Lowest price in the last 45 days: £ 48,50
Prices and availability may change several times a day. Check the current data directly in the e-shops. You can find all available colors and sizes directly in the e-shops.
If you own a high watt amplifier, but you can not turn up the volume because of the surroundings limit, you can try this little overdrive pedal. It can help you to get the sound like a full volume of amplifier and keep the origin features of your guitar. You can control everything by the konb of guitar volume. Controls: Tone;Volume;Gain Type: Overdrive True Bypass: Yes Battery Operation: No Number of Buttons: 1 Colour: White Power Supply: Adapter Made in: China Package Contents: Manual Outputs: Jack 6,3 mm Inputs: Jack 6,3 mm UK/EU Power supply included: No
Product Tone City Dry Martini is assigned an EAN code 6975220210024.
Color | White |
Category | Amplifiers, Boosters |
EAN | 6975220210024 |
If you own a high watt amplifier, but you can not turn up the volume because of the surroundings limit, you can try this little overdrive pedal. It can help you to get the sound like a full volume of amplifier and keep the origin features of your guitar. You can control everything by the konb of
Wild Fire is a distortion pedal. If you hope to get a high gain amplifier distortion sound when you just own a low watt clean amplifier, this tiny box can satisfy you instantly. Because its good adaptability, it can work with most of amplifiers in the market. It provides you two kinds of clipping
Mandrogora is a overdrive. It has two tone controls that will allow you to shape your overdrive to the specifics of your guitar and rig. The VOL knob controls the amount of signal and the Gain knob controls the level of overdrive. This super smooth overdrive allows you to have controllable highs,
The Tone City Matcha Cream is a fuzz effects pedal, that was inspired by the famous green fuzz pedals from Russia. The versatile tone and gain range covers everything from a smooth, singing fuzz with loads of sustain all the way to thick, sludgy 'wall-of-fuzz'. Higher tone settings create a
This little Mickey is absolutely a classic US style high-gain distortion. It has a very good dynamics performance. You can flexibly get a dynamics pleasing your ear through Tone, Gain and your fingers' force. Meanwhile its dynamics contains kinds of harmonics. Based on two modes of Clipping
Black Tea is a classic British AC30 style tone. It is an orverdrive from low to medium gain with sweet and crisp tone like mellow midrange reminiscent of the old Top Boost amps from the late 60's. It has very good clean up, sounding like a real tube amplifier. Built in charge pump device to get a
Nobleman is an overdrive pedal. For many years, TS overdrive were designed by lots of brands, its warm tube sound is exactly impressive. But there are still some musicians prefer to hear more bright effect and less intermediate frequency when keeping its warm feeling. Based on these ideas, we
This little pedal can help you get the classic plexi style tone easily. The dynamics is like a real tube amplifier. When you play fast, you can still distinguish the sound of each string with good clean up. When it is set at low gain, the sound will not be obscure but still clear. That is the big
This is an improved pre-amp / overdrive pedal based on the classic TS style circuit. It can provide 30dB boost with smoothness and certain compression sense. It can push the crunch channel of amplifier to get the high-gain sound, meanwhile it will not reduce the headroom. | Controls:
Model M is a distortion pedal. It is the big brother of Golden Plexi. With much more headroom and function, this pedal brings you the classic plexi style distortion. It has a high-gain and a crunch mod, this two mod share a volume boost. | Controls: Tone;Volume;Gain;Model;Crunch;Boost | True Bypass:
This Blues Man is a classic british style overdrive. Try it, you will find its extremely good clean head room. It can work excellently as a boost use. The overdrive timbre is quite sensitive, and full of dynamics, it flows out very smoothly and naturally. Benefiting from its transparent timbre, it
Sweet Cream is a quite transparent overdrive. It is full of dynamics and the gain. You can control the gain you want by your playing. It can be used to push the distortion channel of amp to make the distortion more plump. You can adjust the ratio of distortion and clean signal by the touch knob
King of blues is an dual channel overdrive pedal. Two independent overdrive were built in according to the order of A to B. The channel A give you a worm and transparent sound. It can work from clean boost to high gain overdrive, and always emphasizes the most pleasant mid-frequency of the guitar
Fuxx Fuzz is a quite wild fuzz. It is clean but not dim like some fuzz. If you want more crazy sound, just turn up the toggle switch, this little monster will get manic in a moment by adding a high octave signal on the sound. | Type: Fuzz | Number of Buttons: 1 | Power Supply: Adapter | Controls:
The BE-OD overdrive pedal captures the tone of the now legendary Friedman BE-100 amplifier which has graced the stages of world-class musicians the world over. The BE-OD delivers authentic tube-amplifier sound from a compact pedal with the controls needed to shape your tone including volume, gain,
Bad Horse is an overdrive pedal. It has an extremely wide range gain from clean boost to cream overdrive, and even to hard rock. Benefit from the clean-drive mix circuit and the germinated diode, it can keep very clear timbre and is full of harmonics when it is at high gain. When you setting it as
All Spark is an boost based on Classic A JFET design. Up to 17dB pure volume. The additional BASS and TREBLE control give you more flexibility in achieving your ultimate tone. It doesn't change the Characteristics of your equipment tone. Its ideal pedal If you want more thickness distortion, change
A mythical overdrive meets the tone and feel of two iconic amplifiers. Accurately recreated the circuit of the high headroom overdrive with the magic blend of clean and overdriven tones and added extra features for versatility. The amp-in-a-box section uses an all-analog circuit to capture the
Dual overdrive pedal captures the tone of the now legendary Friedman BE-100 amplifier, which has graced the stages of world class musicians the world over. The original Friedman BE-OD single channel pedal took the industry by storm. This BE-OD Deluxe pedal employs the exact same circuit but adds
This is a analog & digital delay pedal. The dry signal is from analog circuit and the delay signal is from digital. It sounds like an old analog delay, with very naturally feedback. And there won’t be much sound coloring even when it works after a distortion pedal. It can be used in front of an
Classic British Rock tone as soon as you engage the Copper, the V1 pedal is stompbox that takes all the elements of the VC35 Copper and squeezes it into a pedal.The V1 series is a collaboration between Victory and award winning pedal builder Adrian Thorpe MBE. Designed and built in Britain, the
Do you miss gain and punch on your amplifier, or do you want to shape your tone without giving up the most natural overdrive? Here’s Uprising. Uprising is the dual booster that faithfully recreates the behavior of a tube gain stage. Whether you want an effective tool to give personality to your
TPS-1 is a high quality multi-output power supply with very low noise. | It totally has 10 outputs: | | 4 * 9V 500mA | 4 * 9V / 200mA | 2 * 9-18v / 200mA sag voltage continuously adjustable output. | | Each of them has independent short-circuit and overload protection. When one output occurs short
Professional solution for configuring DMX networks. The splitter and booster in 19' format amplifies the DMX input signal and distributes it to 8 electrically isolated outputs. It is connected directly to the DMX controller or to DMX devices. The input and the THRU socket for looping of the signal