Lowest price in the last 45 days: £ 72,30
Prices and availability may change several times a day. Check the current data directly in the e-shops. You can find all available colors and sizes directly in the e-shops.
This is the Behringer 2500 series OSCILLATOR MODULE 1004. An authentic reproduction of the original “System 2500” circuitry from the 70’s that can fit in a standard Eurorack case. The best part? It’s at a very affordable price. Mix the OSCILLATOR MODULE 1004 in with your existing rig or start your modular synth journey from here. The 1004 features discrete transistor circuitry to add vintage character and is equipped with coarse and fine frequency controls, frequency range switch, on/off switch, pulse width control, 3 modulation attenuators and best of all it features 3-position toggle switches for each waveform which can be set to inverted/off/non-inverted, all the enabled waveforms are mixed together to create complex waveform shapes and amazing sounds. Weight (g): 170.0 Depth (cm): 4.6 Inputs: Jack 3,5 mm TS Controls: Coarse;Fine;FM;Range;Switch;PWM;PW Outputs: Jack 3,5mm TS Height (cm): 12.9 Height (mm): 129.0 Width (cm): 8.1 Power Supply: EURORACK Made in: China Sound Engine: Analog Type: Eurorack Module Package Contents: Manual Depth (mm): 46.0 Oscillators: No USB: No MIDI Interface: No Effect Types: VCO Module UK/EU Power supply included: No Modulation: Yes LFO: No Headphone Output: No Display: No Bluetooth: No Aftertouch: No Colour: Silver Pitch Bend: No USB MIDI: No Battery Operation: No Sequencer: No Arpeggiator: No USB to Host: No Arranger: No
Product Behringer Oscillator Module 1004 is marked with an EAN code 4033653032476.
Color | Silver |
EAN | 4033653032476 |
This is the Behringer 2500 series OSCILLATOR MODULE 1004. An authentic reproduction of the original “System 2500” circuitry from the 70’s that can fit in a standard Eurorack case. The best part? It’s at a very affordable price. Mix the OSCILLATOR MODULE 1004 in with your existing rig or
Vintage-sounding 921B VCO module from the '70s.Controlled via the 921A OSCILLATOR DRIVE module, or may be used as a free-running LFO.Authentic reproduction of the circuitry from the 'Modular 55 & 35' Series.Separate audio outs for each of the 4 waveforms: sine, triangular, sawtooth and
Vintage-sounding 921 VCO module from the '70s.Authentic reproduction of the circuitry from the 'Modular 55, 35 & 15' Series.VCO features 6 selectable waveforms (sine, triangle, saw, inverted saw, square and inverted square).Pulse width control with 2 separate CV inputs for fat PWM sounds. | Variant:
The Behringer 2500 series FILTAMP MODULE 1006. An authentic reproduction of the original “System 2500” circuitry from the 70’s that can fit in a standard Eurorack case. Mix the FILTAMP MODULE 1006 in with your existing rig or start your modular synth journey from here. | Sound Engine:
This is the Behringer 2500 series DUAL ENVELOPE GENERATOR MODULE 1003. An authentic reproduction of the original “System 2500” circuitry from the 70’s that can fit in a standard Eurorack case. The best part? It’s at a very affordable price. Mix the DUAL ENVELOPE GENERATOR MODULE 1003 in
This is the Behringer 2500 series DUAL ENVELOPE GENERATOR MODULE 1033. An authentic reproduction of the original “System 2500” circuitry from the 70’s that can fit in a standard Eurorack case. The best part? It’s at a very affordable price. Mix the DUAL ENVELOPE GENERATOR MODULE 1033 in
This is the Behringer 2500 series CLOCKED SEQUENTIAL CONTROL MODULE 1027. An authentic reproduction of the original “System 2500” circuitry from the 70s that can fit in a standard Eurorack case. The best part? It’s at a very affordable price. Mix the CLOCKED SEQUENTIAL CONTROL MODULE 1027 in
The PRO-1 is an analog synthesizer with dual oscillators, authentic sound based on the use of the original circuits with the legendary 3340 and 3320 semiconductors, a 4-pin VCF filter, 3-waveforms and very intuitive controls on the synthesizer's main panel. Analog circuits with the legendary
Portable 4-Voice Hybrid Synthesizer with 2 Analog Modelling Oscillators Per Voice, Analog Filter and Arpeggiator. Be ready to jam anytime, anywhere with the Behringer JT-4000 MICRO, a super portable programmable 4-voice hybrid synth that comes with 2 analog modelling oscillators per voice. Whether
