics under the name Experience, which added a swell feature to the existing design. This Orange's pedal has an
Pedal effect and preamp for electric bass from Darkglass - booster. Designed to be the perfect complement to our distortion circuits, the flexibility and portability of the Harmonic Booster is also the perfect one-stop solution for gigging musicians in search of a precise and harmonically rich
Ultra-compact digital distortion effect pedal that offers wide range of sampling rate/depth reducing effects (Lo-Fi effects). It provides three different modes for using it with guitar, bass guitar and synth or sound player. Its sampling frequency can be adjusted from 60 Hz to 31 kHz, and it Bit
Effect pedal, High Gain Distortion. Wide variety of heavy metal style | distortion tones. Full metal shell. Very small and exquisite. True | bypass. Input: 1/4” monaural jack (impedance: 470k Ohms). Output: 1/4” | monaural jack (impedance: 100 Ohms). Power Requirements: AC adapter 9V | DC (center
Guitar effect - fuzz/octave pedal from MXR series, which combines the functions and circuitry La Machine Fuzz pedal with an added signal circuit Sub-Octave. It offers classic controls Volume, Tone, Fuzz, but in addition it also features control Sub for adjusting Sub-Octave signal and switches
Fulltone brings the Octafuzz 2 octaver pedal effect. Octafuzz 2 offers an interesting design with a solid steel construction, glossy finish, retro logo and it is made in a bright blue color. It creates the original octave and fuzz sounds that are really adventurous and made for experimentation. It
Blues Overdrive Pedal tonally sits somewhere between a boost / treble booster and a fuzz. The 2 controls are unlabelled, but the left is the output control and the right is the grit control. It also has a bias switch to select between 'vintage' or 'vintage modern' voicings.The Blues also contains a
All-new overdrive pedal with massive tonal range, jointly developed by BOSS and JHS Pedals. Combines the voices of the BD-2 Blues Driver from BOSS and Angry Charlie from JHS Pedals. Three dual-concentric knobs provide independent drive, tone, and level control for each overdrive type. Mode selector
With its musical response and increased headroom the Boomster mk.2 aims to redefine the quality standards of the buffer and booster genres. Extensive testing and comparison sessions with most of the appropriate chips currently in production, resulted in opting for the hi-fi-grade Burr Brown OPA
Distortion/overdrive effect pedal. This is the classic RAT tone. The standard that all other distortion devices are measured against. Heard on thousands of recordings, it has helped define the sound of the past three decade's most influential bands. 100% analog signal path; Pro Co's classic,
The Providence SOV-2 Stampede OD pedal is designed to deliver natural overdrive without obscuring the inherent characteristics and tone of the guitar being used. It features a special bipolar power supply that powers the internal circuitry with boosted voltage, providing a wider dynamic range than
The Red Muck mk.2 puts on a few pounds, grows a new set of sharp teeth and is out to seduce even the most demanding Muff connoisseurs!Inspired by the ’71 “triangle” and the later “Red Army / Civil War” Muffs, the Red Muck boasts a wider gamut of saturation and varied degrees of