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Wanting to streamline and simplify his gear for new projects, Geddy partnered with Tech 21 to design a signature SansAmp, the GED-2112. This challenging collaboration involved distilling a rackload of equipment into a single rackspace. It resulted in a new format for Parallel Pre-Amping -- having two separate internal pre-amps that run in parallel. The Drive pre-amp section is based upon the versatile SansAmp RPM, for a wide range of sonic possibilities. The Deep pre-amp section offers low end boost for thick, meaty tones. Saturation goes from clean in lower settings to increased harmonics and tube-like compression in higher settings. To keep things lean and efficient, the EQ curve is pre-set to Geddy's personal specs. You can use either section independently or blend them externally direct to a mixing board as well as to two amplifiers. Features: Dual, all-analog SansAmp circuits, Drive control for gain and overdrive, Blend to adjust the ratio of SansAmp tube amp emulation and your direct signal, Sweepable semi-parametric EQ, 170 Hz to 3.0 kHz, cut/boost 12dB, Saturation for low-end beef and separate Level control, Deep pre-amp has dedicated ¼-inch and XLR direct outputs, Effect Loop with Mix 50/50 switch, Tuner output, Uneffected ¼-inch output, Front panel A/B switching to have 2 basses ready to go; dual rear inputs with -20dB input pads. Power Supply: Adapter Controls: Saturation;Mid Shift;Level 1;Middle;Level 2;Treble;Drive;Bass;Blend Made in: USA External FX Loop: Yes Rackmountable: Yes DI Output: No USB: No
Wanting to streamline and simplify his gear for new projects, Geddy partnered with Tech 21 to design a signature SansAmp, the GED-2112. This challenging collaboration involved distilling a rackload of equipment into a single rackspace. It resulted in a new format for Parallel Pre-Amping -- having
Expanded 1U rack-mount version of Tech 21’s popular SansAmp Bass Driver DI pedal that provides a dedicated Mid control and an XLR Output Level control for optimum performance with PA systems, in addition to original Drive, Presence, and active Bass and Treble controls. It also features an Effect
Whether you’re a MIDI-meister or amongst the MIDI-mindless, the MIDI Mongoose is a super simple way to control your gear on stage, in the studio, and on DJ decks for sound and lighting, too. Tech 21’s intuitive engineering eliminates the intimidation of trying to decipher an encyclopedia-sized
Multi-purpose Gig Bag fits VT Bass 500. Has shoulder strap and roomy front compartment for accessories. Dimensions: 10'l x 11.5'h x 5.5'd. Color: Black nylon w/silver logo. | Padding: Yes | Waterproof: Yes | Strap: Yes;Shoulder Strap | Original Colour by Producer: Black | Made in: China | Colour: Black | Type:
The Year One Collection includes all 21 commercial modules that Cherry Audio released in Voltage Modular's first year. These stellar and innovative modules let you warp and shape your modular sound in crazy new ways.The Year One Collection includes Additive Oscillator, ESP-20 Processor, Hex Phaser,
The BAM high-tech case 2011XLT with music pocket and a tweed pattern is an elegant, elongated solid case for 4/4 violins. The music pocket on the front of the case is removable. The shell of the high-tech case from Bam consists of a 3-layer structure made of particularly durable materials. This
The true sound of MusicMan StingRay5 includes over 26 GB, approx. 21,700 samples. With SR5 SPI (Super Performance Instrument), you can play ultra realisticbass guitar performance in real-time. You can access various playing techniques instantly without stopping your performance and create