This is the Behringer 2500 series SAMPLE & HOLD/RANDOM VOLTAGE MODULE 1036. An authentic reproduction of the original “System 2500” circuitry from the 70’s that can fit in a standard Eurorack case. The best part? It’s at a very affordable price. Mix the SAMPLE & HOLD/RANDOM VOLTAGE MODULE
Modular Synthesis | The first synth modules to come out in the 60s tended to be unreliable; going from slightly to totally out of tune at various temperatures and being expensive since transistors at the time were a new invention and were only being used in a few electronics. But this didn’t stop
The first synth modules came out in the 60s and tended to be extremely expensive. The FOUR PLAY is a modern compact and versatile module giving you four independent VCA’s which can also be used as a 4-channel voltage-controlled mixer for amazing flexibility. Modular synths were a landmark
The EURORACK GO was engineered specifically to protect your favorite synthesizer modules and similar 3U electronics. With 2 rows of 140 HP useable mounting space (for a total of 280 HP), the rugged aluminum chassis features 96 sliding nuts for ultra-easy positioning of your precious gear. In the
The first SYSTEM 55, 35 and 15 synth modules came out in the early 70s and tended to be extremely expensive. They were mainly all discrete transistor designs as op-amps at the time were very high cost. The discrete circuitry gave the modules a very distinctive sound and were used by artists like
The EURORACK 104 was engineered specifically to protect your favorite synthesizer modules and similar 3U electronics. With 104 HP of useable mounting space, the rugged aluminum chassis with wooden end panels features 52 sliding nuts for ultra-easy positioning of your precious gear, and the
Get louder, get quieter, or get modulated with the outstanding FOOT CONTROLLER FCV100. This versatile pedal works equally well as a volume or modulation pedal – without tying up your hands or slowing down your performance.The FCV100 can accommodate two mono or one stereo instrument via its dual
Analog Semi-Modular Percussion Synthesizer with 2 Oscillators, Multi-Mode Filter, Dual 8-Step Sequencer and 16-Voice Poly Chain. If you’ve been searching for the perfect companion to your Behringer CRAVE then the brand new EDGE provides all the tools you need to complete your synth setup and
Modular Synthesis | The first System 55, 35 and 15 synth modules came out in the early 70s and tended to be extremely expensive. They were mainly all discrete transistor designs as op-amps at the time were very high cost. The discrete circuitry gave the modules a very distinctive sound and were used
The first System 55, 35 and 15 synth modules came out in the early 70s and tended to be extremely expensive. They were mainly all discrete transistor designs as op-amps at the time were very high cost. The discrete circuitry gave the modules a very distinctive sound and were used by artists like
Modular Synthesis | The first System 55, 35 and 15 synth modules came out in the early 70s and tended to be extremely expensive. They were mainly all discrete transistor designs as op-amps at the time were very high cost. The discrete circuitry gave the modules a very distinctive sound and were used
Contact and Pickup Microphone Module for Eurorack. Start scratching and tapping your way to unique and amazing sounds with the Behringer RADAR! Beats, ambient noises and otherworldly sound effects can easily be achieved thanks to its contact and pickup microphone plus, the RADAR can be readily
Vintage-sounding 904A Low Pass VCF module from the ‘70sAuthentic reproduction of the circuitry from the “Modular 55, 35 & 15” Series. VCF features Fixed Control Voltage (Cutoff), Range and Regeneration (Resonance) controls.Audio in and out connectors plus 3 CV inputs for control of
Modular Synthesis | The first System 55, 35 and 15 synth modules came out in the early 70s and tended to be extremely expensive. They were mainly all discrete transistor designs as op-amps at the time were very high cost. The discrete circuitry gave the modules a very distinctive sound and were used
Modular Synthesis | The first System 55, 35 and 15 synth modules came out in the early 70s and tended to be extremely expensive. They were mainly all discrete transistor designs as op-amps at the time were very high cost. The discrete circuitry gave the modules a very distinctive sound and were used