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Featuring a plethora of useful options, the Giygas gives you everything you’ve ever wanted in a fuzz box, along with some stuff you never knew you wanted (but deep down, you totally knew). The core of the fuzz circuit is brawny and fierce, yet with plenty of violin-like sustain and articulation on tap, and the entire thing is wrapped in a clean blend circuit. From there, the fuzz gets catapulted into a gyrator-based mids boost, and then into a tilt EQ circuit. With the blend rolled all the way back, you can use just the powerful high-headroom EQ to sculpt your clean tone. A horde of options await you under the hood, ones that will make four-stringed friends extremely happy. Colour: Black Power Supply: 9V;Adapter Package Contents: Manual Controls: EQ;Mid;Blend;Loud;Fuzz Battery Operation: No USB: No MIDI Interface: No UK/EU Power supply included: No Type: Fuzz Outputs: Jack 6,3 mm TS Number of Buttons: 1 Inputs: Jack 6,3 mm TS True Bypass: Yes Made in: USA
Product Catalinbread Giygas is described by the EAN code 8537100061102.
Color | Black |
Category | Boosters |
EAN | 8537100061102 |
The SFT V2 overdrive guitar effect from Catalinbread. It provides a versatile distortion with oscillation mode. The new design now includes the Stones and Stoner modes via a dedicated switch which completely reconfigures the SFT where Stones mode offers a super-refined authentic Ampeg tube amp
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We invite you to the world of the Catalinbread CB Distortion, a dirt box that sounds good on any amp, at any volume, in any situation where some 'oomph' is required.The CB Distortion giving you a no-nonsense thick and meaty distortion that you can feel in your gut and satisfy the rabid hunger
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Harmonic Percolator circuit has the amazing property of generating predominantly even-order harmonics – which creates an amazingly sweet and clear distortion. You may know of this circuit from its use by Steve Albini, who owns one particular unit that apparently has magical properties no other
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Harmonic Percolator circuit has the amazing property of generating predominantly even-order harmonics – which creates an amazingly sweet and clear distortion. You may know of this circuit from its use by Steve Albini, who owns one particular unit that apparently has magical properties no other
One of the most recognizable pieces of gear in classic rock canon is the old Hornby-Skewes Treble Booster, a version of the classic effect used by too many artists to list. While almost all of them used a Rangemaster, the Hornby-Skewes version came stock with a silicon transistor for a more biting
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Tony Iommi arguably had the most influential tone in the history of electric guitar. Really, when you think Black Sabbath you immediately think “Electric Guitar”. His early signature sound was the result of an always on treble-booster plugged into cranked Laney Supergroup amps. This approach to
All the way back in the 40's, Fender introduced the Champ amplifier, then known as the Champion 800. After a lengthy series of part swaps and circuit revisions, Fender arrived at the 5F1, otherwise known as the Tweed Champ, named so because of its unmistakable wrapping. It featured just one Volume
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Brian May's sonic signature not only comes from his home built 'Red Special' guitar, but also from a treble-booster pummeling banks of AC30s. He never turns the treble booster off, accessing a wide range of tones simply by manipulating his volume knobs and pickup settings. From his guitar, to the
Everyone from Eddie Van Halen to East Bay Ray of the Dead Kennedys relied on the EP-3 preamp to take their sound to previously unreachable heights. And now you can also, with Epoch Boost. | They refer to the Epoch Boost as a “mastering pedal,” because it sounds like your base tone, but sculpted
Classic gnarly garage fuzz. From The Ventures' '2,000 Pound Bee', and Iron Butterfly's 'In-A-Gada-Da-Vida', to the Black Keys, the Fuzzrite has a rich history of taking guitar tones to new levels. They've brought the classic silicon circuit back, and added a 9v power supply. | Made in: USA | Battery
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Catalinbread's development sector includes flanger effects of all types, from the ubiquitous Boss HF-2 and EHX Electric Mistress to more exotic pieces like the Effectron ADM256 and MXR Flanger/Doubler. While researching the pedals, they found that the combination of flanger with 'cave' reverb is
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