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Analogue modelling acoustic guitar preamp/stompbox with DI recording output that has been designed to compete head to head with leading products on the market. Its authentic tube/microphone modelling circuitry provides the natural warmth and presence, as if the acoustic guitar was miked through a tube pre-amp. It features the ultra-musical 3-band EQ with sweepable mids for accurate feedback control and to eliminate the harsh harmonics of piezo pickups; dual DI mode for either direct recording output with tube/microphone emulation or standard active direct injection box in bypass mode; and ground lift switch that eliminates typical ground loop problems. Device has super-high impedance to retain maximum signal integrity and dynamics, and runs on 9 V battery or power adaptor (not included).. Output available on 1/4” TS or balanced, gold-plated XLR connectors. Dimensions: 127 x 100 x 50 mm. Weight: 460 g. Type: Ampbox;DI Box;Preamp UK/EU Power supply included: No Made in: China
Product Behringer ADI 21 is described by the EAN code 4033653050807.
Analogue modelling acoustic guitar preamp/stompbox with DI recording output that has been designed to compete head to head with leading products on the market. Its authentic tube/microphone modelling circuitry provides the natural warmth and presence, as if the acoustic guitar was miked through a
An analog modeling preamplifier and DI box designed for bass. It has a wide range of sound settings, from classic tube to sharp slap and aggressive distortion sound. In addition, it offers direct record output, V-TONE to simulate the sound of well-known vintage amplifiers and other audio options
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RMEs ADI-6432 offers 64 channels of format conversion from MADI to AES and vice versa. Typical applications include two ADI-6432 used as digital multicore, or one unit used as AES/EBU frontend for the Hammerfall DSP MADI PCI card. Up to 192 kHz at 24-Bit are supported. Built with 2 units height
RME's ADI-8 QS is an 8-Channel hi-end AD/DA converter with an unrivalled bunch of features. The device combines excellent analog circuit design with outstanding low latency AD/DA converter chips of the latest generation. Along with the integrated SteadyClock, the QS offers an AD- and DA-conversion
Converter RMEs ADI-6432R offers 64 channels of format conversion from MADI to AES and vice versa. Typical applications include two ADI-6432R used as digital multicore, or one unit used as AES/EBU frontend for the Hammerfall DSP MADI PCI card. Up to 192 kHz at 24-Bit are supported. Built with 2
Converter ADI-6432R BNC provides 64 channels of format conversion from MADI to AES-3id and vice versa. | Based on RME's highly successful bidirectional MADI-AES/AES-MADI converter ADI-6432, the newly developed ADI-6432R BNC offers broadcasters ease of integration and fail-safe operation through the
The ADI-2/4 Pro SE is a 2-channel analog input to digital and 4-channel digital to analog output converter in a half-rack (9.5') enclosure of 1 U height. Latest 32 bit / 768 kHz converters offer up to 123 dBA signal to noise ratio. Reference class tech specs throughout are combined with an
High-end DA converter & headphone amplifier. In 2016 RME released the ADI-2 Pro. With a lot of fresh ideas, innovative features and numerous useful functions it rolled up the AD/DA converter scene and quickly became a reference for both AD- and DA conversion. Equipped with two Extreme Power
The ADI-2 FS is a compact and extremely flexible 2-channel Hi-End AD/DA-converter. The small 9.5' unit offers first-class AD/DA-conversion from/to SPDIF, AES and ADAT, at up to 192 kHz. Balanced analog inputs and outputs, monitoring via headphone output, SteadyClock FS for optimal conversion
Power supply for RME audio interface: Fireface UCX, Fireface UC, QuadMic, Babyface, ADI-2, ADI-4DD. | Made in: Germany | Power Supply: 240V | UK/EU Power supply included: No
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The Behringer MIC2200 V2 follows in the long tradition of Behringer tube preamps and was already the best-selling preamplifier in the semi-professional sector with version 1. Each of the two channels has the typical functions of gain, output level, phantom power and phase inversion, and as a
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